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The Master of the Life of the Virgin, in German the Meister des Marienlebens, (working ca. 1463 — ca. 1490), is the pseudonym given to a late Gothic German painter working in Cologne. He can also be known as the Master of Wilten, or Johann van Duyren, an identification not universally accepted.[1]

Deposition of Christ at the Wallraf-Richartz Museum, Cologne
Deposition of Christ at the Wallraf-Richartz Museum, Cologne

His workshop is identified by his masterwork, a series of eight depictions of conventional scenes from the Life of the Virgin Mary, painted for the Ursulakirche, Cologne; seven are in the Alte Pinakothek, Munich, and one in the National Gallery, London, who also have the four outer panels from an altarpiece from Werden, whose central panel appears to be lost.[2] Further works recognizable by their style and handling are the Crucifixion of Christ for the hospital chapel, Bernkastel-Kues; the Adoration of the Magi in the Germanisches Nationalmuseum, Nuremberg; and the Crucifixion and Deposition of Christ at the Wallraf-Richartz Museum, Cologne.

Through the detectable influence of Netherlandish painters including Dirk Bouts and Rogier van der Weyden, it is generally suggested that he must have received some training in the Low Countries.

Though his name is unknown, through his paintings he has become the most celebrated Late Gothic painter of the Cologne School. His elegant figural style is well enough known that his considerable influence can be detected in the work of other painters in Cologne.

He is not to be confused with another 13th-century Norwegian "Master of the Life of the Virgin", the late 15th-century Venetian "Master of the Louvre Life of the Virgin,"[3][4] or the three artists each known as the Master of the Death of the Virgin.



Seven of the eight scenes from the eponymous Life of the Virgin, in Munich with one exception. The final Assumption is missing.


Notes



Further reading





На других языках


[de] Meister des Marienlebens

Der Meister des Marienlebens ist ein Notname, mit dem ein um 1473 bis 1495 in Köln entstandener Werkkomplex spätgotischer Tafelgemälde bezeichnet wird, der Anregungen der niederländischen Ars Nova und der lokalen Kölner Malertradition aufgreift. In enger örtlicher, zeitlicher und stilistischer Verbindung stehen dazu weitere Tafelgemälde, die unter den Notnamen Meister der Lyversberger Passion (tätig ab 1463) und Meister der Georgslegende angesprochen werden. Um wie viele Künstler und Werkstätten es sich dabei konkret handelt, ist nicht ganz klar. Die Künstler haben die Kunstproduktion der Kölner Malerschule in ihrer aktiven Zeit entscheidend geprägt.
- [en] Master of the Life of the Virgin

[fr] Maître de la Vie de Marie

Le maître de la Vie de la Marie, en allemand Meister des Marienlebens (actif de 1463 à 1490 environ) est le nom de convention donné à un peintre gothique allemand, vivant à Cologne. Il est également connu sous le nom de maître de Wilten et de Johann van Duyren, mais cette dernière identification ne fait pas consensus[1].

[it] Maestro della Vita della Vergine

Il Maestro della Vita della Vergine, in tedesco Meister des Marienlebens, (... – ...; fl. XV secolo) è stato un pittore tedesco attivo all'incirca tra il 1463 e il 1490 e appartenente alla corrente del tardo gotico. È anche conosciuto come il Maestro di Wilten o Johann van Duyren (un'identificazione quest'ultima che non è universalmente accettata[1]) e non va confuso con l'omonimo norvegese del XIII secolo e con il veneziano del tardo Quattrocento Maestro della Vita della Vergine del Louvre.[2]

[ru] Мастер жития Марии

Ма́стер жития́ Мари́и (нем. Meister des Marienlebens; работал ок. 1463—1490 гг.) — анонимный немецкий художник, работавший в период поздней готики в Кёльне; прозвище дано по самому крупному произведению — серии сцен из жизни девы Марии.



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