Lucas Samaras (born 1936) is a Greek-American artist.[1]
Greek-American artist
Lucas Samaras
Self-portrait,Photo-Transformation, Polaroid SX-70 print, 1973, Getty Museum
Born
1936 (age85–86)
Kastoria, Greece
Nationality
American
Education
Rutgers University
Knownfor
Photography, Sculpture, Printmaking
Early life and education
Samaras was born in Kastoria, Greece. He studied at Rutgers University on a scholarship, where he met Allan Kaprow and George Segal.
Career
Samaras participated in Kaprow's "Happenings," and posed for Segal's plaster sculptures.[2]Claes Oldenburg, in whose Happenings he also participated, later referred to Samaras as one of the "New Jersey school," which also included Kaprow, Segal, George Brecht, Robert Whitman, Robert Watts, Geoffrey Hendricks and Roy Lichtenstein. Samaras previously worked in painting, sculpture, and performance art, before beginning work in photography.
He subsequently constructed room environments that contained elements from his own personal history.[3] His "Auto-Interviews" were a series of text works that were "self-investigatory" interviews.[4] The primary subject of his photographic work is his own self-image, generally distorted and mutilated. He has worked with multi-media collages, and by manipulating the wet dyes in Polaroid photographic film to create what he calls "Photo-Transformations".
Samaras represented Greece at the 53rd International Art Exhibition, The Venice Biennale (June 7- November 22, 2009) with the multi-installation "PARAXENA" in the Greek Pavilion in the Giardini.[5]
Samaras has been the subject of several portraits by Chuck Close, in media including painting, daguerreotype, and tapestry.[6]
"Archived copy"(PDF). Archived from the original(PDF) on 2011-09-27. Retrieved 2011-04-27.{{cite web}}: CS1 maint: archived copy as title (link) Stone, Nick. Chuck Close: Lucas (press release). Retrieved 4-27-2011.
Kristine Stiles and Peter Selz, editors. Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. University of California Press, 1996.
Jo Applin, '"Materialized Secrets": Samaras, Hesse and the Small Scale Box', Object, no. 4, 2002
Further reading
Goysdotter, Moa (2013). Impure Vision: American Staged Art Photography of the 1970s. Lund: Nordic Academic Press. ISBN9789187351006.
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