Albert Toft (3 June 1862 – 18 December 1949)[1] was a British sculptor.[2]
English sculptor
Albert Toft
Born
(1862-06-03)3 June 1862
Handsworth, Staffordshire, England
Died
18 December 1949(1949-12-18) (aged87)
Worthing, Sussex, England
Nationality
British
Almamater
South Kensington Schools
Occupation
sculptor
Toft's career was dominated by public commemorative commissions in bronze, mostly single statues of military or royal figures. The Diamond Jubilee of Queen Victoria in 1897, Boer War to 1902, and then World War I to 1918, provided plentiful commissions. The Oxford Dictionary of National Biography describes Toft as one of the major figures of the "New Sculpture" following on from William Hamo Thornycroft and George Frampton. Toft described his work as 'Idealist' but he also said of himself that "to become an idealist you must necessarily first be a realist."
His father was a notable modeller in ceramics, and his brother was the landscape artist Joseph Alfonso Toft.
Biography
Toft was born in Handsworth, then in Staffordshire, and now a suburb of Birmingham. His parents were Charles Toft (1832–1909) and Rosanna Reeves. His father was a senior modeller at Mintons, and then the chief modeller at Wedgwood pottery. He had also taught modelling at Birmingham School of Art for some years to 1873.[3]
Pedestal relief below Queen Victoria, Nottingham Memorial Park
Toft trained at Wedgwood, and attended art schools in Hanley, Staffordshire and Newcastle upon Tyne. In 1881 he won a scholarship to study sculpture at the South Kensington Schools under Professor Édouard Lantéri.[4] He received silver medals in his second and third years.
From 1885 onwards Toft exhibited at the Royal Academy and some of his most notable works exhibited at the Royal Academy included Fate-Led (1890, now at Walker Art Gallery), The Sere and Yellow Leaf (1892), Spring (1897, now at Birmingham Museum and Art Gallery), The Spirit of Contemplation (1901; Laing Art Gallery, Newcastle) and The Metal Pourer (1915). In 1915 his sculpture The Bather was purchased using the Royal Academy's Chantrey Fund. His 1888 bust of William Ewart Gladstone for the National Liberal Club was modelled from life and acclaimed as one of the best. In 1900 Toft received a bronze medal at the Universal Exhibition in Paris.
He created monuments to Queen Victoria for Leamington Spa, Nottingham, and South Shields, and to Edward VII in Birmingham and Warwick. He designed the coronation medal of George V and Queen Mary (1911) and a statuette of W. S. Penley playing Charley's Aunt for Royal Doulton (1913). He also published a book, Modelling and Sculpture in 1911, which was reprinted in 1949.
He made a series of war memorials, starting with the South African War Memorial in Cardiff (1910), and then many after the First World War, including the Royal Fusiliers War Memorial in London (1922), and four statues for the Birmingham Hall of Memory (1923–24).
In 1891 Toft was elected to the Art Workers Guild and in 1938 he was elected a fellow to the Royal Society of British Sculptors.[5]
'Charles Toft', Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII, online database 2011 accessed 10 Nov 2018
"Maternity". Victorian Web. Retrieved 13 November 2012.
"Fate-led". Victorian Web. Retrieved 13 November 2012.
Encyclopædia Britannica, ed. 1911, vol. 24, pg. 505, Plate IV.
Modelling And Sculpture by Albert Toft, Seeley, Service & Co. Limited London, 1949—A Full Account of the Various Methods and Processes Employed in These Arts
External links
Wikimedia Commons has media related to Albert Toft.
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