Francesco de Mura (21 April 1696 – 19 August 1782) was an Italian painter of the late-Baroque period, active mainly in Naples and Turin. His late work reflects the style of neoclassicism.
Italian painter (1696–1782)
Madonna and Child with the Infant Saint John the Baptist
While still in his teens he painted frescoes (1715) in San Nicola alla Carità in Naples. He painted ten canvases of the Virtues and an Adoration of the Magi (1728) for the church of Santa Maria Donnaromita. His other works include frescoes of the Adoration of the Magi (1732) in the apsidal dome of the church of the Nunziatella. De Mura also painted portraits.
Saint Vincent de Paul in Glory, Lazarist Church, Naples
Assumption of the Virgin, Musée des beaux-arts de l'Ontario, Toronto
Saint Ignatius de Loyola, Nunziatella, Naples
Saint François Xavier Preaching to the Natives, Nunziatella, Naples
Assumption of the Virgin, ceiling of the Nunziatella, Naples
Portrait of count James Joseph O'Mahoney, lieutenant-general in the service of Naples, knight of Saint Januarius (c. 1748), Fitzwilliam Museum, Cambridge[5]
The Virgin Mary Presenting a Portrait of Saint Dominic to the Monks of Soriano, Art Institute of Chicago
The Virgin Mary Indicating the Monogram of Christ to Saint Ludovico di Gonzaga (c. 1750), Gesù Vecchio, Naples
Allegory of the Arts, musée du Louvre, Paris
Aurora and Tithon, oil on canvas, Capodimonte Museum, Naples
The Wedding at Cana, Hôtel d'Agar collection, Cavaillon
The Flight into Egypt, Hôtel d'Agar collection, Cavaillon
School of de Mura
Portrait of Maria Xavieri Romano, Bowes Museum, County Durham, United Kingdom[6]
Le belle arti, Volumes 1-2, By Giovanni Battista Gennaro Grossi, Tipografia del Giornale Enciclopedico, Strada del Salvadore a Sant'Angelo a Nilo #48, Naples (1820); page 194.
Nicola Spinosa, The National Museum of Capodimonte, Electa Napoli, 1996, 303 p. (ISBN 88-435-5600-2), p. 142
(in French)Renaissance du Musée de Brest, acquisitions récentes: [exposition], Musée du Louvre, Aile de Flore, Département des Peintures, 25 October 1974-27 January 1975, Paris, 1974, 80 p.
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