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Parviz Tanavoli (born 1937) is an Iranian sculptor, painter, educator, and art historian. He is a pioneer within the Saqqakhaneh school, a neo-traditionalist art movement.[1] Tanavoli has been one of the most expensive Iranian artists in sales.[2] Tanavoli series of sculpture work Heech are displayed in prestigious museums and public places, such as the British Museum, Metropolitan Museum of Art, Hamline University, Aga Khan Museum, and as public art in the city of Vancouver.[citation needed] Additionally Tanavoli has written extensively on this history of Persian art and Persian crafts. Since 1989, Tanavoli holds dual nationality and has lived and worked both in Tehran, and Horseshoe Bay in West Vancouver, British Columbia.[3][4]

Parviz Tanavoli
Born
Parviz Tanavoli

(1937-03-24) 24 March 1937 (age 85)
Tehran, Pahlavi Iran
EducationTehran School of Fine Arts
Academy of Fine Arts in Carrara,
Brera Academy
OccupationArtist, art historian, educator
Known forSculpture, painting
WorksThe Wall (Oh Persepolis)
Heech
MovementSaqqakhaneh movement
Huryfiyya movement
Websitewww.tanavoli.com

Early life and education


Parviz Tanavoli was born 24 March 1937 in Tehran.[citation needed] In 1952, he started his education at the Tehran School of Fine Arts (now part of the University of Tehran).[2] He continued his studies in Italy at the Academy of Fine Arts in Carrara (Italian: Accademia di Belle Arti di Carrara) in 1956 to 1957; as well as at Brera Academy (Italian: Accademia di Belle Arti di Brera) in Milan from 1958 to 1959 .[5] He studied under sculptor Mariano Marini.[5]

Upon graduating from the Brera Academy in 1959, he returned to Iran in 1960 and taught sculpting at the College of Decorative Arts in Tehran.[5]


Career



Teaching


From February 1961 to 1964, Tanavoli taught sculpture for three years at the Minneapolis College of Art and Design, as a guest of art collector Abby Grey.[6][5] He then returned to Iran and assumed the directorship of the sculpture department at the University of Tehran, a position he held for 18 years until 1979, when he retired from his teaching duties.[citation needed]


Artwork


Parviz Tanavoli, Heech, Stainless steel, Agha Khan Museum, Toronto (Canada)
Parviz Tanavoli, Heech, Stainless steel, Agha Khan Museum, Toronto (Canada)
Parviz Tanavoli, Heech Lovers, 5.5 Meters in Stainless steel, Vancouver (Canada)
Parviz Tanavoli, Heech Lovers, 5.5 Meters in Stainless steel, Vancouver (Canada)

He belongs to the Saqqakhaneh group of artists who, according to the scholar Karim Emami, share a common popular aesthetic.[7] He has been influenced heavily by his country's history and culture and traditions, and has always been fascinated with locksmithing. Tanavoli was once cultural advisor to the Shahbanu Farah Pahlavi.[citation needed] Tanavoli is known for his heeches, three dimensional representations of the Persian word for 'nothing', heech.[4] Composed of three Persian characters in the style of nasta'liq, the three letters he, ye and če are combined to produce the word heech.[8]\

In 2003, Tanavoli turned his Tehran house into the "Museum of Parviz Tanavoli" showcasing his personal art collection, which was only open for a few months due to political issues in Iran.[4]


Rasht 29 Club


In 1967, Tanavoli, Kamran Diba, and Roxana Saba (daughter of Abolhasan Saba) founded the Rasht 29 Club on a northern street near the Amirkabir University of Technology (formerly the Tehran Polytechnic).[9][10] Rasht 29 Club was named after the street address, and it was a popular hangout amongst artists of the time including Marcos Grigorian, Hossein Zenderoudi, Sadegh Tabrizi, Faramarz Pilaram, Sohrab Sepehri, Massoud Arabshahi, Yadollah Royai, Nader Naderpour, Reza Baraheni, Esmail Shahroudi, Ahmadreza Ahmadi, Bijan Elahi, Ebrahim Golestan, Hageer Daruish, Kamran Shirdel, Sadeq Chubak, Karl Schlamminger, and others.[10]


Sales


Tanavoli's work has been auctioned around the world leading to overall sales of over $9 million, making him the most expensive living Iranian artist.[11] In 2008, his work, The Wall (Oh Persepolis), an almost 2-meter tall bronze sculpture covered in incomprehensible hieroglyphs fetched $2.84 million USD at a Dubai Christie's sale, which was an auction record for an artist of Middle Eastern origins.[12][13]


Exhibitions


His solo exhibition was in 2019 at the West Vancouver Art Museum entitled "Oh Nightingale". Prior to that, he had another solo exhibition in 2017 at the Tehran Museum of Contemporary Art based on his Lions works and Lion collection.[citation needed]

In 2015, after four decades, Davis Museum at Wellesley College organized the first solo exhibition of Tanavoli's work in the US.

In 2003 he had a major retrospective at the Tehran Museum of Contemporary Art. Prior to that he had held solo exhibitions in Austria, Italy, Germany, United States and Britain. Tanavoli has been in group exhibitions internationally.

His work has been displayed at the Tate Modern, British Museum, Metropolitan Museum of Art, the Grey Art Gallery - New York University, the Isfahan City Center, Nelson Rockefeller Collection, New York, Olympic Park, Seoul, South Korea, the Royal Museum of Jordan, the Museum of Modern Art, Vienna, Museum of Modern Art, New York, Walker Art Center, Minneapolis, Hamline University, St. Paul[14] and Shiraz University, Iran.[15]


Politics and art


In 2005, he created a small piece of sculpture called Heech in a Cage to protest the conditions of the American-held prisoners at Guantanamo Bay detainment camp and in 2006 began work on his piece to honour the victims of the Israeli-Lebanon war.[citation needed]

A day before Tanavoli was due to speak at the British Museum in 2016, authorities in Iran confiscated his passport, preventing him from leaving the country, accusing him of "disturbing the public peace". Tanavoli explained that "I have not done anything wrong. I spent the whole day at the passport office but no one told me anything, nor did anyone at the airport. I'm not a political person, I'm merely an artist."[1][3]


Honors and legacy



In 2015, the biographical documentary film was released, Parviz Tanavoli: Poetry in Bronze, directed by Terrence Turner and produced by Timothy Turner and Tandis Tanavoli.[4][16][17]

In October 2020, the former Mina Street in the Niavaran neighborhood was renamed Parviz Tanavoli by the municipality of Tehran.[citation needed]


Bibliography



Authored or co-authored by Tanavoli


Tanavoli has authored over forty publications, dating back over four decades. Among these are:


On Tanavoli


Books, catalogs, and magazines on Parviz Tanavoli


See also



References


  1. Dehghan, Saeed Kamali (2016-07-02). "Renowned Iranian artist Parviz Tanavoli barred from leaving country, the artist was due to fly to London to speak at the British Museum but had his passport confiscated without explanation". the Guardian. ISSN 1756-3224. Retrieved 2022-03-24.
  2. Dehghan, Saeed Kamali (2016-01-01). "Parviz Tanavoli: Iranian artist who made something out of nothing". the Guardian. Retrieved 2022-03-24.
  3. Muñoz-Alonso, Lorena (2016-07-04). "Iranian Officials Seize Parviz Tanavoli's Passport". Artnet News. Retrieved 2022-03-24.
  4. Lederman, Marsha (2015-02-20). "Master of bronze Parviz Tanavoli strives for recognition on home soil". The Globe and Mail. Retrieved 2022-03-24.
  5. Bloom, Jonathan; Blair, Sheila S.; Blair, Sheila (2009-05-14). Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set. OUP USA. pp. 268–269. ISBN 978-0-19-530991-1.
  6. Porter, Venetia; Rosser-Owen, Mariam (2012-06-29). Metalwork and Material Culture in the Islamic World: Art, Craft and Text. Bloomsbury Publishing. p. 486. ISBN 978-0-85773-343-6.
  7. Ekhtiar, Maryam; Rooney, Julia (April 2014). "Artists of the Saqqakhana Movement (1950s–60s)". Heilbrunn Timeline of Art History. Metropolitan Museum of Art. metmuseum.org. Retrieved 2017-02-04.
  8. "Standing heech". National Museums Scotland. Archived from the original on 4 February 2017. Retrieved 3 February 2017.
  9. Grigor, Talinn (2014-06-15). Contemporary Iranian Art: From the Street to the Studio. Reaktion Books. ISBN 978-1-78023-309-3.
  10. Mohebbi, Sohrab. "Rasht 29: A cultural oasis in central Tehran". Bidoun, Issue 20. ISSN 1551-4048. Retrieved 2022-03-24.
  11. ".:: Art Tomorrow Magazine ::". www.artomorrow.com. Archived from the original on 2013-11-05.
  12. Niknejad, Golnoush (April 26, 2009). "Oh Persepolis". Frontline, Tehran Bureau. Retrieved 2022-03-24.
  13. "Sculpture sets auction record". Los Angeles Times. 2008-05-02. ISSN 0458-3035. Retrieved 2022-03-24.
  14. "The Heech | Virtual Tour | Hamline University".
  15. Harouni, Shadi (10 February 2015). "Parviz Tanavoli: plenty of 'nothing' - exhibition". The Guardian. Retrieved 3 February 2017.
  16. "Photos: Sculptor Parviz Tanavoli and students reunite at Tehran's Boom gallery". Payvand.com. Retrieved 2022-03-24.
  17. "Sculptor Parviz Tanavoli and students reunite at Tehran gallery". Tehran Times. 2017-11-05. Retrieved 2022-03-24.

Further reading





На других языках


[de] Parviz Tanavoli

Parviz Tanavoli (* 1937 in Teheran) ist ein iranischer Bildhauer.
- [en] Parviz Tanavoli

[fr] Parviz Tanavoli

Parviz Tanavoli (né à Téhéran, le 23 mars 1937) est un sculpteur, peintre et collectionneur d'art et d'artisanat iranien. Depuis 1989, il habite à Vancouver (Canada).

[ru] Танаволи, Парвиз

Парвиз Танаволи (перс. پرویز تناولی‎, 23 марта 1937 (1937-03-23); Тегеран, Иран) — иранский скульптор, художник, учёный и коллекционер произведений искусства. С 1989 года он проживает в Ванкувере (Канада).



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