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The Interior of the Palm House on the Pfaueninsel Near Potsdam, commonly shortened to The Interior of the Palm House or The Palm House, is the title of three oil on canvas paintings by Carl Blechen. Both depict four odalisques as they relax in a palm house (which was destroyed by fire in 1880) at the royal retreat of Pfaueninsel, though the angles of view and compositions are different. The first to be painted, in 1833, is now in the Hamburger Kunsthalle in Hamburg, Germany.[1] The second version, from 1834, is now in the Art Institute of Chicago, measuring 135 cm × 126 cm (53 in × 50 in).

The Interior of the Palm House on the Pfaueninsel Near Potsdam
German: Das Innere des Palmenhauses auf der Pfaueninsel bei Potsdam
ArtistCarl Blechen
Year1834 (1834)
MediumOil on canvas
Dimensions135 cm × 126 cm (53 in × 50 in)
LocationHamburger Kunsthalle / Art Institute of Chicago
Accession1996.388



Background


At the suggestion of naturalist Alexander von Humboldt, King Frederick William III of Prussia purchased the Foulchiron Palm Collection.[2] The Palm House was designed by Karl Friedrich Schinkel and completed in 1834. It was constructed on Pfaueninsel, an island near Potsdam that was a popular retreat for royals.[3] Frederick William commissioned Blechen, who was generally regarded as a landscape painter and had even been recently appointed as the Professor of Landscape Painting at the Akademie der Künste, to create two or three paintings of the Palm House at the cost of one thousand Taler.[4][5][3]


Description


Both paintings are naturalistic depictions of the interior of the Palm House, with a central group of figures who are presumably a fanciful insertion. At the center of each painting, four odalisques dressed in Oriental-style, gold-trimmed outfits are lounging on cushions and a carpet.[6] The addition of odalisques into paintings was a common trope in Orientalist painting.[7] The odalisques, much like the palm trees and the Indian architecture, are treated as exotic objects and symbolize the power and wealth of European royalty and aristocrats.[6][8] The large tree in the foreground highlights the size of the Palm House by framing the view and directing the viewer to the interior of the building.[6]


Ownership history


Frederick William most likely gifted the Chicago painting to his daughter, Alexandra Feodorovna, the wife of Emperor Nicholas I of Russia.[2] The painting remained in the Russian imperial collection until c. 1917. It then became part of a Swiss collection c. 1920. Before the Art Institute of Chicago purchased it in 1996, the painting had been owned by an art dealer and a private collector.[3]

The Alte Nationalgalerie purchased one of Blechen's color studies for the painting, The Palm House on the Pfaueninsel, in an auction in 1898.[2]




References


  1. "Das Innere des Palmenhauses | Karl Blechen". Bildindex. Retrieved 4 October 2020.
  2. Verwiebe, Birgit (2005). Keische, Claude (ed.). The Alte Nationalgalerie, Berlin. London: C.H. Beck/Scala Publishers. p. 45. ISBN 9783406526756.
  3. "The Interior of the Palm House on the Pfaueninsel Near Potsdam". The Art Institute of Chicago. Retrieved 1 October 2020.
  4. Southgate, M. Therese (13 September 2006). "Interior of the Palmhouse on the Pfaueninsel Near Potsdam". JAMA. 296 (10): 1207. doi:10.1001/jama.296.10.1207. PMID 16968833.
  5. Rondeau, James (2017). Paintings at the Art Institute of Chicago : Highlights of the Collection. Chicago, Illinois: Art Institute of Chicago. p. 53. ISBN 9780300225723.
  6. "PortFolio". Art Institute of Chicago Museum Studies. 28 (1): 84–85. 2002. doi:10.2307/4113053. JSTOR 4113053.
  7. Boer, Inge E. (2004). Disorienting Vision: Rereading Stereotypes in French Orientalist Texts and Images. Amsterdam: Rodopi. p. 8. ISBN 9789042017238.
  8. Aloi, Giovanni (16 October 2018). Aloi, Giovanni (ed.). Botanical Speculations: Plants in Contemporary Art. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. xx–xxi. ISBN 9781527519480.

На других языках

[de] Das Innere des Palmenhauses

Das Innere des Palmenhauses ist der Titel von fünf realistischen Gemälden von Carl Blechen aus den Jahren 1832 bis 1834, die das Innere des Palmenhauses auf der Berliner Pfaueninsel zeigen. Vier von ihnen entstanden als Auftragswerke des preußischen Königs Friedrich Wilhelm III. Zwei der Werke befinden sich im Besitz der Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, die beide seit 2011 im Neuen Pavillon im Park am Schloss Charlottenburg gezeigt werden.[1] Ein anderes Bild, eine Vorstudie, wird in der Berliner Alten Nationalgalerie ausgestellt, eine weitere Vorstudie in der Hamburger Kunsthalle und das fünfte Gemälde im Art Institute of Chicago.
- [en] The Interior of the Palm House on the Pfaueninsel Near Potsdam


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