Jean-François Chevrier is an art theorist and historian, art critic and exhibition curator.[1][2] He lives and works in Paris. He is Professor in the History of Contemporary Art at the École nationale supérieure des Beaux-Arts in Paris, after having thought at the Université Paris-Nanterre and Paris VIII.
![]() | This biography of a living person needs additional citations for verification. (December 2010) |
Jean-François Chevrier | |
---|---|
![]() | |
Born | 1954 Lyon, France |
Nationality | French |
Academic background | |
Alma mater | École normale supérieure |
Academic work | |
Institutions | Beaux-Arts de Paris Paris Nanterre University Paris 8 University Vincennes-Saint-Denis |
In his essays Chevrier has examined the place of photography – and by extension modern and contemporary art – among the arts and the media.
Exhibitions and catalogues he has curated and co-edited include Matter of Facts (Nantes et al., 1988), Une autre objectivité / Another Objectivity (London, 1988), Photo Kunst (Stuttgart, 1989), Craigie Horsfield (London, 1989), Lieux communs, figures singulières (Paris, 1991), Walker Evans and Dan Graham (Rotterdam, 1992) and Craigie Horsfield. La ciutat de la gent (Barcelona, 1996). He has written essays on Jean-Marc Bustamante, John Coplans, Ken Lum, Michelangelo Pistoletto, Gerhard Richter and Brassaï.
The European half, selected by French art historian and critic Jean-Francois Chevrier....
General | |
---|---|
National libraries | |
Other |
|