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Wang Hui (simplified Chinese: 王翚; traditional Chinese: 王翬; pinyin: Wáng Huī; 1632–1717) was a Chinese landscape painter, one of the Four Wangs. He, and the three other Wangs, dominated orthodox art in China throughout the late Ming and early Qing periods. Of the Four Wangs, Wang Hui is considered the best-known today.

Wang Hui
Born1632
Changshu, Jiangsu
Died1717 (aged 8485)
Known forShan shui

Beijing, Shanghai and Taipei museums loaned works for "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)" in 2008 at the Metropolitan Museum of Art in New York.[1]


Biography


Wang Hui followed in the footprints of his great grandfathers, grandfather, father and uncles and learned painting at a very early age. He was later taught by two contemporary masters, Zhang Ke and Wang Shimin, who taught him to work in the tradition of copying famous Chinese paintings. This is most likely the reason why critics claim that his work is conservative and reflects the Yuan and Song traditions.[citation needed] One critic claimed that "his landscape paintings reflect his nostalgic attachment to classical Chinese aesthetics."[citation needed] Along with the other Wangs, Wang Hui helped to perpetuate the tradition of copying the ancient masters rather than creating original work.




References


  1. Smith, Roberta (September 11, 2008). "Master of Many Styles, and Many Mentors". The New York Times. Retrieved 2008-09-12.

Further reading





На других языках


[de] Wang Hui (Maler)

Wang Hui (chinesisch .mw-parser-output .Hant{font-size:110%}王翬 / .mw-parser-output .Hans{font-size:110%}王翚, Pinyin Wáng Huī, Jyutping Wong4 Fai1, * 1632; † 1717) war ein chinesischer Maler aus der Zeit der Qing-Dynastie und ein Anhänger der konservativen, die alten Meister nachahmenden, so genannten „orthodoxen Schule“.
- [en] Wang Hui (Qing dynasty)

[fr] Wang Hui

Wang Hui (chinois simplifié : 王翚 ; chinois traditionnel : 王翬 ; pinyin : wáng huī) est un peintre chinois de paysage né en 1632 et mort en 1717. Il fait partie des principaux représentants de l'art de l'école « orthodoxe » lettrée s'appuyant sur la tradition Song et Yuan.



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