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Linda Dalrymple Henderson (born 1948)[1] is a historian of art whose research involves the connections between modern art, science and technology, and the occult.[2] She is the David Bruton, Jr. Centennial Professor in Art History at the University of Texas at Austin.[3]


Education and career


Henderson entered Dickinson College planning to study mathematics, but graduated in 1969 with a major in art history.[2] She earned a Ph.D. from Yale University in 1975.[4] From 1974 to 1977 she was Curator of Modern Art at the Museum of Fine Arts, Houston; she joined the faculty at the University of Texas at Austin in 1978.[3] In 1999 the university gave her their Robert W. Hamilton Book Award for her book on Marcel Duchamp.


Books


Henderson is the author of:

She is the editor of:


References


  1. Birth year from Library of Congress catalog entry, retrieved 2020-02-16
  2. Bitts-Jackson, MaryAlice (October 9, 2019), "Science, Math, Technology and ... Art? Skimming the Fourth Dimension With Linda Henderson '69", Dickinson News, Dickinson College
  3. "Linda Dalrymple Henderson", People, University of Texas at Austin Department of Art & Art History, retrieved 2020-02-16
  4. Curriculum vitae (PDF), retrieved 2020-02-16
  5. Reviews of The Fourth Dimension and Non-Euclidean Geometry in Modern Art:
    • Veličković, Vesna, Mathematical Reviews, MR 3026954{{citation}}: CS1 maint: untitled periodical (link)
    • Negrescu, Alexandru, zbMATH, Zbl 1275.00025{{citation}}: CS1 maint: untitled periodical (link)
    • Wilson, Raymond L. (Spring 1984), Art and Documentation, 3 (1): 25, JSTOR 27947272{{citation}}: CS1 maint: untitled periodical (link)
    • Danto, Arthur C. (May–June 1985), The Print Collector's Newsletter, 16 (2): 64–66, JSTOR 24552812{{citation}}: CS1 maint: untitled periodical (link)
    • Loeb, A. L. (July 1985), "Art, science and history", Leonardo, 18 (3), doi:10.2307/1578051, JSTOR 1578051, S2CID 193028041
    • Richardson, John Adkins (Fall 1985), "Art, science, modernity", The Journal of Aesthetic Education, 19 (3): 89–99, doi:10.2307/3332646, JSTOR 3332646
    • Berrett, Joshua; Marquardt, Virginia (October 1985), Technology and Culture, 26 (4): 879–882, doi:10.2307/3105651, JSTOR 3105651, S2CID 113682080{{citation}}: CS1 maint: untitled periodical (link)
    • Sigurdsson, Skúli (December 1989), Isis, 80 (4): 737–738, doi:10.1086/355234, JSTOR 234242{{citation}}: CS1 maint: untitled periodical (link)
    • Schulte, Tom (November 2013), "Review", MAA Reviews, Mathematical Association of America
    • Harle, Rob (2014), Leonardo, 47 (1): 100–101, doi:10.1162/LEON_r_00723, JSTOR 43834136, S2CID 190054408{{citation}}: CS1 maint: untitled periodical (link)
    • Jardine, Boris (April 2015), "The shock of the odd", The British Journal for the History of Science, 48 (2): 353–356, doi:10.1017/s0007087415000047, PMID 25921685
  6. Reviews of Duchamp in Context:
  7. Faires, Robert (January 2, 2009), "This trippy exhibit revisits New Frontier artists engaged in their own space race", Austin Chronicle
  8. Reviews of From Energy to Information:





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