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Wallace Fountains are public drinking fountains named after, financed by and roughly designed by Sir Richard Wallace. The final design and sculpture is by Wallace's friend Charles-Auguste Lebourg. They are large cast-iron sculptures scattered throughout the city of Paris, France, mainly along the most-frequented sidewalks. A great aesthetic success, they are recognized worldwide as one of the symbols of Paris. A Wallace Fountain can be seen outside the Wallace Collection in London, the gallery that houses the works of art collected by Sir Richard Wallace and the first four Marquesses of Hertford.

Wallace fountains
A Wallace fountain located in
the Montmartre district of Paris
DesignerCharles-Auguste Lebourg
MaterialCast iron
Beginning date1872
Dedicated toRichard Wallace

Background


During the Franco-Prussian War, Paris went through difficult times. The city was quickly rebuilt, despite the ravages it had suffered. In less than ten years, it was transformed, with new buildings (the Paris Opera, for example) and new boulevards (the Raspail and the St-Germain). Additionally, philanthropy was in fashion among the wealthy bourgeoisie, who financed numerous "good works" (such as the Red Cross and the Salvation Army) to uphold their image.


Sir Richard Wallace


Sir Richard Wallace caricatured as a Wallace fountain, by Georges Lafosse published in Le Trombinoscope
Sir Richard Wallace caricatured as a Wallace fountain, by Georges Lafosse published in Le Trombinoscope

Among these philanthropists, Sir Richard Wallace (1818–1890) was one of the most eclectic and reserved. Having inherited a large fortune from his father in August 1870, he decided that all Parisians should profit from it, which made him popular. Wallace's devotion led him to remain in his Parisian villa even as the city was besieged, rather than take refuge on one of his palatial estates, to be in Paris when he was needed.

He founded a hospital, where he personally welcomed victims of the bombings and distributed supplies, among his other efforts on behalf of Parisians at war. He remained faithful to his adopted nation, France, and is buried at Père Lachaise Cemetery.

Of his numerous contributions to Parisian heritage, the best known today are the fountains which bear his name.


Why fountains?


As a result of the siege of Paris and the Commune episode, many aqueducts had been destroyed, and the price of water, already higher than normal, increased considerably. Because of this, most of the poor had to pay for water. Moreover, most of the water provided by vendors was drawn from the Seine river and was likely to be dirty, as run-off from streets and many of sewers drained into it. Hence it was safer to drink beer or other alcoholic beverages, and almost as cheap as water. The temptation to take to liquor was strong among the lower classes, and it was considered a moral duty to keep them from falling into alcoholism. Even today, when water and hygiene are not a problem for the majority of Parisians, these fountains are often the only sources of free water for the homeless.

The poor are not the only beneficiaries of these installations. Even if the aim of the fountains was to allow people of modest means to have access to drinking water, they are not the only ones who use them. Anyone passing by may quench his thirst, fulfilling this vital need. There was already a programme of constructing temperance fountains in both the United States and in the United Kingdom.

Not only did the fountains accomplish Wallace's philosophy of helping the needy, but they also beautified Paris.


Conception


Richard Wallace designed the fountains himself and intended them to be beautiful as well as useful. The fountains had to meet several strict guidelines:

The locations, as well as the color (a dark green, like all urban development of that era, in order to blend in with the parks and tree-lined avenues), were quickly chosen by the city government.

Wallace created two different models, which were followed by two additional models, thus there were four types of Wallace fountains varying in such properties as height and motif. They were made of cast iron. Inexpensive, easy to mold, and robust, it was one of the most popular materials of the age. The majority of the cost was paid for by Wallace. The city of Paris allocated 1,000 francs for the large model and 450 francs for the wall-mounted model.

The fountains are still molded by the historical foundry G.H.M


Sculptor


Wishing that his project be completed as rapidly as possible, Wallace called on Charles-Auguste Lebourg, a sculptor from Nantes whom he knew and whose talents were already renowned. Lebourg improved Wallace's sketches, already studied and thought-provoking, to make the fountains true works of art.

For the large model, Lebourg created four caryatids representing kindness, simplicity, charity and sobriety. Each one is different from her sisters, by the way she bends her knees and where her tunic is tucked into her blouse.

The four caryatids

Different models


The first two models (large model and applied model) were conceived and financed by Sir Richard Wallace. The two other models were created following the success of their predecessors inspired by the same styles and the resemblance is obvious. The more recent designs are not as strongly steeped in Wallace's aesthetic ideals, that in true Renaissance style, they should be useful, beautiful, and symbolic, in addition to being real works of art.


Large model


(size: 2.71 m, 610 kg)

The large model was conceived by Sir Richard Wallace, and was inspired by the Fontaine des Innocents. On a foundation of Hauteville stone rests an octagonal pedestal on which four caryatids are affixed with their backs turned and their arms supporting a pointed dome decorated by dolphins.

The water is distributed in a slender trickle issuing from the center of the dome and falls down into a basin that is protected by a grille. To make distribution easier, two tin-plated, iron cups attached to the fountain by a small chain were at the drinker's desire, staying always submerged for cleanliness. These cups were removed in 1952 "for Hygiene reasons" by demand of the Council of Public Hygiene of the old Department of the Seine.

For more information, see the Technical File (in French).


Wall-mounted model


(size: 1.96 m, 300 kg)

Sir Richard's other model.[1] In the middle of a semi-circular pediment, the head of a naiad issues a trickle of water that falls into a basin resting between two pilasters. Two goblets allowed the water to be drunk, but they were retired under the 1952 law cited above. This model, costing little to install, was to have been many units along the lengths of the walls of buildings with strong humanitarian focus, e.g. hospitals. This was not the case, and they do not remain today except for one situated on rue Geoffroy Saint-Hilaire.


Small model


(size: 1.32 m, 130 kg)

These are simple pushbutton fountains that one can find in squares and public gardens and are marked with the Parisian Seal (although the one installed on the Place des Invalides lacks this seal). They are familiar to mothers who bring their children to play in the many small parks in Paris.

Measuring only 4'-3" and weighing 286 lbs., they were commissioned by the mayor of Paris more frequently than its older sister models.


Colonnade model


(size: 2.50 m, a little more than 500 kg)

This model was the last to be realized. The general shape resembles that of the Large Model and the caryatids were replaced with small columns to reduce the cost of fabrication. The dome was also less pointy and the lower part more curved.

Although 30 of these were made, today there remain only two, one on rue de Rémusat and the other on avenue des Ternes.

The four models of Wallace fountains
A large model painted red
at Avenue d'Ivry
The wall-mounted model
The small model
The colonnade model

Placement


People drinking from a Wallace fountain during Bastille Day celebrations in 1911
People drinking from a Wallace fountain during Bastille Day celebrations in 1911

The choice of the location of the fountains was left to the city of Paris. They needed to be placed at the will of the public in a practical manner and integrated in the most harmonious fashion with the environment. Most were placed in squares or at the intersections of two roads. The responsibility for choosing such locations fell to Eugene Belgrand, a hydraulic engineer and Director of Water and Sewers of Paris who worked with the prefect Georges-Eugène Haussmann.


Today


Most of the 100 grand model Wallace fountains currently in Paris function and distribute perfectly potable water. Once, these fountains were rare points of free water in the city, much to the relief of the homeless and poor. Today, they are among more than 1,200 points of free, clean drinking water dispensed to citizens and visitors by the city water company, Eau de Paris. Sir Richard Wallace has achieved his goal.

The fountains work from 15 March to 15 November (the risk of freezing during the months of winter would imperil the internal plumbing), are regularly maintained and are repainted every few years.

They are an integral part of the Parisian landscape, of the same importance as the Eiffel Tower or the street urchins of Montmartre. In Amélie, the cinegraphic piece about the glory of Parisian folklore, Jean-Pierre Jeunet baptised a personality Madeleine Wallace (she cried like a madeleine, or like a Wallace fountain), although the English subtitled version renamed the character of Madeleine, to Madeleine Wells for cultural understanding.

Wallace Fountains have been a beloved part of the Paris streetscape for almost 150 years. These monuments have never suffered from public criticism. They have always been respected. However, only two Wallace Fountains, both located in Place Louis Lépine, are classified as registered historic monuments.[2]

In 2018, the Society of the Wallace Fountains (La Société des Fontaines Wallace) was registered in France as an international, non-profit association governed by the French law of July 1901. The Society's purpose is education and information. Its mission is to promote, preserve and protect the Wallace Fountains for future generation. In addition, the Society recognizes and encourages partnerships for the common good in the spirit of Sir Richard Wallace.


Locations



Paris


A large model at rue Jean-Anouilh
A large model at rue Jean-Anouilh

67 large model fountains

2nd arrondissement

3rd arrondissement

4th arrondissement

5th arrondissement

6th arrondissement

A large model at Esplanade Pierre-Vidal-Naquet
A large model at Esplanade Pierre-Vidal-Naquet

8th arrondissement

9th arrondissement

10th arrondissement

11th arrondissement

12th arrondissement

A large model at boulevard Menilmontant
A large model at boulevard Menilmontant

13th arrondissement

14th arrondissement

15th arrondissement

16th arrondissement


17th arrondissement

18th arrondissement

19th arrondissement

20th arrondissement


11 small model fountains

A small model at the Place des Invalides
A small model at the Place des Invalides

4th arrondissement

7th arrondissement

11th arrondissement

13th arrondissement

15th arrondissement

17th arrondissement


2 colonnaded fountains

16th arrondissement

17th arrondissement


Wall-mounted model

5th arrondissement


Outside Paris


Sucy-en-Brie

11 rue du Temple

Place du la Metairie

94370


Nantes

The sculptor who created the fountains, Charles Auguste Lebourg, was originally from Nantes. In addition to the Parisian fountains, a few were placed in Nantes in honor of their creator:

Fontaine de Montréal
Fontaine de Montréal

Bordeaux

On 6 October 1873, another philanthropist, Daniel Osiris, ordered six Large Model Fountains and asked the community of Bordeaux to install them. Three surviving fountains are to be found at:

More recent fountains are to be found at:


Agen


Clermont-Ferrand


Puteaux


Saint-Denis, Réunion


Toulon


Pau

A Wallace Fontaine in San Sebastian, Spain
A Wallace Fontaine in San Sebastian, Spain

Besançon


Private ownership

Some wealthy people with artistic interests, as well as celebrity artists, bought them for their pleasure. This was the case with Maurice Chevalier, who had them in his ownership in Marnes-la-Coquette, and Brigitte Bardot.


Outside France


Including Barcelona, Germany, Portugal, Italy, England, Northern Ireland, Zürich, Rio de Janeiro, Canada (Quebec), New Orleans, Montevideo, Jordan, Israel, Russia and Macau, Tbilisi

Africa

Mozambique

Jardim Tunduru Botanical Gardens, Maputo
Jardim Tunduru Botanical Gardens, Maputo

The fountain is in the Jardim Tunduru Botanical Gardens in Maputo.


Europe


Spain

Barcelona

12 fountains were donated to Barcelona for the 1888 World Fair. Only 3 are remaining:

Ferrol

Italy

Pontremoli


Northern Ireland

Lisburn


Portugal

Lisbon


Switzerland

A Wallace fountain in Bahnhofstrasse, Zurich
A Wallace fountain in Bahnhofstrasse, Zurich

Zürich

Geneva


Russia

Moscow


Americas


Brazil

Rio de Janeiro


Quebec, Canada

Granby
Montreal
Quebec City

California, United States

Los Angeles

Louisiana, United States

New Orleans

Uruguay

Montevideo

Middle East


Jordan

Amman

Wallace Fountain in Paris Circle, Amman, Jordan
Wallace Fountain in Paris Circle, Amman, Jordan

Israel

Haifa

Jerusalem


Asia


Georgia


Tbilisi


Macau

The Wallace Fountain is locally known as 和麗女神噴泉 in Chinese and A Fonte Wallace in Portuguese.


See also



References


  1. The French term 'Modèle en applique' is similar to fr:Applique murale meaning wall lamp or sconce, as opposed to a free-standing model.
  2. Base Mérimée: Fontaine Wallace (deux), Ministère français de la Culture. (in French)
  3. "Una escultura adquirida en la exposición universal de París". August 2007.
  4. "Oficial de cifra: Fuente Wallace del parque de Ferrol". 21 April 2014.
  5. Tourisme Granby et Région
  6. Latrobe Park – French Quarter – New Orleans, Louisiana foursquare.com
  7. ar:جبل اللويبدة
  8. "City Welfare". www.um.edu.mo. Retrieved 2020-10-19.

Further reading





На других языках


[de] Wallace-Brunnen

Die Wallace-Brunnen sind öffentliche Trinkwasserspender in Form kleiner gusseiserner Skulpturen, die weltweit an verschiedenen Orten aufgestellt sind. Die meisten befinden sich auf Fußgängerwegen im ganzen Stadtgebiet von Paris, wo sie als erstes errichtet wurden. Sie sind benannt nach dem Engländer Richard Wallace, der ihre Errichtung finanzierte. Ihrer herausragenden Ästhetik wegen gelten sie weltweit als eine Pariser Besonderheit.
- [en] Wallace fountain

[es] Fuente Wallace

Las fuentes Wallace son un tipo de fuente pública, de agua potable, presentes en diversos países del mundo. Diseñadas por Charles-Auguste Lebourg, llevan el nombre de Richard Wallace, el filántropo británico que financió su construcción. Son asociadas habitualmente con la imagen de París,[1] ya que fue en esta ciudad donde se instalaron por vez primera y donde se encuentran en mayor número. La primera se inauguró en agosto de 1872 en el boulevard de la Villette[2] y aun siguen fabricándose hoy en día.



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