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The Master of the Třeboň Altarpiece (German: Master of Wittingau) was a Bohemian painter active in Prague around 1380–1390.[1] His name is derived from the Třeboň Altarpiece from the church of Saint Eligius at the Augustinian convent of Třeboň (known in German as "Wittingau"). The triptych depicts Christ on the Mount of Olives, The Tomb of Christ, and the Resurrection.[2] It has been dated to around 1380,[3] and is today held at the Convent of St. Agnes branch of the National Gallery in Prague.[2]
Stylistically, the master seems to have been aware of French painting;[2] in addition. He created the so-called "beautiful style", a Bohemian variant of the International Gothic style in which figures are placed in deep settings and modeled with chiaroscuro; such intensity had never before been seen in Bohemian art, but would be prominent in the work of future generations of artists. In addition, the master's influence can be seen in the work of other European artists of the period, most especially the Master of the Bamberg Altar.
A painting of Our Lady of Sorrows by the master, painted before 1380, once hung in the church of Církvice;[4] a Madonna in Roudnice is now in Prague. The painter is also responsible for an Adoration of the Child in the castle of Hluboká Castle and a Crucifixion and a St. Mary of the Altar of Heaven in Prague; the latter is one of the first known Bohemian paintings to be displayed with a decorated frame as part of the composition. In addition, the Virgin with Saint Bartholomew and Saint Margaret, also in Hluboká, is believed to be by his hand.
Gallery
Adoration of Jesus, before 1380, Aleš South Bohemian Gallery in Hluboká nad Vltavou
Madonna of Roudnice, c 1385–1390, National Gallery Prague
From the Třeboň Altarpiece; Saints Catherine, Mary Magdalene and Margaret, National Gallery Prague
Crucifixion from Svatá Barbora, National Gallery Prague
See also
References
- Chilvers, 452
- Suckale, 52
- Bert Bilzer, Jürgen Eyssen, Otto Stelzer: Das Große Buch der Kunst. Eduard Kaiser publishers, special edition of the original 1958 edition by Georg Westermann publishers. p. 235
- "Treasury room". www.ossuary.eu. Archived from the original on 2012-04-03.
Sources
- Baragli, Sandra. European Art of the Fourteenth Century. LA: J. Paul Getty Museum, 2007. ISBN 0-8923-6859-4
- Chilvers, Ian. The Oxford Dictionary of Art. Oxford: Oxford University Press, 2004. ISBN 0-1986-0476-9
- Hourihane, Colum. The Grove Encyclopedia of Medieval Art and Architecture, Volume 2. Oxford: Oxford University Press, 2012. ISBN 0-1953-9536-0
- Suckale, Robert. Gothic. Cologne: Taschen. ISBN 3-8228-5292-9
Further reading
- Boehm, Barbara Drake. Prague: The Crown of Bohemia, 1347-1437. New York: The Metropolitan Museum of Art, 2005. ISBN 1588391612
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На других языках
[de] Meister von Wittingau
Der Meister von Wittingau, tschechisch Mistr třeboňského oltáře, war der bedeutendste Vertreter der Böhmischen Malerschule in der zweiten Hälfte des 14. Jahrhunderts.- [en] Master of the Třeboň Altarpiece
[es] Maestro de Třeboň
El Maestro de Třeboň (o Trebon, o Wittingau, que es el nombre de la localidad en alemán), es un pintor anónimo que trabajó en la segunda mitad del siglo XIV.[fr] Maître de Třeboň
Le Maître du retable de Třeboň ou Maître de Třeboň ou Maître de Wittingau est un peintre du gothique international de la seconde moitié du XIVe siècle, représentant majeur de l'École de Bohême[1]. Il est célèbre pour être l'auteur de panneaux pour le retable de l'église abbatiale Saint-Éloi de Wittingau (aujourd'hui Třeboň), appartenant alors aux augustins. Ces tableaux représentent des épisodes de la Passion du Christ et se trouvent aujourd'hui à la filiale de la galerie nationale de Prague, au couvent Sainte-Agnès. Il en subsiste trois: Le Christ au Mont des Oliviers, La Mise au tombeau du Christ et La Résurrection du Christ.[it] Maestro dell'Altare di Třeboň
Il Maestro dell'Altare di Třeboň, detto anche Maestro dell'Altare di Wittingau (attivo a Praga intorno al 1380-90 circa) è un anonimo pittore boemo, attivo alla corte praghese. Deve il suo nome alla pala d'altare destinata alla chiesa di Sant'Egidio nel convento degli Agostiniani di Třeboň, cittadina che in tedesco diventa Wittingau di cui rimangono solo tre tavole: il Cristo sul monte degli Ulivi, la Sepoltura di Cristo e la Resurrezione, databili al 1380 circa e conservate alla Národní galerie di Praga.Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.
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