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Saint John the Baptist as a Boy is a c.1518-1519 oil on canvas painting by the studio of Raphael, now in the Uffizi in Florence.[1]

Saint John the Baptist as a Boy
ArtistWorkshop of Raphael
Yearc.1518–1519
MediumOil on canvas
Dimensions147 cm × 135 cm (58 in × 53 in)
LocationUffizi, Florence

History


The painting is usually identified with the work mentioned in Giorgio Vasari's Lives of the Artists as produced for cardinal Jacopo Berengario da Carpi. Other sources argue it was commissioned by Pompeo Colonna when he was made a cardinal by Pope Leo X. In that case, Saint John would have been chosen in homage to Leo as the patron saint of his home city of Florence.

The painting was recorded in the Uffizi in 1589, then in the Palazzo Pitti and the Galleria dell'Accademia before returning to the Uffizi in recent years in its Tribuna.[2] Despite the work's past celebrity, proven by the numerous prints made of it, it is today attributed to the workshop of Raphael.


Description


A young Saint John the Baptist is traditionally represented as wearing only skins, often camel. In this case, he wears an exotic spotted fur wrapped around his body. Seated on a rock, he makes a gesture typical of Jesus to point to a cross on the left side of the painting. His athletic form and the shape of his body is derived from the Ignudi (lit.'nude figures') of Michelangelo on the Sistine Chapel. The painting uses an incidental light source and attempts to give relief to the illusory form of the figure, visible in the figure's feet.


References


  1. "Catalogue entry" (in Italian).
  2. Pierluigi De Vecchi, Raffaello, Rizzoli, Milano 1975

На других языках


- [en] Saint John the Baptist as a Boy (Raphael)

[fr] Saint Jean Baptiste (Raphaël)

Saint Jean Baptiste est une peinture à l'huile sur bois (165 × 147 cm), attribuée à l'atelier du peintre Raphaël. Le tableau est conservé à la Galerie des Offices de Florence.

[it] San Giovannino (Raffaello)

Il San Giovannino è un dipinto a olio su tela (135x147 cm) della bottega di Raffaello, databile al 1518-1519 circa e conservato negli Uffizi di Firenze.



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