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Tricia Collins is an American art critic, art gallerist and curator of contemporary art. She was half of the curatorial team Collins & Milazzo, with Richard Milazzo, who together co-published and co-edited Effects : Magazine for New Art Theory from 1982 to 1984.[1] She later ran the art galleries Grand Salon, Tricia Collins Grand Salon, and Tricia Collins Contemporary Art in New York City until the year 2000.[2]


Biography


Born in Miami, Collins grew up in Tallahassee, Florida and moved to New York City in 1979. In 1980 she moved to the East Village.[3][better source needed]


Collins & Milazzo


In 1984, Tricia Collins and Richard Milazzo[4] began working together as curators to transform the group show into a critical statement.[5] Her exhibitions and critical writings with Collins & Milazzo brought to prominence a new generation of artists in the 1980s.[6] It was their exhibitions[7] and writings that originally fashioned the theoretical context for a new kind of Post-conceptual art that argued simultaneously against Neo-Expressionism and Picture-Theory Art.[8]


Art publications



See also



References


  1. Alison Pearlman, Unpackaging Art of the 1980s, University of Chicago Press, 2003, p. 116
  2. Tricia Collins Contemporary Art
  3. Allan McCollum interview with Collins & Milazzo
  4. Amy Virshup (1988-01-25). "Get Me Rewrite" - New York Magazine. New York Media, LLC. pp. 29–. Retrieved 27 December 2014.
  5. Center for Curatorial Studies, Bard College Receives Donation of the Papers of Influential Curator Tricia Collins
  6. Alison Pearlman, Unpackaging Art of the 1980s, University of Chicago Press, 2003, p. 116
  7. Art at the End of the Social : Rooseum catalogue
  8. Allan McCollum interview with Collins & Milazzo


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