Louis Vivin (born 28 July 1861, Hadol, France; died 28 May 1936 in Paris) was a French primitivist painter.
Vivin was born in Hadol, France. He showed great enthusiasm for painting as a child, but his career took him in a completely different direction: he worked as a postal clerk until 1922, pursuing his art only in his spare time.[2] Once he retired in 1923, Vivin finally took up the full-time part of being an artist.[3] He moved to Paris in 1889 where he lived with his wife in the district of Montparnasse.[4][5]
He was a self-taught and a representative of naïve painting. Eventually, he was discovered by the German art critic Wilhelm Uhde (1874–1947), an association which helped him start exhibiting and build a reputation as a serious artist.
The subjects of Vivin's paintings were still life, hunting subjects, and the city of Paris.[6] Vivin was a contemporary of Henri Rousseau, Camille Bombois, André Bauchant, and Séraphine Louis, known collectively as the "Sacred Heart Painters" and as masters of French naïve painting.[7] Vivin's works are known to have a sad and dismal theme to them. He was also known for painting from his memory. Louis Vivin was influenced by the work and details of Jean-Louis-Ernest Meissonier’s paintings. His works depicted genre scenes, flower pieces, hunting scenes and views of Paris, "notable for their charmingly wobbly perspective effects". [8]
Louis Vivin’s first one-man exhibition was placed at the Galerie des Quatre Chemins, and it was organized by Wilhelm Uhde in 1927.[3] His later work was considered to become less dependent of the melancholy mood, and it focused more on blocks of color and form.[4][5]
Southampton City Art Gallery[9]
Auction Christie's[10]
Private collections[11]
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