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The Master of the Schöppingen Altarpiece was a German artist active in the area around Münster between 1445 and 1470. It appears likely that he studied in the Netherlands, and was influenced by the work of Robert Campin and Rogier van der Weyden. His name is derived from an altarpiece, dated to about 1470, that hangs in the parish church of Schöppingen. At the center of the painting is a depiction of the Crucifixion, along with four scenes from the Passion, which have been integrated into the background landscape. On the interior of the wings are eight more Passion scenes, while on their exterior are representations of the Annunciation and the Nativity. Of these, the former appears to have been derived from the Altarpiece of Saint Barbara painted by Campin, while the latter is an original composition.

Altarpiece dated to about 1470, that hangs in the parish church of Schöppingen
Altarpiece dated to about 1470, that hangs in the parish church of Schöppingen

Other works ascribed to the Master's hand include an altarpiece at Haldern, today held in the Westphalian State Museum of Art and Cultural History, as is a panel from a now-disbanded altarpiece depicting Saint Nicholas and the Fathers of the Church. Also believed to be by him are a mural fragment in the Münster Cathedral and an altarpiece, dated to before 1470, that stood in the Wiesenkirche of Soest before its destruction in 1945.



На других языках


[de] Meister des Schöppinger Altars

Meister des Schöppinger Altars (auch: Meister von Schöppingen oder Schöppinger Meister) ist der Notname eines vermutlich um 1450 bis 1475 in Münster tätigen Malers.
- [en] Master of the Schöppingen Altarpiece

[fr] Maître du Retable de Schöppingen

Le Maître du Retable de Schöppingen (aussi Maître de Schöppingen) est le nom de convention d'un maître anonyme, peintre actif à Münster d'environ 1440 à 1470[1].

[it] Maestro dell'Altare di Schöppingen

Il Maestro dell'Altare di Schöppingen (... – ...; fl. XV secolo) è stato un pittore anonimo tedesco attivo a Münster tra il 1445 e il 1470.



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