art.wikisort.org - ArtistGim Hong-do (김홍도, born 1745, died 1806?-1814?), also known as Kim Hong-do, most often styled Danwon (단원), was a full-time painter of the Joseon period of Korea. He was together a pillar of the establishment and a key figure of the new trends of his time, the 'true view painting'. Gim Hong-do was an exceptional artist in every field of traditional painting, even if he is mostly remembered nowadays for his depictions of the everyday life of ordinary people, in a manner analogous to the Dutch Masters.[1]
Korean painter
In this Korean name, the family name is Gim.
"Danwon" redirects here. For the district of Ansan, see
Danwon-gu.
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Revised Romanization | Gim Hongdo |
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McCune–Reischauer | Kim Hongdo |
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Revised Romanization | Danwon, Dan-gu, Seoho, Gomyeon-geosa, or Cheopchwiong |
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McCune–Reischauer | Tanwŏn, Tan'gu, Sŏho Komyŏn'gŏsa, or Ch'ŏpch'wiong |
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Revised Romanization | Saneung |
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McCune–Reischauer | Sanŭng |
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Biography
Danwon was a member of the Gimhae Gim clan. He grew up in present-day Ansan, South Korea.
At the age of 7, Gim Hong-do studied under the renowned master Pyoam Kang Se-hwang, who was then living in seclusion in Ansan.[2] In 1766, at the age of 21, on the recommendation of Kang Sehwang,[3] he entered the royal service as a member (hwawon) of the Dohwaseo, the official painters of the Joseon court. In 1771, he painted the portrait of the Royal Heir (the future King Jeongjo). In 1773, he assisted Byeon Sang-byeok when painting the Royal Portrait of King Yeongjo (1694–1724–1776).
In 1776, he painted the "Nineteen Taoist Immortals", that skyrocketed his reputation as a painter. At the same time, the new instated King Jeongjo (1752–1776–1800) commissioned him for many institutional paintings.
He died in loneliness and poverty, though the circumstances, and even the year are unknown. Sources are guessing 1806,[4] circa 1810,[5] or after 1814.[1][3]
Legacy
Danwon is remembered today as one of the "Three Wons," together with Hyewon and Owon. He is also often joined to Owon and the 15th-century painter An Gyeon as one of Joseon's three greatest painters.
The city of Ansan, where he spent his youth and learned his craft, has memorialized him in many ways. The district of Danwon-gu is named after him, as is Ansan's annual "Danwon Art Festival." Many public places have been designed in imitation of his works.[6]
Gallery
Various sources have various opinions about what could be a 'top ten' list for Gim Hong-do.[4][5][7] The most important fact is how successful was Gim Hong-do in all the various types of paintings.
Towooart[8] provides a short notice and an argumented selection of paintings. The Korean Copyright Commission[9] lists 757 paintings, 7 calligraphies and 4 moldings for Gim Hong-do. Remark: some paintings have multiple descriptions (often a sepia version is given with a very fine resolution, and a colorful one with a lower resolution. An example is 평양감사 향안도 Feast for the Pyongyang Governor).
- The paintings that launched the reputation of Gim Hong-do.
신언인도 (1773)
Indian Prophet
Gunseondo 군선도 (1776)
The Nineteen Taoist Immortals
ChongSeokJeong
A cat and a butterfly
Hwangmyonongjeopdo
Tiger under a pine tree
Songhamaenghodo
Drunkard under a tree
Songhachwisaengdo
Tiger underneath a Bamboo
Jukhamenghodo
Feast for the Pyongyang Governor (1, Dinner)
- The designated painter of the King
- 'Genre paintings'. Among them, the album Danwon pungsokdo provides a serie of 25 paintings. Here are only four of them:
Teacher and pupils
Seodang (서당:書堂)
Dancing boy
Mudong (무동:舞童)
Washing place
Bbalraeteo (빨래터:漂母)
- After 1800 and the death of King Jeongjo.
Chuseongbu 추성부도, Landscape in night of autumn [poem by Ouyang Xiu (1007~1072)]
Samgongbulhwando 삼공불환, The Nature Better than the Official Ranks
Fictional portrayals
Literature
The novel Painter of the Wind,[10] by Lee Jeong-myeong, is centered on Danwon and Hyewon, who is portrayed as a woman disguised as a man.
Film and television
See also
- Danwon pungsokdo cheop
- Korean painting
- List of Korean painters
References
Bibliography
- Pratt, Keith L.; Rutt, Richard; Hoare, James E. (1999). Korea, A Historical and Cultural Dictionary. Durham East Asia Series. Routledge. p. 568. ISBN 978-0-7007-0463-7.
- Turner, Jane (2003). Grove Dictionary of Art. Oxford University Press, US. p. 32600. ISBN 978-0-1951-7068-9.
- Oh, Joosok, Adjunct Professor, Chung-Ang University (2007). "The Life and Art of Kim Hong-do". Korean Art and Archeology. National Museum of Korea. 1: 34–45.
External links
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На других языках
- [en] Gim Hongdo
[es] Kim Hong-do
Kim Hong-do (김홍도, 1745 - 1806 o 1814) o Danwon (단원) fue un famoso pintor del período Joseon. Kim es considerado uno de los más importantes artistas de su época por ser una figura clave de las nuevas tendencias de su época. Aunque se recuerda sus descripciones de diarias vidas, Kim fue un pintador excepcional en todo campo de la arte tradicional, normalmente comparándolo maestros neerlandés.[1]
[fr] Kim Hong-do
Kim Hong-do (hangeul : 김홍도 ; hanja : 金弘道), connu aussi sous le nom de Danwon (hangeul : 단원 ; hanja : 檀園), est un peintre coréen de la fin de la période de Joseon (1745 - en ou après 1806, 1816, 1818).
[it] Kim Hong-do
Kim Hong-do[1], noto anche con lo pseudonimo di Tanwŏn (金弘道?; 1745 – 1806), è stato un pittore coreano vissuto nell’ultimo periodo della dinastia Chosŏn, all’incirca attorno al XVIII e XIX secolo.
I dati circa la sua nascita e la sua morte sono molto incerti, ma molti studiosi affermano che sia nato nel 1745 e morto invece nel 1806. È tuttora riconosciuto come uno dei tre principali pittori degli oltre cinquecento anni di storia del periodo Chosŏn (1392-1910), assieme ad altri importanti artisti, come An Gyŏn e Chang Sŭngŏp.[2] I suoi lavori hanno dato nuova vita all’ultimo periodo di questa dinastia e a quello del "paesaggio realistico", che ha avuto maggiore importanza durante il regno del re Chŏngjo. È per questo motivo che questo periodo viene spesso definito l’età d’oro della cultura coreana. Ma non solo. In questo periodo specifico la Corea inizia ad avere una stabilità politica e sociale notevole, come anche quella economica.[3] Questo quindi dà la possibilità di far crescere anche la cultura e l’arte, permettendo di concentrarsi su aspetti più creativi della vita. Inoltre, ciò che fa fiorire questo periodo d’oro della cultura coreana, sono i monarchi al capo della dinastia, come ad esempio i re Chŏngjo e Yŏngjo, i quali hanno deciso di patrocinare diversi artisti talentuosi.
[ru] Ким Хон До
Ким Хон До (кор. 김홍도, Ким Хондо), известный также как Танвон (род. 1745 г. — ум. 1806 г.) — корейский художник и мастер каллиграфии.
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