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Janet Cox-Rearick (June 28, 1930 - November 27, 2018) was an American art historian, Distinguished Professor of Art History at the City University of New York.

Janet Cox-Rearick Waldman
Cox-Rearick with a portrait of Duchess Eleonora di Toledo by Agnolo Bronzino.
Born
Janet Pearson Cox

(1930-06-28)June 28, 1930
DiedNovember 27, 2018(2018-11-27) (aged 88)
NationalityAmerican and British (dual citizen)
Other namesJanet Cox, Janet Cox-Rearick Hitchcock, Janet Cox-Rearick Waldman
OccupationArt historian

Early life and education


Born Janet Pearson Cox in Bronxville, New York to Vernon Cox, a schoolmaster at St. Bernard's School in Manhattan, and Mary Bostwick Cox, a Wellesley College graduate in Art History. She attended Bronxville High School (graduating in 1948) and Wellesley College (class of 1952). Though she was working as a model and preparing for a career in fashion merchandising, her encounter with Sydney J. Freedberg, her professor at Wellesley, convinced her to follow a career in art history. She followed Freedberg to Harvard, where she did her MA and PhD under his supervision. She won a two-year Fulbright Fellowship in 1954, which led to her meeting with a young opera student, Anna Moffo, who became her lifelong friend.

Janet Cox-Rearick Waldman with Anna Moffo in 1954 in Rome, when both were Fulbright Fellows.
Janet Cox-Rearick Waldman with Anna Moffo in 1954 in Rome, when both were Fulbright Fellows.

In 1961–63 she was a member of the first class of Fellows to Villa I Tatti, The Harvard Center for Italian Renaissance Studies. (The other Fellows appointed in that year were Eric Cochrane, Curtis Shell, John Freccero, and David Herlihy.) She held appointments at I Tatti again in 1975–76 and 1990–91.[1]

Among the first class of Fellows at Villa I Tatti. Photo taken at the Villa in May 1963.
Among the first class of Fellows at Villa I Tatti. Photo taken at the Villa in May 1963.

Scholarly work


Her dissertation, The Drawings of Pontormo, was published as a book (2 volumes) in 1963.

Her later books include: Dynasty and Destiny in Medici Art; Bronzino's Chapel of Eleonora in the Palazzo Vecchio; The Collections of Francois I: Royal Treasures; and Giulio Romano. She co-curated the 1999 exhibition The Drawings of Bronzino at the Metropolitan Museum of Art.[2]

She taught at Wellesley College, then soon after graduation worked as a curator in the Department of Prints and Drawings of the Art Institute of Chicago. She then became a lecturer at the Frick Collection before being hired, on the recommendation of Leo Steinberg, to teach Italian Renaissance art at Hunter College.[3] She remained at Hunter College for over forty years, and later taught at the Graduate Center of the City University of New York.

She received the title of Distinguished Professor from the City University of New York. For her work on Francois I, the French government awarded her a knighthood, naming her a Chevalier des Arts et des Lettres.


Personal life


She married three times, first to the art historian William Roger Rearick. Her second husband was H. Wiley Hitchcock, a scholar of American music. Her third husband was the art historian Louis Alexander Waldman.


Bibliography



References


  1. https://docs.google.com/viewer?url=http%3A%2F%2Fitatti.harvard.edu%2Fsites%2Fitatti.harvard.edu%2Ffiles%2F1961_Web_0.pdf [bare URL PDF]
  2. http://www.wnyc.org/shows/lopate/2010/feb/23/the-drawings-of-bronzino/ [dead link]
  3. "Artists Research Group - Oral History Project". Archived from the original on October 1, 2011. Retrieved April 3, 2012.
  4. Cox-Rearick, Janet (January 1, 1993). Bronzino's Chapel of Eleonora in the Palazzo Vecchio. University of California Press. OCLC 24428889 via Open WorldCat.
  5. Cox-Rearick, Janet (January 1, 1984). Dynasty and destiny in Medici art: Pontormo, Leo X, and the two Cosimos. Princeton University Press. OCLC 9758706 via Open WorldCat.



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