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Paul Armand Silvestre (18 April 1837 – 19 February 1901) was a 19th-century French poet and conteur born in Paris.

Paul Armand Silvestre
Born	18 April 1837 Paris
Died	19 February 1901(1901-02-19) (aged 63) Toulouse
Occupation	Chorégrapher Poet Librettist

He studied at the École polytechnique with the intention of entering the army, but in 1870 he entered the department of finance. Silvestre had a successful official career, was decorated with the Legion of Honour in 1886, and in 1892 was made inspector of fine arts. Armand Silvestre made his entry into literature as a poet, and was reckoned among the Parnassians.

Works

Armand Silvestre's works were published mainly by Alphonse Lemerre and Gervais Charpentier.

Some of his poems were set to music by Gabriel Fauré, under the form of mélodies for one voice and piano (Le Secret, L'Automne...). Thirteen of his poems were set by André Messager.[1] Silvestre's poem Jours Passés was set in music by Léo Delibes under the title Regrets.[2]

Poetry

• Rimes neuves et vieilles, with a preface by George Sand (1866) see on Gallica
• Les Renaissances (1870)
• La Gloire du souvenir, poème d'amour (1872)
• Poésies, 1866-1874. Les Amours. La Vie. L'Amour (1875)
• La Chanson des heures, poésies nouvelles (1874-1878) (1878)
• Le Pays des roses, poésies nouvelles, 1880-1882 (1882)
• Le Chemin des étoiles : les Adorations, la Chanson des jours, Musiques d'amour, Dernières tendresses, Poèmes dialogués, 1882-1885 (1885)
• Le Dessus du panier : Impressions et souvenirs, Soleils toulousains, Propos de saison, Au pays des rêves (1885)
• Poésies, 1872-1878. La Chanson des heures (1887)
• Les Ailes d'or, poésies nouvelles (1890)
• Roses d'octobre, poésies, 1884-1889 (1890)
• Poésies, 1866-1872. Rimes neuves et vieilles. Les Renaissances. La Gloire du souvenir (1892)
• L'Or des couchants, poésies nouvelles, 1889-1892 (1892): )
• Trente Sonnets pour Mademoiselle Bartet (1896)
• Les Aurores lointaines, poésies nouvelles, 1892-1895 (1896)
• Les Tendresses, poésies nouvelles, 1895-1898 (1898)
• Les Fleurs d'hiver, poésies nouvelles, 1898-1900 (1900)

His volumes of verse include:

• Rimes neuves et vieilles (1866), to which George Sand wrote a preface
• Les Renaissances (1870)
• La Chanson des heures (1878)
• Le Chemin des étoiles (1885), etc.

The poet was also a contributor to Gil Blas and other Parisian journals, distinguishing himself by the licence he permitted himself. To these "absences" from poetry, as Henri Chantavoine calls them, belong the seven volumes of La Vie pour rire (1881–1883), Contes pantagruéliques et galants (1884), Le Livre des joyeusetés (1884), Gauloiseries nouvelles (1888), &c.

Prose

Theatre and librettos

• 1876: Dimitri, opera in 5 acts and 7 tableaux, with Henri de Bornier, music by Victorin de Joncières, Paris, théâtre National-Lyrique, 1 May
• 1879: Monsieur ? three-act comédie-bouffe, with Paul Burani, Athénée-Comique, 24 October
• 1879: Myrrha, saynète romaine, Paris, Cercle des arts libéraux, 20 December
• 1880: La Tempête, poème symphonique in 3 parts, after Shakespeare, with Pierre Berton, music byAlphonse Duvernoy, Théâtre du Châtelet, 18 November
• 1882: Coquelicot, three-act opéra comique, after the Cogniard brothers, music by Louis Varney, Théâtre des Bouffes-Parisiens, 2 March
• 1882: Galante aventure, three-act opéra comique, with Louis Davyl, music by Ernest Guiraud, Opéra-Comique, 23 March
• 1883: Henry VIII, opera in 4 acts and 6 tableaux, with Léonce Détroyat, music by Camille Saint-Saëns, Opéra, 5 March
• 1884: Pedro de Zalamea, four-act opera, with Léonce Détroyat, music by Benjamin Godard, Anvers, théâtre Royal, 31 January
• 1886: Les Templiers, opera in 5 acts and 7 tableaux, with Jules Adenis and Lionel Bonnemère, music by Henry Litolff, Bruxelles, théâtre de la Monnaie, 25 January
• 1886: Le Mari d'un jour, three-act opéra comique, with Adolphe d'Ennery, music by Arthur Coquard, Opéra-Comique, 4 February
• 1887: La Tesi, four-act drama, with Georges Maillard, Bruxelles, Théâtre Molière, 29 October; directed by Paul Alhaiza (source: journal le globe illustré)
• 1888: Jocelyn, four-act opera, after the poem by Lamartine, with Victor Capoul, music by Benjamin Godard, Bruxelles, Théâtre de la Monnaie, February
• 1888: Chassé-croisé d'amour, one-act opéra-bouffe, with Édouard Cavailhon, music by Villebichot
• 1888: La Femme bookmaker, obne-act opérette, with Édouard Cavailhon, music by Germain Laurens
• 1889: Sapho, February
• 1890: Le Pilote, opera in 3 acts and 4 tableaux, with A. Gandrey, music by J. Urich, Monte-Carlo, Casino, 29 March
• 1893: c, drama in 1 act and in verse, Comédie-Française, 6 March
• 1893: Les Drames sacrés, poème dramatique in 1 prologue and 10 tableaux, in verse, religious pictures after 14th- and 15th-century Italian painters, with music by Gounod with Eugène Morand, Théâtre du Vaudeville, 15 March
• 1894: Izeyl, drame en 4 actes, avec Eugène Morand, musique de Gabriel Pierné, Paris, Théâtre de la Renaissance, 24 January
• 1894: La Fée du rocher, ballet-pantomime en 2 actes et 6 tableaux, avec Francis Thomé et Jules Chéret, 1894
• 1895: Salomé, pantomime lyrique, with Meltzer, music by Gabriel Pierné, Théâtre de l'Athénée, 4 March
• 1897: Tristan de Léonois, drama in 3 acts and 7 tableaux, including 1 prologue, in verse, Comédie-Française, 28 October
• 1897: Chemin de croix, twelve religious poems after Armand Silvestre, set in music by Alexandre Georges
• 1899: Messaline, drame lyrique in 4 acts and 5 tableaux, with Eugène Morand, music by Isidore de Lara
• 1901: Charlotte Corday, drame musical in 3 acts, Opéra Populaire, February
• 1901: Grisélidis, conte lyrique in 3 acts and 1 prologue, with Eugène Morand, after the le mystery presented at the Comédie-Française, music by Jules Massenet, Opéra-Comique, 13 November
• 1908: Le Chevalier d'Éon, four-act opéra comique, with Henri Cain, music by Rodolphe Berger, Théâtre de la Porte-Saint-Martin, 10 April
• Le Chevalier aux fleurs, ballet-pantomime in 12 tableaux, music by André Messager and Raoul Pugno (s. d.)

An account of his varied and somewhat incongruous production is hardly complete without mention of his art criticism. Le Nu au Salon (1888–1892), in five volumes, with numerous illustrations, was followed by other volumes of the same type. He died at Toulouse, February 19, 1901.

References

 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Silvestre, Paul Armand". Encyclopædia Britannica. Vol. 25 (11th ed.). Cambridge University Press. p. 119.

External links

• Works by or about Armand Silvestre at Internet Archive
• Works by Armand Silvestre at Project Gutenberg
• Works by Armand Silvestre at Faded Page (Canada)
• Works by Paul Armand Silvestre at LibriVox (public domain audiobooks)
• Free scores by Paul Armand Silvestre in the Choral Public Domain Library (ChoralWiki)
• Armand Sylvestre on Wikisource

На других языках

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- [en] Paul Armand Silvestre

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[fr] Armand Silvestre

Paul-Armand Silvestre est un écrivain français, romancier, poète, conteur, librettiste et critique d'art né le 18 avril 1837 dans l'ancien 1er arrondissement de Paris[2] et mort le 19 février 1901 à Toulouse[3].

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[ru] Сильвестр, Арманд

Поль-Арманд Сильвестр (фр. Silvestre, Paul-Armand) — французский писатель, прозаик, поэт, автор сказок, либреттист и искусствовед. Родился 18 апреля 1837 года в бывшем первом округе Парижа и умер 19 февраля 1901 в Тулузе [6].

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