art.wikisort.org - Artist

Alexandre Nikolayevich Benois (Russian: Алекса́ндр Никола́евич Бенуа́, also spelled Alexander Benois; 3 May [O.S. 21 April] 1870,[1][2] Saint Petersburg – 9 February 1960, Paris) was a Russian artist, art critic, historian, preservationist and founding member of Mir iskusstva (World of Art), an art movement and magazine.[1][3] As a designer for the Ballets Russes under Sergei Diaghilev, Benois exerted what is considered a seminal influence on the modern ballet and stage design.[3]

Alexandre Nikolayevich Benois
Алекса́ндр Никола́евич Бенуа́
Portrait of Benois by Léon Bakst, 1898
Born	May 3, 1870 Saint Petersburg, Russian Empire
Died	February 9, 1960 Paris, France
Resting place	Batignolles Cemetery, Paris
Nationality	Russian (1870-1926) French (1927-1960)
Education	Saint Petersburg Imperial University
Occupation	Artist, historian
Movement	Aesthetic
Spouse	Anna Karlovna Kind [ru]
Parent	Nicholas Benois (father)
Family	Benois

Early life and education

Alexandre was born into the artistic and intellectual Benois family, prominent members of the 19th- and early 20th-century Russian intelligentsia. His mother Camilla (Russian: Камилла Альбертовна Кавос, and then Бенуа) was the granddaughter of Catterino Cavos. His father was Nicholas Benois, a noted Russian architect. His brothers included Albert, a painter, and Leon, also a notable architect. His sister, Maria, married the composer and conductor Nikolai Tcherepnin (with whom Alexandre would work). Not planning a career in the arts, Alexandre graduated from the Faculty of Law, Saint Petersburg Imperial University, in 1894.

Entry into art career

Three years later while in Versailles, Benois painted a series of watercolors depicting Last Promenades of Louis XIV. When exhibited by Pavel Tretyakov in 1897, they brought him to attention of Sergei Diaghilev and the artist Léon Bakst. Together the three men founded the art magazine and movement Mir iskusstva (World of Art), which promoted the Aesthetic Movement and Art Nouveau in Russia.[3]

During the first decade of the new century, Benois continued to edit Mir iskusstva, but also pursued his scholarly and artistic interests. He wrote and published several monographs on 19th-century Russian art and Tsarskoye Selo. In 1903, Benois printed his illustrations to Pushkin's poem The Bronze Horseman, a work since recognized as one of the landmarks in the genre. In 1904, he published his "Alphabet in Pictures", at once a children's primer and elaborate art book, copies of which fetch as much as $10,000US at auction.[4] Illustrations from this volume were featured at a video presentation during the opening ceremony of the Winter Olympics in Sochi in 2014.

In 1901, Benois was appointed scenic director of the Mariinsky Theatre in Saint Petersburg, the performance space for the Imperial Russian Ballet. He moved to Paris in 1905 and thereafter devoted most of his time to stage design and decor.[3]

During these years, his work with Diaghilev's Ballets Russes was groundbreaking. His sets and costumes for the productions of Les Sylphides (1909), Giselle (1910), and Petrushka (1911), are counted among his greatest triumphs. Although Benois worked primarily with the Ballets Russes, he also collaborated with the Moscow Art Theatre and other notable theatres of Europe.

Surviving the upheaval of the Russian Revolution of 1917, Benois achieved recognition for his scholarship; he was selected as curator of the gallery of Old Masters in the Hermitage Museum at Leningrad, where he served from 1918 to 1926. During this time he secured his brother's heirloom Leonardo da Vinci painting of the Madonna for the museum. It became known as the Madonna Benois. Benois published his Memoirs in two volumes in 1955.

In 1927 he left Russia and settled in Paris.[1] He worked primarily as a set designer after settling in France.[1]

Family

In 1894, Alexandre married Anna Karlovna Kind [ru] from a renowned Russian music family. They first met in 1876 when Alexandre was learning music from the family patriarch, Karl Ivanovich Kind (who came to Russia in 1850s by the invitation of Nicholas I of Russia to be the royal court's first string violinist).[5] Anna and Alexandre were married for 60 years and are buried together at Batignolles Cemetery in Paris.[6][7] Alexandre played a central role in the Russian artistic community both before and after the Revolution. Anna was always by his side. Her presence was positively remembered in the artistic circles with several mentions by artist like Mstislav Dobuzhinsky. She was a model painted by Léon Bakst,[8] Valentin Serov,[9] Zinaida Serebriakova,[10] and others.

Notable family members include:

• Alexandre's son, Nicola Alexandrovich Benois (also known as Nikolai Benois), was born in 1901, and went on to become a celebrated opera designer, creating costumes and sets for opera companies all over the world.[3]
• Alexandre's nephew, Nikolai Albertovich Benois, married the opera singer Maria Nikolaevna Kuznetsova.[1]
• Alexandre was also the uncle of Eugene Lanceray and Zinaida Serebriakova, who became recognized Russian artists, and one of the great-uncles of the British actor Sir Peter Ustinov.
• Alexandre was the cousin of Hans von Bartels, of the Alsace Lorraine Bartels. Benois biography contains an entire chapter dedicated to Hans von Bartels.
• He has a great-great granddaughter living in Moscow, called Maria.

See also

• Benois family

Works

• 
  Set design for Le Pavillon d'Armide, Ballets Russes, 1909
• 
  Promenade of Empress Elizabeth through the Noble Streets of Saint Petersburg, 1903
• 
  Peter the Great Meditating the Idea of Building Saint Petersburg at the Shore of the Baltic Sea
• 
  Military Parade of Emperor Paul in front of Mikhaylovsky Castle, 1907
• 
  Set for Stravinsky's Petrushka, 1911
• 
  At the German Quarter, 1911

Cultural depictions

• Anna Pavlova, film by Emil Loteanu; portrayed by Anatoli Romashin (1983).

See also

• List of Russian artists

References

Bibliography

• Katerina Clark, Petersburg: Crucible of the Cultural Revolution (Cambridge, MA, 1995).
• John E. Bowlt, The Silver Age: Russian Art of the Early Twentieth Century and the 'World of Art' Group (Newtonville, MA, 1982).
• Janet Kennedy, The Mir Iskusstva Group and Russian Art, 1898-1912 (New York, 1978).
• Sergei Makovskii, Stranitsy khudozhestvennoi kritiki – Kniga vtoraia: Sovremennye Russkie khudozhniki (Saint Petersburg, 1909).
• Gregory Stroud, Retrospective Revolution: A History of Time and Memory in Urban Russia, 1903-1923 (Urbana-Champaign, Illinois: University of Illinois at Urbana-Champaign, 2006).

External links

• Works by or about Alexandre Benois at Internet Archive
• This Alexandre Nikolayevich Benois collection contains a skechbook with costume and set designs for Giselle by Adolphe Adam (1924) held by Jerome Lawrence and Robert E. Lee Theatre Research Institute, The Ohio State University Libraries.
• W.H. Crain Costume and Scene Design Collection at the Harry Ransom Center

На других языках

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[de] Alexander Nikolajewitsch Benois

Alexander Nikolajewitsch Benois oder auch Alexandre Benoîs (russisch Александр Николаевич Бенуа; wiss. Transliteration: Aleksandr Nikolaevič Benua; * 21. Apriljul. / 3. Mai 1870greg. in Sankt Petersburg; † 9. Februar 1960 in Paris) war ein russischer Maler, Schriftsteller, Kunsthistoriker, Kunstkritiker und – neben Sergei Djagilew, Lew Bakst u. a. – Gründer der Bewegung und gleichnamigen Kunstzeitschrift Mir Iskusstwa.

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- [en] Alexandre Benois

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[es] Alexandre Benois

Alexandre Benois (también Aleksandr Nikoláyevich Benois) (San Petersburgo, 4 de mayo de 1870 - París, 9 de febrero de 1960) fue un crítico de arte, pintor, libretista y escenógrafo ruso. Con Serguéi Diáguilev y su círculo de amigos fue cofundador de la revista Mir Iskusstva (El mundo del arte) que con su defensa de los movimientos artísticos europeos, especialmente el Impresionismo francés, y su adhesión a la idea del "arte por el arte"[1] fue decisiva en la creación de los Ballets Rusos.

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[fr] Alexandre Benois

Alexandre Nikolaïevitch Benois (en russe : Алекса́ндр Никола́евич Бенуа́, nom de famille prononcé à la française), né à Saint-Pétersbourg le 21 avril 1870 (3 mai 1870 dans le calendrier grégorien), mort à Paris le 9 février 1960, est un peintre, décorateur, scénographe et historien d'art russe[2] et français[3]. Ami intime de Serge de Diaghilev, Léon Bakst, Dimitri Bouchène et Serge Ivanoff, ses créations ont particulièrement porté sur des décors pour des représentations de ballets.

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[it] Aleksandr Nikolaevič Benois

Aleksandr Nikolaevič Benois (in russo: Александр Николаевич Бенуа?; San Pietroburgo, 4 maggio 1870 – Parigi, 9 febbraio 1960) è stato un pittore, disegnatore, scrittore e librettista russo di lontane origini francesi, tra i fondatori di Mir iskusstva.

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[ru] Бенуа, Александр Николаевич

Алекса́ндр Никола́евич Бенуа́ (фр. Alexandre Benoîs; 21 апреля [3 мая] 1870, Санкт-Петербург — 9 февраля 1960, Париж) — русский художник, историк искусства, художественный критик, основатель и главный идеолог объединения «Мир искусства».

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