British and Irish stained glass |
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- British and Irish stained glass (1811–1918)
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History |
- Architecture of cathedrals and great churches
- History of stained glass
- Medieval stained glass
- Poor Man's Bible
- Regional characteristics of European cathedral architecture
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Influences | Artistic movements |
- Aesthetic Movement
- Arts and Crafts Movement
- Biblia pauperum
- Cambridge Camden Society
- Classicism
- Early Renaissance
- Exoticism
- Gothic Revival
- Oxford Movement
- Romanticism
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Organisations |
- The Glass House
- Hogarth Club
- Pre-Raphaelite Brotherhood
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People | Architectural |
- John Loughborough Pearson
- Augustus Pugin
- George Gilbert Scott
- Alexander Thomson
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Artists | |
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Critics | |
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Manufacturers |
- An Túr Gloine
- Barton, Kinder and Alderson
- Burlison and Grylls
- Harry Clarke
- Clayton and Bell
- Walter Francis Clokey
- Daniel Cottier
- John Hardman & Co.
- Heaton, Butler and Bayne
- Hincks and Burnell
- Lavers, Barraud and Westlake
- Morris & Co.
- James Powell and Sons
- Shrigley and Hunt
- William Wailes
- William Warrington
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Examples |
- Canterbury Cathedral
- Coventry Cathedral
- Fairford stained glass
- York Minster
- My Four Green Fields
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Images |
- Admiral
- Apostles
- Biblical
- Bishop
- Fleur-de-lis
- Heraldry
- Prophet
- Saint
- Virtues
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Terminology |
- Architectural glass
- Art glass
- Beveled glass
- Came glasswork
- Cathedral glass
- Curvilinear coordinates
- Float glass
- Glass art
- Glass beadmaking
- Glassblowing
- Grisaille
- Lancet window
- Leadlight
- Mandorla
- Mullion
- Pontil
- Quatrefoil
- Rose window
- Roundel
- Stained glass
- Stained glass conservation
- Studio glass
- Tracery
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