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Philip Hermogenes Calderon RA (Poitiers 3 May 1833 30 April 1898 London) was an English painter of French birth (mother) and Spanish (father) ancestry who initially worked in the Pre-Raphaelite style before moving towards historical genre. He was Keeper of the Royal Academy in London.

Philip Hermogenes Calderon
Born3 May 1833
Poitiers, France
Died30 April 1898(1898-04-30) (aged 64)
London, England
OccupationPainter
NationalityEnglish
ChildrenWilliam Frank Calderon
George Calderon

Life


Ruth, Boas and Naomi
Ruth, Boas and Naomi
Calderon by J. P. Mayall from Artists at Home, published 1884, Department of Image Collections, National Gallery of Art Library, Washington, DC
Calderon by J. P. Mayall from Artists at Home, published 1884, Department of Image Collections, National Gallery of Art Library, Washington, DC
Broken Vows (1856; Tate Britain, London).
Broken Vows (1856; Tate Britain, London).
The Vine
The Vine

Calderon was born in Poitiers, France. His father, the Reverend Juan Calderón (* 19 April 1791 in Villafranca de los Caballeros; † 28 January 1854 in London) was a professor of Spanish literature and a former Roman Catholic priest who had converted to Anglicanism. Calderon planned to study engineering, but he became so interested in drawing technical figures and diagrams that he changed his mind and devoted his time to art. In 1850, he trained at Leigh's art school, London, then went to Paris to study under François-Édouard Picot in 1851. His first successful painting was called By the waters of Babylon (1852), which was followed by a much more popular one called Broken Vows (1856). From the beginning he was inspired by the Pre-Raphaelites, and some of his work showed the detail, deep colors, and realistic forms that characterize the style. The artist Henry Stacy Marks was his friend and brother-in-law, and Calderon exhibited his portrait at the Royal Academy in 1872.[1]

Calderon became a leading member of the St John's Wood Clique, a group of artists interested in modern genre and historical subjects who were inspired, both artistically and socially by the Pre-Raphaelites. Historical, biblical, and literary themes were common in Calderon's later work. Many of his pieces show women wearing rich, silky clothing in gently colored landscapes. His Morning (1884) features a copper-haired maiden watching a sunrise.

His Juliet (1888)[2] shows Shakespeare's Juliet seated on her balcony gazing at the stars. His later paintings adopt a more classical style, comparable to Edward Poynter, which resulted from his close relationship with Frederic Leighton, then-President of the Royal Academy. Calderon became Keeper of the Royal Academy in 1887, and from then on worked to support the teaching of anatomy based on nude models at the Royal Academy Schools. His 1891 painting St Elizabeth of Hungary's great act of renunciation was secured by the Chantrey bequest for the national collection, and is now located in Tate Britain, but caused considerable controversy because of its perceived anti-Catholic message. It depicted the saint bending nude over an altar watched by monks.


Works





Further reading



References


  1. W. W. Fenn, 'Our Living Artists: Philip Hermogenes Calderon RA', Magazine of Art, December 1878, pp. 197202.
  2. "The Artists". Shakespeare Illustrated. Emory University. 2003. Archived from the original on 2 November 2013. Retrieved 1 November 2013.



На других языках


- [en] Philip Hermogenes Calderon

[it] Philip Hermogenes Calderon

Philip Hermogenes Calderon (Poitiers, 3 maggio 1833 – Londra, 30 aprile 1898) è stato un pittore inglese.

[ru] Кальдерон, Филипп-Гермогенес

Филипп Гермогенес Кальдерон (англ. Philip Hermogenes Calderon; 1833—1898) — английский живописец и график круга прерафаэлитов; основное тяготение мастер испытывал к историческим и жанровым сюжетам. Член Королевской Академии художеств.



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