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Carl Grossberg, originally Georg Carl Wilhelm Grandmontagne (6 September 1894 – 19 October 1940) was a German painter associated with the New Objectivity movement; best known for his urban and industrial scenes.

Carl Grossberg
Photograph c. 1927
Born(1894-09-06)6 September 1894
Elberfeld
Died19 October 1940(1940-10-19) (aged 46)
near Laon

Biography


He received his primary education in Lennep and Elberfeld. After 1913, he studied architecture in Aachen and Darmstadt. During that time, his father changed the family name from Grandmontagne to Grossberg; much to Carl's displeasure. He was drafted in 1915 and sent to the front, where he was wounded. After being mustered out in 1918, he returned to Elberfeld.

In 1919, he resumed his studies; first with Walther Klemm at the "Hochschule für Bildende Künste" in Weimar then, in 1921, with Lyonel Feininger at the Bauhaus. Upon completing his studies, he moved to Sommerhausen, near Würzburg, where he was married in 1923 to Mathilde Schwarz.[1][2] Three years later, he had his first solo exhibition in Stuttgart, followed by another at the Galerie Nierendorf in Berlin and several others in Cologne and Düsseldorf. His most successful showing came in 1929 at the "Neue Sachlichkeit" exhibition in the Stedelijk Museum in Amsterdam. Two years later, the Prussian Academy of Arts awarded him its "Rompreis".

After 1933, he began work on an ambitious series of paintings he called the "Industrial Plan", depicting Germany's most important industries, but it was never completed. The following year, he received a commission for a monumental wall painting, to be displayed at an exhibition called "German People-German Work". A major retrospective was held at the Museum Folkwang in 1935.

In August 1939, he was drafted again and sent as an officer to the Polish front. While on leave in France, he was involved in automobile accident in the Compiègne. His official death is listed as October 19, 1940. While most biographers list Grossberg as dying from the automobile accident, some historians believe that he died from a self-inflicted gunshot wound.[3]


Selected paintings



References


  1. Michalski, Sergiusz. (2003). New objectivity : painting, graphic art and photography in Weimar Germany 1919-1933. Köln: Taschen. ISBN 3-8228-2372-4. OCLC 54414019.
  2. "Collection: Dietlinde Hamburger Collection of Carl Grossberg Papers | HOLLIS for". hollisarchives.lib.harvard.edu. Retrieved 16 May 2020.
  3. "Collection: Dietlinde Hamburger Collection of Carl Grossberg Papers | HOLLIS for". hollisarchives.lib.harvard.edu. Retrieved 16 May 2020.



На других языках


[de] Carl Grossberg

Carl Grossberg (* 6. September 1894 in Elberfeld; † 19. Oktober 1940 in Laon; eigentlich Georg Carl Wilhelm Grandmontagne) war ein deutscher Maler. Er gestaltete in statisch-kühlen Ölgemälden und Aquarellen Stadtbilder, Industrie- und Technikdarstellungen. Mit auffallender Hinwendung zur Neuen Sachlichkeit dienten ihm Fabrikhallen und Maschinenportraits als zentrale Werkmotive.
- [en] Carl Grossberg

[es] Carl Grossberg

Carl Grossberg, seudónimo de Georg Carl Wilhelm Grandmontagne (Elberfeld, 6 de septiembre de 1894-Laon, 19 de octubre de 1940) fue un pintor expresionista alemán, adscrito a la Nueva Objetividad. Estudió arquitectura en Aquisgrán y Darmstadt antes de su servicio militar en la Primera Guerra Mundial. Más tarde estudió en la Academia de Arte de Weimar y en la Bauhaus. Fue conocido por sus pinturas de paisajes urbanos, y por sus vistas interiores y exteriores de fábricas y centros industriales. Sirvió de nuevo en el ejército en 1939-1940 en Francia, donde murió en un accidente de coche en Laon.

[fr] Carl Grossberg

Carl Grossberg (6 septembre 1894 – 9 octobre 1940) est un peintre allemand associé au mouvement de la Nouvelle Objectivité. Il se fit connaître pour ses peintures de paysages urbains et pour ses représentations d'usines et de sites industriels, qu'il décrit avec une froide précision de l'intérieur autant que de l'extérieur .

[it] Carl Grossberg

Carl Grossberg (Elberfeld, 1894 – Laon, 1940) è stato un pittore tedesco, esponente della Nuova oggettività.



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