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Lucien Lévy-Dhurmer (30 September 1865 – 24 September 1953) was a French artist and a leading exponent of fin-de-siècle Symbolism and Art Nouveau. His works include paintings, drawings, ceramics, furniture and interior design.

Lucien Lévy-Dhurmer.
Lucien Lévy-Dhurmer.

Early life


La Femme à la Médaille ou Mystère (1896). Musée d'Orsay, Paris
La Femme à la Médaille ou Mystère (1896). Musée d'Orsay, Paris

Born Lucien Lévy to a Jewish family in Algiers, French Algeria in 1865, he began studying drawing and sculpture in Paris at the Ecole Supérieure de Dessin et de Sculpture in 1879. He first exhibited at the Paris Salon of 1882 where he showed a small ceramic plaque.[1] In 1887 Lévy began making his living near Cannes in southern France, overseeing the decoration of ceramics. From 1886 to 1895 he worked as a ceramic decorator and then as artistic director of the studio of Clément Massier. Around 1892 he signed his first pieces of ceramics, which were influenced by Islamic Art.[1] In 1895 he left for Paris to begin a career in painting; around this time he visited Italy and was further influenced by art of the Renaissance.


Career


The Wisteria Room (1910-14). Metropolitan Museum of Art, New York
The Wisteria Room (1910-14). Metropolitan Museum of Art, New York
Levy-Durmer Wisteria Dining Room in Paris, 1914, vintage silver print
Levy-Durmer Wisteria Dining Room in Paris, 1914, vintage silver print

In 1896 he exhibited his first pastels and paintings under the name Lucien Lévy-Dhurmer; he had added the last two syllables of his mother's maiden name (Goldhurmer), likely to differentiate himself from other people named Lévy. His paintings soon became popular with the public and among fellow artists as well. He earned high praise for the academic attention to detail with which he captured figures lost in a Pre-Raphaelite haze of melancholy, contrasted with bright Impressionist colouration. His portrait of writer Georges Rodenbach is perhaps the most striking example of this strange and extraordinary synergy.

After 1901 Lévy-Dhurmer moved away from expressly Symbolist content, incorporating more landscapes into his work because of his travels in Europe and North Africa. He continued to draw inspiration from music and attempted to capture works of great composers such as Beethoven in painted form.


Personal life


In 1914 Lévy-Dhurmer married Emmy Fournier, who had been an editor of the early feminist newspaper La Fronde.[2] By this time he was working primarily on landscapes, both oil and pastel, in a style similar to Whistler and Monet.


Death


Lévy-Dhurmer died in Le Vésinet in 1953.


Works


Music :

French Art Nouveau interior :

Lucien Lévy-Dhurmer realised the architectural setting of the house of Auguste Rateau (1863–1930) between 1910 and 1914. The entire room Wisteria Dining room is now conserved at the Metropolitan Museum.


References


  1. "Symbolism in France: Lucien Lévy-Dhurmer". Retrieved 2010-07-24.
  2. "Lucien Lévy-Dhurmer 1865-1953". Archived from the original on 2011-07-23. Retrieved 2010-07-24.

Sources



Primary sources



Secondary sources





На других языках


[de] Lucien Lévy-Dhurmer

Lucien Lévy-Dhurmer (eigentlich Lucien Lévy, * 30. September 1865 in Algier, Algerien; † 24. September 1953 in Le Vésinet bei Paris) war ein französischer Maler, dessen Hauptwerk der Stilrichtung des Symbolismus und Jugendstils zugeordnet wird, sowie ein bekannter Töpfer.
- [en] Lucien Lévy-Dhurmer

[fr] Lucien Lévy-Dhurmer

Lucien Lévy, dit Lucien Lévy-Dhurmer, né à Alger le 30 septembre 1865 et mort au Vésinet le 24 septembre 1953, est un peintre, sculpteur et céramiste symboliste français.

[it] Lucien Lévy-Dhurmer

Lucien Lévy-Dhurmer (Algeri, 30 settembre 1865 – Le Vésinet, 24 settembre 1953) è stato un pittore, scultore e ceramista francese.

[ru] Леви-Дюрмэ, Люсьен

Люсье́н Леви-Дюрмэ́ (фр. Lucien Lévy-Dhurmer, 30 сентября 1865, Алжир — 24 сентября 1953, Ле-Везине) — французский художник-символист и гончар, представитель стиля Модерн.



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