Born in Salt Lake City, Utah, O'Higgins was raised there and in San Diego, California.[1] In 1922 he abandoned his first career as a pianist and entered the Academy of Arts in San Diego.[1]
Within two years he'd become a student of Diego Rivera, assisting Rivera on his murals at the National School of Agriculture at Chapingo, and the Public Education Secretariat.[2]
Mexico and murals
Like Rivera, O'Higgins became an active member of the Mexican Communist Party.[1] He immigrated to Mexico permanently in 1924, joined the party in 1927,[1] and maintained his party membership until 1947.[1] His political illustrations for the Daily Worker won him a year's study at the Academy of Art in Moscow on a Soviet Scholarship in 1933.[3]
In 1937, O'Higgins was the co-founder, with fellow artists Leopoldo Méndez and Luis Arenal, of the Taller de Gráfica Popular ("People's Graphic Workshop").[1] The Taller became inspiration to many politically active leftist artists; for example, American expressionist painter Byron Randall went on to found similar artist collectives after becoming an associate member.[4][5] In May 1940 O'Higgins had the honor of being the only non-native Mexican artist with work included in the seminal "Twenty Centuries of Mexican Art" exhibit organized by the Museum of Modern Art.[3]
In 1961 O'Higgins was awarded honorary Mexican citizenship for "his contributions to the national arts and education".[1] One of his murals can be seen at the Abelardo L. Rodriguez Market, Mexico City.[6]
His 1945 mural for the Ship Scalers Union Hall in Seattle is installed in Kane Hall at the University of Washington in Seattle.[7][8] The mural depicts Seattle's Ship Scalers Union's (SSU) history as a strongly anti-racist, anti-discriminatory, and progressive force in social politics.[9]
Among O'Higgins' students was the American graphic designer Bob Cato,[10] and artist and muralist Marion Greenwood.[11]
Drawing of a man carrying agave leaves by Pablo O'Higgins
Further reading
Acevedo, Esther. "Young Muralists at the Abelardo L. Rodriguez Market." in Mexican Muralism: A Critical History, Alejandro Anreus, Robin Adèle Greeley, and Leonard Folgarait. Berkeley and Los Angeles: University of California Press 2012, pp.125–147.
Espinosa Campos, Eduardo. "Pablo O'Higgins: arte mural para las escuelas". In La pintura mural en los centros de educación en México. Pinacoteca 2003.é
Flores, Laura. "Pablo O'Higgins: Pintura y Cambio Social." Metamórphosis, Northwest Chicano Magazine of Art and Literature. IV no. 2, col. V no. 1 (1982/1983).ó
Fundación Cultural María y Pablo O'Higgins. Pablo O'Higgins, Contruyendo vidas. Mexico City 2005.
Hijar, Alberto. Pablo O'Higgins: Apuntes y dibujos de trabajadores. Monterrey: Secretaría de Educación y Cultura 1987.
Poniatowska, Elena and Gilbert Bosques. Pablo O'Higgins. Mexico City: Banco Nacional de Comercio Exterior 1984.
UNAM. Pablo O'Higgins: Voz de Lucha y Arte. Mexico City: UNAM-Gobierno del Distrito Federal, Gobierno del Estado de Nuevo León, Fundación Cultural María y Pablo O'Higgins, A.C., 2005.
Vogel, Susan. Becoming Pablo O'Higgins. San Francisco and Salt Lake City: Pince-Nez Press 2010 ISBN978-1930074217
Makin, Jean, ed. (1999). Codex Mendez. Tempe: Arizona State U. See also Prignitz, Helga (1992). El Taller de Gráfica Popular en México 1937–1977. Mexico: Instituto Nacional de Bellas Artes.
Vogel, Susan (2010). Becoming Pablo O’Higgins. San Francisco/Salt Lake City: Pince-Nez Press.
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