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Jean Shin (born 1971) is an American artist living in Brooklyn, NY. She is known for creating elaborate sculptures and site-specific installations using accumulated cast-off materials.[2]

Jean Shin
Born1971 (age 50–51)
Seoul, South Korea
Alma materSkowhegan School of Painting and Sculpture
Pratt Institute[1]
OccupationArtist
Websitewww.jeanshin.com

Personal life


Shin was born in Seoul, South Korea and moved to the United States when she was 6 years old, growing up in Bethesda, Maryland.[3] Both of her parents who had been professors in Seoul took various jobs after moving to the Washington, D.C. area, eventually owning a supermarket and liquor store.[4]

Shin was encouraged to pursue painting seriously in high school, and in 1990 during her senior year she entered the Presidential Scholars Program competition in the arts and won a full scholarship to Pratt Institute in Brooklyn. She received a B.F.A. in painting in 1994 and an M.S. in Art History and Criticism in 1996. She then worked at the Whitney Museum in New York as a curatorial assistant. Since 1998, she has taught at the Pratt Institute as an adjunct professor. She also attended the Skowhegan School of Painting and Sculpture in 1999.


Work


Shin is best known for her labor-intensive, sculptural process of transforming accumulations of cast-off objects into visually alluring, conceptually rich works. For each project, she amasses vast collections of a particular object—prescription pill bottles, sports trophies, sweaters—which are often sourced through donations from individuals in a participating community. These intimate objects then become the materials for her sculptures, video and site-specific installations. Her works navigate the boundary between abstraction and representation, while considering both formal issues and cultural investigations.

Shin's artwork references a wide range of art historical precedents, from minimalism, with its unyielding repetition of singular forms, to feminism, with its focus on traditional craft techniques, and Arte Povera, with its connection to everyday life.[5]

Her inventory of scavenged and obsolete materials includes worn shoes, lost socks, broken umbrellas, broken ceramics,[6] discarded lottery tickets, and prescription pill bottles, all of which she accumulates in massive quantities. Shin then transmutes these finds through a meticulous process of deconstruction, alteration, and restoration. The resulting sculptures and installations consist of hundreds, sometimes thousands, of seemingly identical objects, each of which carries a multitude of potential meanings that inspire both personal and collective associations.[7]

The focus shifts constantly in my installations between individual and group identity, the single unit and the larger whole, the intimate and the excessive. My elaborate work-process mirrors these dualities, as objects of mass production and consumerism are transformed through intense handmade labor.[8]

Shin's work is included in New York City's Second Avenue Subway. In addition to Shin, fellow artists in the "extensive underground art museum funded and commissioned by MTA Arts & Design" include Chuck Close, Sarah Sze and Vik Muniz.[9] Shin's installation "Elevated" mosaics located at the Lexington Avenue–63rd Street station is based on early-20th-century photographs of the 2nd and 3rd Avenue elevated lines from the Transit Museum and New-York Historical Society archives.


Exhibitions


Shin's work has been widely exhibited in major national and international museums, including a 2004 solo project at The Museum of Modern Art in New York, The Fabric Workshop and Museum in Philadelphia in 2006, and a solo exhibition at the Smithsonian American Art Museum in Washington, DC in 2009.[10][11][12]

63rdStreet- Jean Shin, Elevated (31746857325)
63rdStreet- Jean Shin, Elevated (31746857325)

Public commissions



Collections



Recognition



References


  1. "Pratt Institute". Retrieved 2018-03-04.
  2. "MTA Arts & Design". Retrieved March 4, 2018.
  3. "Jean Shin, Turning Trash Into Artistic Treasure". NPR. Retrieved 2018-03-04.
  4. Sheets, Hilarie M. (8 April 2009). "Because Everyone Deserves a Trophy". The New York Times. Retrieved 2018-03-04.
  5. Brooke Kamin Rapaport," Jean Shin's Accumulations of Ephemera," Sculpture, July/August 2008, 33–34
  6. "MTA Arts & Design". Retrieved September 2, 2015.
  7. Joanna Marsh, The James Dicke Curator of Contemporary Art, Exhibitions Brochure JEAN SHIN: common threads, Smithsonian American Art Museum, May 2009
  8. Jean Shin, Artist Statement, http://www.jeanshin.com/artist_statement.htm, March 2009
  9. "From Chuck Close to Sarah Sze, a Ride Through the Art of the Second Avenue Subway". 3 January 2017.
  10. "The Elaine Dannheisser Projects Series - MoMA". Retrieved 19 April 2017.
  11. "Fabric Workshop and Museum : Past Exhibition : Jean Shin: TEXTile". Archived from the original on 2008-07-05. Retrieved 2009-04-01.
  12. "Jean Shin: Common Threads". Retrieved 19 April 2017.
  13. "Philadelphia Museum of Art - Exhibitions - Jean Shin: Collections".




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