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Matthew "Mat" Collishaw Hon. FRPS (born 6 January 1966[1]) is an English artist based in London.

Bullet Hole which was on display in the Freeze exhibition.
Bullet Hole which was on display in the Freeze exhibition.
Mat Collishaw 'Albion', 2017
Mat Collishaw 'Albion', 2017
Mat Collishaw 'All Things Fall', 2014-2017
Mat Collishaw 'All Things Fall', 2014-2017

Mat Collishaw
Hon. FRPS
Collishaw in his 1990 work Narcissus
Born (1966-01-06) 6 January 1966 (age 56)
Nottingham, England
NationalityEnglish
Known forInstallation, Sculpture, Photography
MovementContemporary Art, Young British Artists
AwardsHonorary Fellowship of the Royal Photographic Society

Collishaw's work uses photography and video. His best known work is Bullet Hole (1988), which is a closeup photo of what appears to be a bullet hole wound in the scalp of a person's head, mounted on 15 light boxes. Collishaw took the original image from a pathology textbook that actually showed a wound caused by an ice pick.[2] Bullet Hole was originally exhibited in Freeze, the group show organised by Damien Hirst in 1988 that launched the YBA (Young British Artists). It is now in the collection of the Museum of Old and New Art in Hobart, Australia.[3]


Critical response


Jonathan Jones wrote in an interview with the artist in The Guardian of Collishaw's 2013 exhibition at Arter, Istanbul; ‘A show that foregrounds his political conscience in powerful works such as Last Meal On Death Row. For me, Collishaw is a good political artist for the same reason he is a good religious artist and a good artist-artist. It is because he believes in the efficacy of images. Not for him the abstract evasion, the minimalist half smile... he wants to punch your imagination in the stomach. He justifies the art of sensation by showing how it can have depth in its oomph.’[4]

Collishaw's seminal artwork, All Things Fall, received widespread acclaim, notably by The Sunday Times writer and art critic Waldemar Januszczak, who wrote; ‘You walk in, and before you is a model of a classical temple, circular, domed, becolumned, around which hundreds of nude figures have been arranged in cryptic poses. What they are doing is unclear. But it seems to be something nasty. Suddenly the lights dip and the temple begins to spin. Faster and faster it goes, until the figures crowded around it jump into action, like drawings in a flipbook, and you have before you a remarkable re-creation of the Massacre of the Innocents, the biblical murder of every newborn boy ordered, at Christmas, by Herod. The sudden burst of unexpected violence is brilliantly paced, brilliantly achieved, in an artwork that is nothing less than a contemporary masterpiece.’[5]

The exhibition The Centrifugal Soul, at Blain|Southern Gallery, London in 2017 received notable praise, in particular critic Gaby Wood wrote of the work, Albion for The Telegraph; ‘...the fact that he can convert such abstract ideas into works that are elegant and entertaining makes him, uniquely among artists and thinkers so far this century, a cross between an aesthetic philosopher and a magician.[6]

Collishaw's first venture into VR, with his exhibition Thresholds in 2017, was reviewed by Laurie Taylor for frieze Magazine: "Collishaw has not recreated an historical experience, but has instead constructed an entirely new one. The end product is ultimately Collishaw’s vision and it teems with the reverence he has not only for the wonder of photography, but also for the power of its illusions."[7]


Influences


British pathologist, Austin Gresham, wrote a handbook, A Colour Atlas of Forensic Pathology, in 1975. Collishaw said it became "the Britart bible", as a source for explicit images of dead bodies for artwork.[8][9]


Personal life


Collishaw was born in Nottingham. He was raised in a Dawn Christadelphian family.[10]

In 2015, he was named one of GQ's 50 best dressed British men.[11]


Bibliography



Exhibitions



Solo exhibitions



Group exhibitions



Awards



References


  1. "Matthew COLLISHAW pe". Companies House. Retrieved 25 October 2022.
  2. "Mat Collishaw - Contemporary Artists". Bullet Hole. Saatchi Gallery. Retrieved 24 April 2009.
  3. Gabriella Coslovich (15 January 2011). "A revolt in art". The Age.
  4. Jones, Jonathan (26 April 2013). "Mat Collishaw: still sensational". The Guardian. The Guardian Newspaper. Retrieved 22 February 2021.
  5. Januszczak, Waldemar (25 October 2015). "In a very dark place". The Times. The Sunday Times.
  6. Wood, Gaby (6 May 2017). "Inside Mat Collishaw's creepy new work of phantoms and apparitions". The Telegraph. The Telegraph. Retrieved 23 February 2021.
  7. Taylor, Laurie. "It's a Kind of Magic | Frieze". Frieze Magazine. Frieze. Retrieved 24 February 2021.
  8. Goslett, Miles. "Meet the grandfather of Britart", The Daily Telegraph, 1 July 2007. Retrieved on 12 September 2009.
  9. For more on the author of this book see: " Obituary: Professor Austin Gresham histopathologist," The Times, 8 September 2009.
  10. The Times 2 April 2008 Mat Collishaw: a shock-jock's deliverance by Rachel Campbell-Johnston
  11. "50 Best Dressed Men in Britain 2015". GQ. 5 January 2015. Archived from the original on 7 January 2015.
  12. "The Royal Photographic Society Awards 2018". www.rps.org. Archived from the original on 4 December 2018. Retrieved 10 December 2018.



На других языках


- [en] Mat Collishaw

[ru] Коллишоу, Мэт

Мэт Коллишоу (Mat Collishaw, 1966, Ноттингем, Великобритания) — современный британский художник, фотограф, скульптор и режиссёр.



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