The George Paton Gallery, formerly the Ewing and George Paton Gallery, was founded in Melbourne in the mid 1970s at the University of Melbourne Student Union.[1]
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The George Paton Gallery was the central hub for experimental art in Australia in the 1970s and early 1980s.[2] As well as presenting diverse and challenging exhibitions, it fostered a strong community of creative discourse through film screenings, poetry readings, performance events and hosting meetings by marginalised groups of artists and activists.[2] Early influential exhibitions that cement the radical nature of the gallery's first decade include Janine Burke's "Australian women artists: One hundred years, 1840–1940" presented in 1975,[3] and "The Letter Show", presented in 1974, curated by founding Directors Kiffy Rubbo and Meredith Rogers.[4] Later Directors developed their reputations as influential curators in the gallery,[1] including Judy Annear (1980–1982), who went on to be the founding Director of Artspace in Sydney and curator of Australian Perspecta, 1995; Denise Robinson (1982–1986), who became Director of the Australian Centre for Photography; and Juliana Engberg (1986–1989), who has been Director of the Australian Centre for Contemporary Art, Melbourne, artistic director of the Biennale of Sydney 2014: You Imagine What You Desire,[5] and program director for European Capital of Culture Aarhus 2017 in Denmark.[6] The George Paton Gallery continues as a contemporary art gallery with a focus on students, and supporting their emerging practices and research.[7]
New and hybrid media has been a feature of the gallery's exhibition program. The archive of artists who have shown work at George Paton Gallery includes many notable Australian artists.[1] These prominent artists include: Elizabeth Gower, Jill Orr, Vivienne Shark Le Witt, Bonita Ely, Natasha Johns-Messenger, Micky Allan, Maria Kozic, Pat Brassington, Aleks Danko, Peter Burgess, Jenny Watson and many more.
Founding Directors Kiffy Rubbo and Meredith Rogers played a leading role in developing George Paton Gallery as a feminist art space.[9] The legacy of the Women's Art Movement and its associated activities at the George Paton Gallery is outlined by Janine Burke as a revolution of art, politics, experimentation and activism.[10] The environment at the gallery fostered the emergence of key feminist organisations and publications including the Women's Art Register, Lip magazine, Art Almanac and the Women's Art Forum.[11]
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