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Heide Fasnacht (* 12. Januar 1951 in Cleveland, Ohio) ist eine US-amerikanische Zeichnerin und Installationskünstlerin.[1]

Leben

Fasnacht ist in Cleveland geboren, hat den Bachelor an der Rhode Island School of Design und den Master an der New York University gemacht.

Ihre Themen sind Gebäude und Straßen, Explosionen, Paraden und Feuerwerk.

Fasnacht lehrte an der University of California, Los Angeles, der University of Texas at Tyler, der Harvard University und der Princeton University. Derzeit ist sie Professorin an der Parsons The New School for Design.[2]

Ausstellungen

Einzelausstellungen (Auswahl)

• ab September 2013 Qbox Gallery, Athen, Griechenland
• 2012 Loot, Kent Fine Art, NYC
• 2012 Artist's Lecture Museum of Fine Arts, Boston
• 1979 MoMA PS1, New York

Gruppenausstellungen (Auswahl)

• 2013 Kent Fine Art, New York City
• 2009 Preview Berlin, Berlin
• 2007 ARCO, Madrid Spanien
• 2007 Close Looking Kent Gallery, New York City
• 2005 Tableaux-écrans Galerie les Filles du Calvaire, Paris & Brussels. Kurator: Catherine Perret
• 1994 Mapping. Museum of Modern Art, New York. Kurator: Robert Storr
• 1994 Low Tech Cragg, Fasnacht, Lipski. Circa Gallery, University of Texas at Arlington
• 1993 Material Identity Sculpture Between Nature and Culture: Tony Cragg, Heide Fasnacht, Carol Hepper and Gene Highstein. Portland Art Museum, Portland
• 1993 In Search of Form Sculpture of John Duff, Heide Fasnacht, Anthony Gormley, Judith Shea and Mark Lere. Weatherspoon Art Gallery, University of North Carolina at Greensboro
• 1986 Sculpture on the Wall Aldrich Museum of Contemporary Art, Ridgefield
• 1977 documenta 6, Kassel

Auszeichnungen (Auswahl)

• 2010 (und 1999) The Pollock-Krasner Foundation Award
• 2006 Montalvo Arts Center Stipendium
• 2003 Rockefeller-Stiftung, Bellagio Center in Bellagio, Italien
• 2001 Preisträger Adolph and Esther Gottlieb Foundation
• 1990 Guggenheim-Stipendium von der John-Simon-Guggenheim-Gedächtnis-Stiftung
• 1986 Louis Comfort Tiffany Stiftung
• 1984 Edward F. Albee Foundation, Inc.

Literatur

• Hirsch, Faye. „Heide Fasnacht at Kent“ Art In America; No. 9, Oct 2007
• Carlock, Marty. „Heide Fasnacht“ Sculpture; Vol 25 No.7, Sept. 2006
• Glenn Harper und Twylene Moyed ED. A Sculpture Reader: Contemporary Sculpture Since 1980. University of Washington Press, 2006
• Huston Paschal und Linda Johnson Dougherty. Defying Gravity: Contemporary Art and Flight. Exhibition catalogue. Raleigh: North Carolina Museum of Art, 2003
• Nancy Princenthal Heide Fasnacht: Drawn to Sublime. New York, Kent Gallery, 2003
• Raphael RubinsteinHeide Fasnacht: Strange Attractors. Exhibition catalogue. Richmond: Anderson Galleries, Virginia Commonwealth University, 2003, ISBN 0935519262
• Giuliana Bruno Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002. pg 238, 405

Weblinks

• Website Heide Fasnacht
• Werke von Heide Fasnacht bei der Pollock-Krasner-Foundation

Einzelnachweise

1. Kent Fine Art LLC Fasnacht Biografie (PDF; 227 kB) abgerufen am 10. Februar 2016
2. Vermont Studio Center (Memento vom 20. April 2010 im Internet Archive) Abgerufen am 30. März 2013

Personendaten
NAME	Fasnacht, Heide
ALTERNATIVNAMEN	Fasnacht, Heidi; Fasnacht, Heide Ann
KURZBESCHREIBUNG	US-amerikanische Künstlerin
GEBURTSDATUM	12. Januar 1951
GEBURTSORT	Cleveland, Ohio

На других языках

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[en] Heide Fasnacht

Heide Fasnacht (born 12 January 1951) is a New York City-based artist who works in sculpture, drawing, painting and installation art.[1][2][3] Her work explores states of flux, instability and transformation caused by human action (architectural and cultural change, war, economics) and natural events (weather, geological processes).[4][5][6] Since the mid-1990s, she has been known for sculptures and drawings that recreate momentary phenomena such as sneezes, geysers and demolitions—in sometimes abstract or cartoony form—that are temporally and spatially "frozen" for consideration of their aesthetic, perceptual, social or sensate qualities.[7][8][2] In the late 2010s, she has expanded these themes in paintings that examine lost and neglected childhood sites, such as playgrounds and amusement parks.[9][10] ARTnews critic Ken Shulman has described her work as "chart[ing] the fluid dialogue between second and third dimensions, motion and inertia, creation and ruin."[11]

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