art.wikisort.org - Researcher

Robert Rosenblum (July 24, 1927 – December 6, 2006) was an American art historian and curator known for his influential and often irreverent scholarship on European and American art of the mid-eighteenth to 20th centuries.[1]

Biography

Rosenblum was born in New York City and studied art history at Queens College and Yale University and, in 1956, received his Ph.D. from New York University's Institute of Fine Arts.[2]

Rosenblum's many publications include Cubism and Twentieth Century Art (1960), Transformations in Late Eighteenth Century Art (1967), Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko (1973), and Nineteenth Century Art (co-authored with H.W. Janson, 1984). However, he is perhaps best known for his innovations in curatorial practice, such as his inclusion of non-canonical works and his rejection of standard chronological ordering.[3]

Rosenblum held teaching positions at Princeton University, the University of Michigan, Yale University, Oxford University (where he was Slade Professor of Fine Art for 1972–73)[4] and the Institute of Fine Arts at New York University.[2] He was also the Stephen and Nan Swid Curator of Twentieth-Century Art at the Solomon R. Guggenheim Museum.[5]

References

На других языках

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[de] Robert Rosenblum

Robert H. Rosenblum (* 24. Juli 1927 in New York City; † 6. Dezember 2006 in Manhattan, New York City) war ein US-amerikanischer Kunsthistoriker und Hochschullehrer. Seine wissenschaftlichen Interessen erstreckten sich über das 18. und 19. Jahrhundert und reichten bis zu modernen Künstlern wie Jeff Koons und John Currin. Rosenblum, ein produktiver Essayist, veröffentlichte 18 Bücher, darunter Transformations in Late Eighteenth-Century Art (1967) und Nineteenth-Century Art (1984). Er veröffentlichte auch speziellere Studien zu einzelnen Künstlern, darunter Andy Warhol, Frank Stella und Jeff Koons. Für das 1988 erschienene Buch The Dog in Art: From Rococo to Post Modernism betrachtete er Gemälde wie einen rasierten Pudel des Malers Jean-Jacques Bachelier aus dem 18. Jahrhundert und eine Statue eines defäkierenden Hundes des italienischen Bildhauers Adriano Cecioni aus dem 19. Jahrhundert sowie modernere Darstellungen von Édouard Manet und Alberto Giacometti.

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- [en] Robert Rosenblum

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