art.wikisort.org - Artist

Search / Calendar

Gim Hong-do (김홍도, born 1745, died 1806?-1814?), also known as Kim Hong-do, most often styled Danwon (단원), was a full-time painter of the Joseon period of Korea. He was together a pillar of the establishment and a key figure of the new trends of his time, the 'true view painting'. Gim Hong-do was an exceptional artist in every field of traditional painting, even if he is mostly remembered nowadays for his depictions of the everyday life of ordinary people, in a manner analogous to the Dutch Masters.[1]

Gim Hongdo
Korean name
Hangul
Hanja
Revised RomanizationGim Hongdo
McCune–ReischauerKim Hongdo
Pen name
Hangul
Hanja
Revised RomanizationDanwon, Dan-gu, Seoho, Gomyeon-geosa, or Cheopchwiong
McCune–ReischauerTanwŏn, Tan'gu, Sŏho Komyŏn'gŏsa, or Ch'ŏpch'wiong
Courtesy name
Hangul
Hanja
Revised RomanizationSaneung
McCune–ReischauerSanŭng

Biography


Danwon was a member of the Gimhae Gim clan. He grew up in present-day Ansan, South Korea. At the age of 7, Gim Hong-do studied under the renowned master Pyoam Kang Se-hwang, who was then living in seclusion in Ansan.[2] In 1766, at the age of 21, on the recommendation of Kang Sehwang,[3] he entered the royal service as a member (hwawon) of the Dohwaseo, the official painters of the Joseon court. In 1771, he painted the portrait of the Royal Heir (the future King Jeongjo). In 1773, he assisted Byeon Sang-byeok when painting the Royal Portrait of King Yeongjo (1694–1724–1776).

In 1776, he painted the "Nineteen Taoist Immortals", that skyrocketed his reputation as a painter. At the same time, the new instated King Jeongjo (1752–1776–1800) commissioned him for many institutional paintings.

He died in loneliness and poverty, though the circumstances, and even the year are unknown. Sources are guessing 1806,[4] circa 1810,[5] or after 1814.[1][3]


Legacy


Danwon is remembered today as one of the "Three Wons," together with Hyewon and Owon. He is also often joined to Owon and the 15th-century painter An Gyeon as one of Joseon's three greatest painters.

The city of Ansan, where he spent his youth and learned his craft, has memorialized him in many ways. The district of Danwon-gu is named after him, as is Ansan's annual "Danwon Art Festival." Many public places have been designed in imitation of his works.[6]



Various sources have various opinions about what could be a 'top ten' list for Gim Hong-do.[4][5][7] The most important fact is how successful was Gim Hong-do in all the various types of paintings.

Towooart[8] provides a short notice and an argumented selection of paintings. The Korean Copyright Commission[9] lists 757 paintings, 7 calligraphies and 4 moldings for Gim Hong-do. Remark: some paintings have multiple descriptions (often a sepia version is given with a very fine resolution, and a colorful one with a lower resolution. An example is 평양감사 향안도 Feast for the Pyongyang Governor).

신언인도 (1773)
Indian Prophet
Gunseondo 군선도 (1776)
The Nineteen Taoist Immortals
Feast for the Pyongyang Governor (1, Dinner)
Kyujanggak
Main hall of Yongjusa
Seojangdae
Chuseongbu 추성부도, Landscape in night of autumn [poem by Ouyang Xiu (1007~1072)]
Samgongbulhwando 삼공불환, The Nature Better than the Official Ranks



Fictional portrayals



Literature


The novel Painter of the Wind,[10] by Lee Jeong-myeong, is centered on Danwon and Hyewon, who is portrayed as a woman disguised as a man.


Film and television



See also



References


  1. Turner 2003, p. (18)53
  2. KBS. http://rki.kbs.co.kr/english/program/program_koreanstory_detail.htm??lang=e&current_page=11&No=23530 Archived 2013-12-02 at the Wayback Machine
  3. Pratt 1999, p. 211
  4. Naver. http://terms.naver.com/entry.nhn?cid=200000000&docId=1073375&categoryId=200001108 (in Korean)
  5. Britannica. "Encyclopaedia Britannica: 김홍도" (in Korean). Archived from the original on 2013-12-03. Retrieved 2013-11-22.
  6. "Danwon-gu". GrandCulture.
  7. Chansol 2015
  8. TWA 2013
  9. KCC 2013
  10. Lee Jung-myung (이정명,), Painter of the Wind Vol. 1 & 2, Million House, Seoul, 2007. ISBN 978-89-91643-26-0 & ISBN 978-89-91643-27-7.
  11. Mysterious Artist Resurfaces on Modern Culture Scene, Korea Times, 2008-10-09. Retrieved 2010-07-07.

Bibliography





На других языках


- [en] Gim Hongdo

[es] Kim Hong-do

Kim Hong-do (김홍도, 1745 - 1806 o 1814) o Danwon (단원) fue un famoso pintor del período Joseon. Kim es considerado uno de los más importantes artistas de su época por ser una figura clave de las nuevas tendencias de su época. Aunque se recuerda sus descripciones de diarias vidas, Kim fue un pintador excepcional en todo campo de la arte tradicional, normalmente comparándolo maestros neerlandés.[1]

[fr] Kim Hong-do

Kim Hong-do (hangeul : 김홍도 ; hanja : 金弘道), connu aussi sous le nom de Danwon (hangeul : 단원 ; hanja : 檀園), est un peintre coréen de la fin de la période de Joseon (1745 - en ou après 1806, 1816, 1818).

[it] Kim Hong-do

Kim Hong-do[1], noto anche con lo pseudonimo di Tanwŏn (金弘道?; 1745 – 1806), è stato un pittore coreano vissuto nell’ultimo periodo della dinastia Chosŏn, all’incirca attorno al XVIII e XIX secolo. I dati circa la sua nascita e la sua morte sono molto incerti, ma molti studiosi affermano che sia nato nel 1745 e morto invece nel 1806. È tuttora riconosciuto come uno dei tre principali pittori degli oltre cinquecento anni di storia del periodo Chosŏn (1392-1910), assieme ad altri importanti artisti, come An Gyŏn e Chang Sŭngŏp.[2] I suoi lavori hanno dato nuova vita all’ultimo periodo di questa dinastia e a quello del "paesaggio realistico", che ha avuto maggiore importanza durante il regno del re Chŏngjo. È per questo motivo che questo periodo viene spesso definito l’età d’oro della cultura coreana. Ma non solo. In questo periodo specifico la Corea inizia ad avere una stabilità politica e sociale notevole, come anche quella economica.[3] Questo quindi dà la possibilità di far crescere anche la cultura e l’arte, permettendo di concentrarsi su aspetti più creativi della vita. Inoltre, ciò che fa fiorire questo periodo d’oro della cultura coreana, sono i monarchi al capo della dinastia, come ad esempio i re Chŏngjo e Yŏngjo, i quali hanno deciso di patrocinare diversi artisti talentuosi.

[ru] Ким Хон До

Ким Хон До (кор. 김홍도, Ким Хондо), известный также как Танвон (род. 1745 г. — ум. 1806 г.) — корейский художник и мастер каллиграфии.



Текст в блоке "Читать" взят с сайта "Википедия" и доступен по лицензии Creative Commons Attribution-ShareAlike; в отдельных случаях могут действовать дополнительные условия.

Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.

2019-2025
WikiSort.org - проект по пересортировке и дополнению контента Википедии