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The Altarpiece by Veit Stoss (Polish: Ołtarz Wita Stwosza), also St. Mary's Altar (Ołtarz Mariacki), is a large Gothic altarpiece and a national treasure of Poland.[1] It is located behind the high altar of St. Mary's Basilica in the city of Kraków. The altarpiece was carved between 1477 and 1489 by the German-born sculptor Veit Stoss (known in Polish as Wit Stwosz) who lived and worked in the city for over 20 years.

The altarpiece of Veit Stoss
The altarpiece of Veit Stoss

In 1941, during the German occupation, the dismantled altarpiece was shipped to the Third Reich on the order of Hans Frank – the Governor-General of that part of occupied Poland. It was recovered in 1946 in Bavaria, hidden in the basement of the heavily bombed Nuremberg Castle. The High Altar underwent major restoration work in Poland and was put back in its place at the Basilica 10 years later.[2]


History


April 1946: German workmen and GI guards take a last look at the main figurehead from the altarpiece
April 1946: German workmen and GI guards take a last look at the main figurehead from the altarpiece

World War II


A few weeks prior to the outbreak of the Second World War and the German occupation of Poland, the Poles took the altarpiece apart and stored its main statues in crates dispersed across the country.[1] The crates were located by a Nazi unit called the Sonderkommando Paulsen, plundered and transported to the Third Reich, likely to Berlin. The panels were also found and sent to Germany. They were put in the basement of the Nuremberg Castle.[1] At the castle, Polish prisoners sent messages to members of the Polish resistance that the revered altarpiece was hidden there.[1] The altarpiece survived the war in spite of heavy bombardment of Nuremberg, and was discovered by Count Emeryk Hutten-Czapski, who was attached to the Polish 1st Armoured Division, and it was returned to Poland in 1946,[2] where it underwent major restoration. It was put back at St. Mary's Basilica in 1957.[Note 1][1]

The altarpiece was restored several times in its history, not only after the end of World War II. For the first time, it was renovated before 1600, then in 1866–1870, 1932–1933, 1946–1949, 1999 and finally, in 2017.

St. John Cantius in Chicago, a historic church in the 'Polish Cathedral' style contains a detailed copy of this masterpiece. This one-third scale copy is the largest and most detailed work of its kind, and was commissioned in 2003 as a tribute to the immigrants from the former Galicia region of southeastern Poland who founded the parish in 1893.


Description


The Veit Stoss Altarpiece is about 13 m high and 11 m wide when the panels of the triptych are completely opened. The realistically sculptured figures are 2.7 m (more than 12 ft.) high;[1] each one was carved out of a tree trunk of lime (linden). Other parts of the altarpiece are made from oak wood, and the background is constructed of larch wood. When closed, the panels show 12 scenes of the life of Jesus and Mary.

The scene at the bottom of the main altarpiece (centre) shows the Dormition of Jesus' mother, Mary, in the presence of the Twelve Apostles. The upper centre part illustrates the Assumption of the Madonna. At the very top, outside the main frame, the coronation of Mary is shown, flanked by figures of Saint Stanislaus and Saint Adalbert of Prague. The side panels show the six scenes of the Joys of Mary:


Annunciation
 
Centre scene, the Dormition of Mary
Mother of Jesus, in the presence
of the Twelve Apostles
 
Resurrection of Christ

Nativity scene

Ascension of Christ

Three Wise Men

Descent of the Holy Spirit

Photographs



After 2021 restoration



Notes


  1. Veit Stoss born a Nuremberger, met the Nazis' definition of "Aryan", and the German administration considered his altarpiece to be German property.

References


  1. Kurtz, Michael J. (2006). America and the return of Nazi contraband. Cambridge University Press. p. 25.
  2. Życie i twórczość Wita Stwosza (Life and Art of Wit Stwosz.) Jagiellonian University  (in Polish)


На других языках


[de] Krakauer Hochaltar

Der Krakauer Hochaltar in der Krakauer Marienkirche ist ein Pentaptychon, ein Wandelaltar mit einem Hauptschrein, zwei feststehenden Außen- und zwei beweglichen Innenflügeln. Der Schrein ist mit Skulpturen versehen, die Flügel sind mit Reliefs geschmückt. Die Schnitzarbeiten sind teils farbig gefasst, teils vergoldet. Thema des Altares ist die Verherrlichung Marias. Der Flügelaltar mit seinen zwei Schauseiten ist das erste gesicherte Werk des spätgotischen Bildhauers Veit Stoß und eines seiner Hauptwerke.
- [en] Veit Stoss altarpiece in Kraków

[it] Altare di Veit Stoss

L'Altare di Veit Stoss (polacco: Ołtarz Wita Stwosza; tedesco: Krakauer Hochaltar), noto anche come Altare di Santa Maria (Ołtarz Mariacki), è il più grande altare gotico del mondo e un tesoro nazionale della Polonia[1] ed è ubicato dietro l'altare maggiore della Basilica di Santa Maria di Cracovia.



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