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Kevin Larmon[1] (born December 18, 1955) is an American artist[2] and was assistant monitor of painting at Syracuse University.[3]

Kevin Larmon
Born
Kevin Larmon

(1955-12-18) 18 December 1955 (age 66)
Syracuse, New York
NationalityAmerican
EducationBinghamton University
Known forPainting
AwardsPollock-Krasner Foundation Atlantic-Pacific Fellowship

Early life


Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School.[4] In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight.


Work



Artistic Practice


re:will, 2011, 18x20
re:will, 2011, 18"x20"

Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings.

Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture.[5] Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms.[6]

His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art.[7] Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois.[8] Over the years, Hudson and Larmon would work together on many exhibitions.


Influences


As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino.[9][10]

Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin.

During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner.[11]


Exhibitions



Early Shows


Larmon's first group exhibition, Choices, was presented at the Drawing Center in New York in 1979. In 1982, he exhibited in the New Drawing in America exhibition at the Drawing Center and at the inaugural exhibition of Gallery Nature Morte in New York.[12]


1983–Present


Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal.[13]

From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts.[14]

In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado.[15]


Exhibitions curated by Tricia Collins and Richard Milazzo



Exhibitions at Feature Inc.



Collections


Larmon's works are in the collections of the Metropolitan Museum of Art,[24] New York, New York; the Museum of Contemporary Art, Los Angeles, California; the Walker Art Center, Minneapolis, Minnesota; the Archer M. Huntington Art Gallery in the Blanton Museum of Art at the University of Texas at Austin, Austin, Texas; the Chase Manhattan Bank NA, New York, New York; the McCrory Corporation Collection; the Progressive Corporation Collection, Cleveland, Ohio; and the Prudential Insurance Company Collection.[25]

Larmon's work titled "Hunter" sold at auction during Christie's 2005 "The House Sale" in New York.[26]


Critical responses



Positive


Holland Cotter said Larmon's painting installation in The Cathedral Project was "the most cohesive part of the show, largely because it is concentrated in a small side chapel. Most of the pieces were executed on wood panels that belonged to another artist, Tom Brazelton, who died of AIDS last year. Together they serve as a memorial to him, and they add up to Mr. Larmon's best recent work."[27]

Ken Johnson (art critic) claimed that Larmon's "stained, yellow-glazed canvases have a quality of Old Masterish romanticism."[28]


Negative


Roberta Smith critiqued Larmon's work regarding size and style in 1989. "Kevin Larmon's paintings are getting larger and more ambitious, which they needed to do, but most are somewhat weaker for the effort. Increasing the size reduces the preciousness of these works, which is good, but venturing toward trompe l'oeil, as Mr. Larmon seems to be doing, is a mistake."[29]


See also



References


  1. , The Metropolitan Museum of Art. Retrieved 12 May 2014.
  2. Smith, Roberta. , The New York Times. Retrieved 12 May 2014.
  3. Archived 14 May 2014 at the Wayback Machine, Syracuse University. Retrieved 12 May 2014.
  4. Rinder, Lawrence , University of California, Berkeley Art Museum and Pacific Film Archive. Retrieved 12 May 2014.
  5. Fineman, Mia. Artnet. Retrieved 13 May 2014
  6. Fineman, Mia. Artnet. Retrieved 13 May 2014
  7. Alexander, Max. the New York Times. Retrieved 20 May 2014.
  8. Roberta Smith. Hudson, Gallerist and Nurturer of Artists, Dies at 63. Retrieved June 24, 2014
  9. Falkon, Sylvia, “Kevin Larmon at Nature Morte,” The East Village Eye, June 1984. Print.
  10. Schwendenwien, Jude, “Reviews: Kevin Larmon, Nature Morte,” ArtForum International, October 1988. Print.
  11. "Notable Alumni" Syracuse University. Retrieved 15 November 2018.
  12. Falkon, Sylvia, “Kevin Larmon at Nature Morte,” The East Village Eye, June 1984. Print.
  13. Indiana, Gary, “Venice as Usual,” Village Voice, August 5, 1986.
  14. , Blouin Art Info. Retrieved 13 May 2014.
  15. , Leslie Sacks Fine Art. Retrieved 13 May 2014.
  16. Milazzo, Richard. "Peter Nadin". Archived from the original on 9 March 2010. Retrieved 14 May 2014. Peter Nadin: An Odyssey of the Mark in Painting. Retrieved May 13, 2014.
  17. Feature Inc. Archived 24 June 2014 at archive.today Previous Exhibitions 1987. Retrieved June 24, 2014.
  18. Feature Inc. Archived 24 June 2014 at archive.today Previous Exhibitions 1988. Retrieved June 24, 2014.
  19. Feature Inc. Archived 24 June 2014 at archive.today Previous Exhibitions 1995. Retrieved June 24, 2014.
  20. Feature Inc. Archived 24 June 2014 at archive.today Previous Exhibitions 1995. Retrieved June 24, 2014.
  21. Feature Inc. Archived 8 June 2014 at the Wayback Machine Previous Exhibitions 2007. Retrieved June 24, 2014.
  22. Feature Inc. Power to the People Archived 1 April 2012 at the Wayback Machine. Retrieved June 24, 2014.
  23. Feature Inc. Tom of Finland Archived 13 March 2015 at the Wayback Machine. Retrieved June 24, 2014.
  24. Smith, Roberta, “Recent Met Acquisitions Survey Works of 80′s,” New York Times, Words and Image, Friday, April 15. Print.
  25. , Blouin Art Info. Retrieved 13 May 2014.
  26. , Christie's. Retrieved 13 May 2014.
  27. Cotter, Holland. , The New York Times. Retrieved 12 May 2014.
  28. Johnson, Ken. , The New York Times. Retrieved 12 May 2014.
  29. Smith, Roberta. , The New York Times. Retrieved 12 May 2014.


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