art.wikisort.org - Artist

Sarah Sze (/ˈziː/; born 1969) is an American artist widely recognized for challenging the boundaries of painting, installation, and architecture. Sze's sculptural practice ranges from slight gestures discovered in hidden spaces to expansive installations that scale walls and colonize architectures.[1] Sze's work explores the role of technology and information in contemporary life utilizing everyday materials.[2] Drawing from Modernist traditions, Sze's work often represents objects caught in suspension.[3] Sze lives and works in New York City[4] and is a professor of visual arts at Columbia University.[5]

A major contributor to this article appears to have a close connection with its subject. (July 2020)

Sarah Sze
360 (Portable Planetarium) (2010)
Born	1969 (age 52–53) Boston, Massachusetts, US
Alma mater	Yale University, BA 1991 School of Visual Arts, MFA 1997
Known for	Sculpture
Spouse(s)	Siddhartha Mukherjee
Awards	MacArthur Fellow 2003 US Representative for the Venice Biennale 2013
Website	sarahsze.com

Early life and education

Sze was born in Boston in 1969. Sze attributes her approach to seeing the world to growing up around models and plans and to regular discussions of buildings and cities.[6] She received a BA in Architecture and Painting from Yale University in 1991[7] and an MFA from New York's School of Visual Arts in 1997.[1]

Career

Sze draws from Modernist traditions of the found object, to build large scale installations.[8] She uses everyday items like string, Q-tips, photographs, and wire to create complex constellations whose forms change with the viewer's interaction.[9] The effect of this is to "challenge the very material of sculpture, the very constitution of sculpture, as a solid form that has to do with finite geometric constitutions, shapes, and content."[10] When selecting materials, Sze focuses on the exploration of value acquisition–what value the object holds and how it is acquired. In an interview with curator Okwui Enwezor, Sze explained that during her conceptualization process, she will "choreograph the experience to create an ebb and flow of information [...] thinking about how people approach, slow down, stop, perceive [her art]."[3]

Sze represented the United States at the Venice Biennale in 2013, and was awarded a MacArthur Fellowship in 2003. Her work has been featured in The Whitney Biennial (2000), the Carnegie International (1999) and several international biennials, including Berlin (1998), Guangzhou (2015), Liverpool (2008), Lyon (2009), São Paulo (2002), and Venice (1999, 2013, and 2015).

Sze has also created public artworks for the Massachusetts Institute of Technology, the Walker Art Center, and the High Line in New York.[11]

On January 1, 2017, a permanent installation commissioned by MTA Arts & Design of drawings by Sze on ceramic tiles opened in the 96th Street subway station on the new Second Avenue Subway line in New York City.[12][13][14][15][16][17] Sze unveiled Shorter than the Day, a permanent installation, in LaGuardia Airport in 2020[18][19] and in 2021 Sze unveiled her most recent permanent installation, Fallen Sky, at Storm King Art Center,[20] Cornwall, NY.

Influences

Sze's work is influenced, in part, by her admiration for Cubists, Russian Constructivists, and Futurists. Particularly, their attempt to "depict the speed and intensity of the moment and the impossibility of its stillness."[3]

Personal life

Sze lives in New York City with her husband Siddhartha Mukherjee and their two daughters.[21]

Sarah’s great-grandfather, who had a waist-length queue, was the first Chinese student (Alfred Sao-ke Sze) to go to Cornell University. He became China’s minister to Britain and then ambassador to the United States. Her father, Chia-Ming Sze, was born in Shanghai; his family fled China when he was four, and resettled in the United States. He became an architect and married Judy Mossman, an Anglo-Scottish-Irish schoolteacher. Sarah and David, her older brother, grew up in Boston. (David, one of the first investors in Facebook, is a venture capitalist at Greylock Partners.) Sarah went to Milton Academy as a day student and graduated summa cum laude from Yale in 1991. Throughout her childhood, she was constantly drawing—at the dinner table, on the train, wherever she was.[21]

Her grandfather is Szeming Sze who was the initiator of World Health Organization.

Exhibitions

Sze has staged a large number of solo exhibitions and shows across the United States and internationally. Her notable solo exhibitions include White Room (1997), White Columns, New York; Sarah Sze (1999), Museum of Contemporary Art, Chicago; Sarah Sze: The Triple Point of Water (2003-2004), originating at the Whitney Museum of American Art, New York; Sarah Sze: Triple Point (Planetarium) (2014), Bronx Museum of the Arts, New York; and Sarah Sze (2018), Tate Modern, London.[22]

Sze has also participated in a wide array of group exhibitions, including the Berlin Biennale (1998), 48th Venice Biennale (1999), Whitney Biennial (2000), Liverpool Biennial (2008), 55th Venice Biennale (2013), and 56th Venice Biennale (2015).[22]

Notable works in public collections

• Many a Slip (1999), Museum of Contemporary Art, Los Angeles[23]
• Strange Attractor (2000), Whitney Museum of American Art, New York[24]
• Things Fall Apart (2001), San Francisco Museum of Modern Art[25]
• Untitled (Table Top) (2001), Harvard Art Museums, Cambridge, Massachusetts[26]
• Grow or Die (2002), Walker Art Center, Minneapolis[27]
• The Letting Go (2002), Museum of Fine Arts, Boston[28]
• Everything in its right place (2002-2003), National Gallery of Victoria, Melbourne, Australia[29]
• Blue Poles (2004), List Visual Arts Center, Cambridge, Massachusetts[30]
• Second Means of Egress (Orange) (2004), Albright-Knox Art Gallery, Buffalo, New York[31]
• Sexton (from Triple Point of Water) (2004-2005), Detroit Institute of Arts[32]
• Proportioned to the Groove (2005), Museum of Contemporary Art, Chicago[33]
• 360 (Portable Planetarium) (2010), National Gallery of Canada, Ottawa[34]
• Triple Point (Pendulum) (2013), Museum of Modern Art, New York[35]
• Mirror with Landscape Leaning (Fragment Series) (2015), Yale University Art Gallery, New Haven, Connecticut[36]
• Plywood Sunset Leaning (Fragment Series) (2015), Cleveland Museum of Art[37]
• Split Stone (Northwest) (2019), Western Gallery, Western Washington University, Bellingham[38]

Awards and grants

This section of a biography of a living person does not include any references or sources. (March 2021)

• 2020 - Inductee, American Academy of Arts and Sciences[39]
• 2018 – The American Academy of Arts and Letters, New York[40]
• 2017 – Honoree, National Academy Museum and School, New York
• 2016 – Louise Blouin Foundation Award
• 2014 – Amherst Honorary Degree, Doctor of the Arts, Honoris Causa
• 2014 – School of the Museum of Fine Arts, Boston, Medal Award
• 2013 – US Representative for the Venice Biennale[41]
• 2013 – Inducted into the National Academy
• 2012 – American Federation of the Arts Cultural Leadership Award
• 2012 – Laurie M. Tisch Award for civic responsibility and action and significant leadership in education, arts, culture, civic affairs and/or health
• 2012 – AICA Award for Best Project in a Public Space, Sarah Sze, Still Life with Landscape (Model for a Habitat), The High Line, New York, NY
• 2005 – Radcliffe Institute Fellow
• 2003 – MacArthur Fellow
• 2003 – Lotos Club Foundation Prize in the Arts
• 2002 – Atelier Calder Residency, Sache`, France
• 1999 – Louis Comfort Tiffany Award
• 1997 – The Marie Walsh Sharpe Foundation Studio Residency, New York
• 1997 – Rema Hort Mann Foundation Award
• 1997 – Paula Rhodes Memorial Award
• 1996 – School of Visual Arts Graduate Fellowship

Teaching

This section of a biography of a living person does not include any references or sources. (March 2021)

• 1998 – Visiting Lecturer, Yale University, Intersections of Art and Architecture
• 1999–2002 – Lecturer, School of Visual Art, Master of Fine Arts Program
• 2002–2004 – Lecturer, Columbia University, School of the Arts
• 2005–2008 – Adjunct Professor, Columbia University, School of the Arts
• 2009–Present – Professor, Columbia University, School of the Arts

References

Further reading

• Enwezor, Okwui; Benjamin H. D. Buchloh; Laura Hoptman (2016). Sarah Sze. Phaidon. ISBN 978-0-7148-7046-5.
• Norden, Linda; Arthur Danto (2007). Sarah Sze. Abrams. ISBN 978-0-8109-9302-0.
• Grambye, Lars (2006). Sarah Sze: Tilting Planet. Malmo Konsthall.
• Sans, Jerome; Jean-Louis Schefer; Fondation Cartier (2000). Sarah Sze. Thames & Hudson. ISBN 0-500-97490-X.
• Sze, Sarah, 1969-. Timekeeper. Bedford, Christopher; Salecl, Renata; Siegel, Katy; Foster, Hal; Steyerl, Hito; Rose Art Museum. New York, NY. ISBN 978-1-941366-13-4. OCLC 988087345.{{cite book}}: CS1 maint: multiple names: authors list (link)

External links

• Official website
• Tanya Bonakdar Gallery
• Victoria Miro Gallery
• Venice Biennale U.S Pavilion Exhibition
• Carnegie Museum of Art site on Sze
• Sarah Sze: Infinite Line site, Asia Society
• Interview for The New Yorker with Andrea Scott, 2012

На других языках

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- [en] Sarah Sze

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[fr] Sarah Sze

Sarah Sze, née en 1969 à Boston, est une artiste et sculptrice américaine, vivant à New York. Elle est connue particulièrement pour ses sculptures in situ éphémères, dans lesquelles des milliers de petits objets de la vie quotidienne et, plus tard de nombreuses images mobiles et des objets, sont assemblés dans des formes fragiles, légères, étirées dans l'espace et dans le temps.

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[ru] Зе, Сара

Сара Зе (англ. Sarah Sze, род. в 1969, Бостон) — современная американская художница, скульптор, создает инсталляции из бытовых предметов. Замужем за известным американским врачом и популяризатором науки индийского происхождения Сиддхартхой Мукерджи.

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