Adrienne Edwards is a New York-based art curator, scholar, and writer.[1][2] Edwards is currently the Engell Speyer Family Curator and Curator of Performance at the Whitney Museum of American Art.[3]
Edwards curated performance commissions at Performa from 2010 to 2018.[3] Prior to moving to the Whitney in 2018, Edwards worked as curator at large at the Walker Art Center in Minneapolis. She held that position since 2016.[3] As of 2018 Edwards, was a Performance Studies Ph.D. student at N.Y.U.[4] In 2016, Edwards curated a show Blackness in Abstraction, at Pace Gallery.[5]
In 2019, Edwards with Danielle A. Jackson curated an exhibition at the Whitney: Jason Moran, the first museum survey devoted to the MacArthur-winning pianist and conceptualist.[6]
In October 2019, the Whitney Museum announced that Adrienne Edwards and David Breslin would curate the 2022 Whitney Biennial.[7] She is the official co-curator alongside David Breslin for Quiet as It’s Kept, the eighteenth iteration of the landmark exhibition.[8] The 2022 Whitney Biennial officially opens to the public on April 6, 2022.
Edwards authored the catalog for Blackness in Abstraction, the group exhibition she organized at Pace Gallery; as well as, contributing to the "Carrie Mae Weems: The Kitchen Table Series" and Ellen Gallagher's catalog Accidental Records.[9] Edwards was the performance reviews editor for the journal of feminist theory Women & Performance.[3]
In 2022, Edwards chaired the jury of the Venice Biennale.[10]
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