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The Altar frontal from La Seu d'Urgell or of The Apostles is a Romanesque altar frontal currently exhibited at the National Art Museum of Catalonia.[1] The work dates from the second quarter of the 12th century and comes from a church of the Bishop of La Seu d'Urgell and was acquired in 1905. It is one of the masterpieces of the collection of panel painting of the MNAC. The frontal, the item covering the front of the altar, stands out for the quality of its bright colours and because it illustrates some of the characteristics of composition in Romanesque art, such as bilateral symmetry, abstraction of the background, with no reference to space or context, and the unnatural geometrical treatment of form to be observed in the folds of the clothing. It also shows certain conventions of representation, such as so-called hierarchical perspective, which consists in representing the chief character in a larger size.[2]

Frontal from La Seu d'Urgell or of The Apostles
ArtistUnknown
Year12th century
MediumTempera on pine wood
Dimensions102.5 cm × 151 cm (40.4 in × 59 in)
LocationMuseu Nacional d'Art de Catalunya, Barcelona

Description


The Frontal exhibited at the Romanesque rooms of Museu Nacional d'Art de Catalunya, in Barcelona.
The Frontal exhibited at the Romanesque rooms of Museu Nacional d'Art de Catalunya, in Barcelona.

The composition is presided by the Maiestas Domini, or Christ in Majesty, represented in a double mandorla, typical of earlier Carolingian art. According to the Bible sources inspiring the vision, the Lord's throne is the arc of Heaven and he has the Earth as his footstool. His face is framed by a cruciform halo and his expression is severe. He is holding the Book of Revelation in his left hand and blessing with his right. The Apostles figure in the lateral compartments, arranged in tiered pyramids, an original compositional formula, although it was already known in the art of the Early Empire and also appears in the famous 11th-century Romanesque bibles of Rodes and Ripoll.

The disciples are all addressing the Saviour, either with their eyes or with the inclination of their heads, and are carrying books or scrolls. St Peter, furthermore, is holding the keys. Opposite him, on the other side, is St Paul, with his characteristic bald head. Both the image of Christ and the quality of the yellow and red used and even the bordering on the frame are very similar to those on the frontal from Sant Martí d’Ix,[3] which probably came from the same workshop.

This frontal was painted in tempera on a pine panel. It is one of the most characteristic representations of Catalan Romanesque, showing Romanesque stylistic principles, such as bilateral symmetry and hierarchical geometric forms, as seen in the folds of the clothing. It is also noteworthy for the quality of the polychromy. The work shows similarities, especially with regard to colors and borders, to the frontal of Saint Martin of Ix, indicating that probably they are from the same author or workshop.


Notes


  1. Guia del Museu Nacional d'Art de Catalunya.pàgina 20. MNAC, 2004. ISBN 84-8043-136-9
  2. The artwork at MNAC's Website
  3. (MNAC/MAC 15802)

References





На других языках


- [en] Altar frontal from La Seu d'Urgell or of The Apostles

[es] Frontal de la Seo de Urgel o de los Apóstoles

El Frontal de la Seo de Urgel o de los Apóstoles es un frontal de altar de estilo románico expuesto en el Museo Nacional de Arte de Cataluña.[1] Procede de una iglesia del obispado de la Seo de Urgel y fue adquirida en 1905. Es una de las obras maestras de la colección de pintura sobre tabla del MNAC.[2]

[fr] Devant d'autel de la Seu d'Urgell ou des Apôtres

Le Devant d'autel de la Seu d'Urgell ou des Apôtres est un devant d'autel de style roman exposé par le musée national d'Art de Catalogne à Barcelone[1]. Il date du second quart du XIIe siècle et provient d'une église du diocèse d'Urgell; il a été acheté en 1905. C'est un des chefs-d'œuvre de la collection de peinture sur bois du MNAC[2].



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