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Life of the Virgin or Scenes from the Life of the Virgin Mary is a 1525 cycle of frescoes by the Italian Renaissance artist Lorenzo Lotto in the chapel to the left of the Cappella Maggiore in San Michele al Pozzo Bianco in Bergamo. It was the last work Lotto produced in the city.[1] Outside the chapel is a work showing The Visitation, whilst the main four paintings of the cycle show The Birth of the Virgin, The Presentation in the Temple, Betrothal of the Virgin and The Annunciation. Above these are a dome (God Surrounded by Angels) and four pendentives showing the Evangelists.

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This article may be expanded with text translated from the corresponding article in Italian. (December 2018) Click [show] for important translation instructions. View a machine-translated version of the Italian article. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 2,725 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Scene della vita di Maria]]; see its history for attribution. You should also add the template {{Translated|it|Scene della vita di Maria}} to the talk page. For more guidance, see Wikipedia:Translation.

References

На других языках

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- [en] Life of the Virgin (Lotto)

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[it] Scene della vita di Maria

Le Scene della vita di Maria sono un ciclo di affreschi di Lorenzo Lotto, datati 1525 e conservati nella cappella a sinistra della cappella maggiore nella chiesa di San Michele al Pozzo Bianco a Bergamo. Furono l'ultimo lavoro che l'artista veneziano realizzò nella città orobica.

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