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Jean-Antoine Houdon (French: [ʒɑ̃ ɑ̃twan udɔ̃];[1] 20 March 1741 – 15 July 1828) was a French neoclassical sculptor.

Jean-Antoine Houdon
1808 portrait by Rembrandt Peale
Born(1741-03-20)20 March 1741
Versailles, France
Died15 July 1828(1828-07-15) (aged 87)
Paris, France
NationalityFrench
EducationAcadémie royale de peinture et de sculpture
Known forPortrait sculpture
SpouseMarie-Ange-Cecile Langlois
AwardsPrix de Rome

Houdon is famous for his portrait busts and statues of philosophers, inventors and political figures of the Enlightenment. Houdon's subjects included Denis Diderot (1771), Benjamin Franklin (1778-1809), Jean-Jacques Rousseau (1778), Voltaire (1781), Molière (1781), George Washington (1785–1788), Thomas Jefferson (1789), Louis XVI (1790), Robert Fulton (1803–04), and Napoléon Bonaparte (1806).


Biography


Jean-Antoine Houdon at work in his atelier, 1804, by Louis-Léopold Boilly, Musée des Arts Décoratifs, Paris.
Jean-Antoine Houdon at work in his atelier, 1804, by Louis-Léopold Boilly, Musée des Arts Décoratifs, Paris.

Houdon was born in Versailles, on 20 March 1741.[2] In 1752, he entered the Académie royale de peinture et de sculpture, where he studied with René-Michel Slodtz, Jean-Baptiste Lemoyne, and Jean-Baptiste Pigalle.[3] From 1761 to 1764, he studied at the École royale des élèves protégés.[4]

Houdon won the Prix de Rome in 1761, but was not greatly influenced by ancient and Renaissance art in Rome. His stay in the city is marked by two characteristic and important productions: the superb écorché[5] (1767), an anatomical model which has served as a guide to all artists since his day, and the statue of Saint Bruno in the church of Santa Maria degli Angeli e dei Martiri in Rome. After four years in Italy, Houdon returned to Paris.[6]

He submitted Morpheus to the Salon of 1771.[7] He developed his practise of portrait busts. He became a member of the Académie de peinture et de sculpture in 1771, and a professor in 1778. In 1778, he modeled Voltaire, producing a portrait bust with wig for the Comédie-Française; one for the Palace of Versailles, and one for Catherine the Great.[8]

In 1778, he joined the masonic lodge Les Neuf Sœurs, where he later met Benjamin Franklin, and John Paul Jones.[9] For Salon of 1781, he submitted a Diana which was refused without drapery.[3]

Houdon's portrait sculpture of Washington was the result of a specific invitation by Benjamin Franklin to cross the Atlantic in 1785, specifically to visit Mount Vernon, so that Washington could model for him. Washington sat for wet clay life models and a plaster life mask. These models served for many commissions of Washington, including the standing figure commissioned by the Virginia General Assembly, for the Virginia State Capitol in Richmond.[3] Numerous variations of the Washington bust were produced, portraying him variously as a general in uniform, in the classical manner showing chest musculature, and as Roman Consul Lucius Quinctius Cincinnatus clad in a toga. A cast of the latter is located in the Vermont State House.[citation needed]

In the 1780s Houdon produced two semi-nude sculptures, Winter and Bather.[10]

Perceived as bourgeois for his connections to the court of Louis XVI, he fell out of favour during the French Revolution, although he escaped imprisonment. Houdon returned to favor during the French Consulate and Empire, being taken on as one of the original artistic team for what became the Column of the Grande Armée at Wimille.[3]

He was made a Chevalier de la Légion d'honneur, on 17 December 1804.[11]

American Bank Note CoIssue of 1890
American Bank Note Co
Issue of 1890

Houdon died in Paris on 15 July 1828,[3] and was interred at the Montparnasse Cemetery.[12]


Family


On 1 July 1786, he married Marie-Ange-Cecile Langlois;[13] they had three daughters: Sabine, Anne-Ange, and Claudine.[14]


Legacy and influence


Houdon's sculptures were used as models for the engravings used on various U.S. postage stamps of the late 19th and early 20th centuries which depict Washington in profile.[15]




See also



Notes



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На других языках


[de] Jean-Antoine Houdon

Jean-Antoine Houdon (* 25. März 1741 in Versailles[1]; † 15. Juli 1828 in Paris) war ein französischer Bildhauer des Klassizismus.
- [en] Jean-Antoine Houdon

[es] Jean-Antoine Houdon

Jean-Antoine Houdon (Versalles, 1741 - París, 1828) fue un escultor francés, figura cumbre del neoclasicismo de su país. Destacó en sus retratos por la búsqueda del carácter individual, lo que le acercó al prerromanticismo. Discípulo de Jean-Baptiste Pigalle y Lemoyne, en 1764 se trasladó a Roma para completar su formación. Allí esculpió a Bruno. Se dedicó fundamentalmente al retrato, iniciando la serie con uno de Diderot, en barro cocido, al que siguieron los de Mirabeau, D'Alembert, Molière, Voltaire, Rousseau y Franklin. Este último le sugirió la idea de viajar a Estados Unidos para retratar a Washington. Houdon llegó al continente americano en 1785 y, además de varios bustos del presidente, realizó la estatua que actualmente se exhibe en el Capitolio. Durante la Revolución francesa, plasmó los rostros de Necker, Lafayette y Napoleón. Cabe destacar también su elegante Diana cazadora (1776), de estilo clasicista.

[fr] Jean-Antoine Houdon

Jean-Antoine Houdon né le 25 mars 1741 à Versailles et mort le 15 juillet 1828 à Paris est un sculpteur français.

[it] Jean-Antoine Houdon

Jean-Antoine Houdon (Versailles, 25 marzo 1741 – Parigi, 15 luglio 1828) è stato uno scultore francese neoclassico.

[ru] Гудон, Жан-Антуан

Жан-Антуан Гудон (фр. Jean-Antoine Houdon, 25 марта 1741, Версаль — 15 июля 1828, Париж) — французский скульптор академического направления периода неоклассицизма. Один из самых знаменитых мастеров психологического портрета своей эпохи. Ж.-А. Гудон создал галерею психологических портретов современников — представителей эпохи Просвещения и деятелей Великой французской революции.



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