Jules Joseph Lefebvre (French:[ʒyl ʒɔzɛf ləfɛvʁ]; 14 March 1836–24 February 1911) was a French figure painter, educator and theorist.
French painter, educator and theorist
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Lefebvre was born in Tournan-en-Brie, Seine-et-Marne, on 14 March 1836.[1] He entered the École nationale supérieure des Beaux-Arts in 1852 and was a pupil of Léon Cogniet.
Career
He won the prestigious Prix de Rome in 1861. Between 1855 and 1898, he exhibited 72 portraits in the Paris Salon. Many of his paintings are single figures of beautiful women. Among his best portraits were those of M. L. Reynaud and the Prince Imperial (1874).[3] In 1891, he became a member of the French Académie des Beaux-Arts.
Grave of Jules Lefebvre, Montmartre Cemetery, Paris.
Lefebvre died in Paris on 24 February 1911 and was buried in the Montmartre Cemetery with a bas-relief depiction of his painting La Vérité on his grave.
[1][2]
1870 La Vérité (The Truth) (1870), oil on canvas, Musée d'Orsay, Paris. The painting is contemporary with the first small scale model made by Lefebvre's fellow-Frenchman Frédéric Bartholdi for what became the Statue of Liberty, striking a similar pose, though fully clothed.[2]
1870s Jeune femme à la mandoline (Girl with a Mandolin)
1870 Portrait du Prince Impérial
1872 PandoraGraziella, 1878 (depicting the protagonist of Alphonse de Lamartine's novel Graziella)
1872 La Cigale, National Gallery of Victoria (Exhibited Salon, Paris, 1872, no. 970; collection of Milton Latham (1827–82), San Francisco, before 1878; by whom sold, New York, 1879; collection of Daniel Catlin, St Louis, Missouri, 1879–1893; by whom gifted to the St Louis Museum of Fine Arts, 1893–1945; deaccessioned and sold, c. 1945; collection of Julian Sterling, Melbourne, by 1984–2005; from whom purchased for the Felton Bequest, 2005.)
1874 Odalisque
1874 Slave Carrying Fruit (Ghent Museum)
1874 Portrait of Eugène Louis Napoléon Bonaparte
1875 Chloé, Young and Jackson Hotel, Melbourne
1876 Mary Magdalene in the Cave, Hermitage Museum, Saint Petersburg
Waller, S. (ed.), Foreign Artists and Communities in Modern Paris, 1870–1914: Strangers in Paradise, Routledge, 2017, p. 119
Kathleen Luhrs, American Paintings in the Metropolitan Museum of Art, 1980: "... on to Paris and studied for a year at the Académie Julian under Gustave Boulanger and Jules Lefebvre."
Kovacs, Anna Zsófia (2015–2016). "L'Ondine de Jules Lefebvre: un nu académique français dans les collections du musée des Beaux-Arts". Bulletin du musée hongrois des Beaux-Arts. 120–121: 147–164.
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