art.wikisort.org - Artist

Daniel Kelly (born 1947 in Idaho Falls, Idaho) is an American artist based in Kyoto, Japan. Works primarily consist of original paintings and prints. Paintings usually begin with three-dimensional collage making incorporating materials that can be found in Japan such as tatami and bamboo mats. In printmaking Kelly primarily works with lithography and woodblock, often using chine-collé to incorporate materials such as antique Japanese book pages, ukiyo-e and calligraphy into his prints.

Museums and collections

A selection of prints by Daniel Kelly included in public collections:

• Children's Parade (1982). Woodblock. 16.9 cm x 72 cm. Metropolitan Museum of Art, NY, NY.[1]
• Shimmer (1982). Woodblock. 29.2 cm x 76.3 cm. British Museum, London.[2]
• Buttercups (1983). Woodblock. 17.5 cm x 70.5 cm. Metropolitan Museum of Art, NY, NY;[3] British Museum, London.[4]
• Spring Shower (1983). Woodblock. 10.5 cm x 76.5 cm. British Museum, London.[5]
• Blaine (1985). Lithograph. 48 cm x 78 cm. Museum of Modern Art, NY, NY;[1] New York Public Library;[1] Brooklyn Museum.[1][6]
• Letter From Japan (1985). Lithograph, chine-collé. 50 cm x 100 cm. Metropolitan Museum of Art, NY, NY.[1]
• Crisscross (1985). Lithograph. 65 cm x 98 cm. British Museum, London.[7]
• Night Light (1987). Lithograph, chine-collé. 62 cm x 80 cm. Smithsonian American Art Museum, Washington, DC.[8]
• Shiga's Underwear (1989). Lithograph, woodblock, chine-collé. 63 cm x 98 cm. Art Gallery of New South Wales, Sydney, Australia.[9]
• Black Gold (1990). Lithograph. 54 cm x 64 cm. Cleveland Museum of Art, Cleveland, OH.[10]
• October (1997). Woodblock print with hand-coloring on paper. 154.8 cm x 205 cm. Freer Gallery of Art, Washington, DC.[11]
• Nene (2002). Woodblock. Cleveland Museum of Art, Cleveland, OH.[12]
• Momo (2003). Woodblock, chine-collé. 70.5 cm x 109 cm. Los Angeles County Museum of Art, Los Angeles, CA.[13]

References

External links

• Daniel Kelly Studio
• Article by Jane Singer, The Japan Times, December 4, 2010
• Article by Vivienne Kenrick, The Japan Times, October 20, 2001
• Article by Grace Glueck, The New York Times, March 22, 1985

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