art.wikisort.org - ArtistAlfred J. Drury (1868–1940) was an English stained glass artist, most notable for his partnership with Mary Lowndes of Lowndes and Drury.
For other people with this name, see Alfred Drury (disambiguation).
Alfred J. Drury |
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Born | 1868 |
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Died | 1940 |
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Nationality | English |
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Known for | Stained glass |
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Movement | Arts and Crafts movement |
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Work
Drury worked as a foreman at Britten & Gilson's, a firm which developed Norman Glass, a slab glass that was used by Christopher Whall and his followers.[1]
Lowndes and Drury
Another Britten & Gilson employee was Mary Lowndes whom he met in 1893. Together they founded the firm Lowndes and Drury in 1897 and were located at 35 Park Walk, Chelsea. In 1906 they built and opened the Glass House in Lettice Street, Fulham, London, which "provided a purpose-built stained-glass studio and workshop for independent artists."[1][2][3] Christopher Whall and Drury designed the building that became a centre for prominent stained glass artists.[4]
At The Glass House, Drury particularly focused on the creation of stained glass pieces. Together, Lowndes and Drury commissioned for design, painting and creation stained glass projects.[2] Whall, Robert Anning Bell and Wilhelmina Geddes all produced work there.[1][2][3]
Instructor
On or before 1901 Drury was a teacher's assistant for Whall at the Royal College of Art. Then, in the 1900s Drury taught at the London County Council (LCC) Central School of Arts and Crafts and Royal College of Art.[3][5]
By 1916, Drury taught at the LCC Central School of Arts and Crafts with Karl Parsons, where:[6]
The stained glass students, who work in beautifully lighted classrooms on the top floor, are carefully instructed in the technicalities peculiar to their branch of the arts, and are required, in addition, to devote a sufficient time to drawing from draperies, plant forms, and the life.
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Charles Holme, Arts and Crafts (1916)[6]
Gallery
Lowndes & Drury, She hath done what she could, 1901, in St Peter's Church, Henfield, West Sussex.
Lowndes & Drury, English stained glass, 1912, in Taplow, Buckinghamshire
References
Further reading
- M. Lowndes 'Banners and Banner-Making', Appendix 5 in The Spectacle of Women by Lisa Tickner, University of Chicago Press. March 1988. ISBN 978-0-226-80245-9
British and Irish stained glass |
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- British and Irish stained glass (1811–1918)
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History |
- Architecture of cathedrals and great churches
- History of stained glass
- Medieval stained glass
- Poor Man's Bible
- Regional characteristics of European cathedral architecture
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Influences | Artistic movements |
- Aesthetic Movement
- Arts and Crafts Movement
- Biblia pauperum
- Cambridge Camden Society
- Classicism
- Early Renaissance
- Exoticism
- Gothic Revival
- Oxford Movement
- Romanticism
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Organisations |
- The Glass House
- Hogarth Club
- Pre-Raphaelite Brotherhood
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People | Architectural |
- John Loughborough Pearson
- Augustus Pugin
- George Gilbert Scott
- Alexander Thomson
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Artists | |
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Critics | |
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Manufacturers |
- An Túr Gloine
- Barton, Kinder and Alderson
- Burlison and Grylls
- Harry Clarke
- Clayton and Bell
- Walter Francis Clokey
- Daniel Cottier
- John Hardman & Co.
- Heaton, Butler and Bayne
- Hincks and Burnell
- Lavers, Barraud and Westlake
- Morris & Co.
- James Powell and Sons
- Shrigley and Hunt
- William Wailes
- William Warrington
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Examples |
- Canterbury Cathedral
- Coventry Cathedral
- Fairford stained glass
- York Minster
- My Four Green Fields
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Images |
- Admiral
- Apostles
- Biblical
- Bishop
- Fleur-de-lis
- Heraldry
- Prophet
- Saint
- Virtues
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Terminology |
- Architectural glass
- Art glass
- Beveled glass
- Came glasswork
- Cathedral glass
- Curvilinear coordinates
- Float glass
- Glass art
- Glass beadmaking
- Glassblowing
- Grisaille
- Lancet window
- Leadlight
- Mandorla
- Mullion
- Pontil
- Quatrefoil
- Rose window
- Roundel
- Stained glass
- Stained glass conservation
- Studio glass
- Tracery
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