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See also Bullfight (Manet), The Bullfight, and The Dead Man (Manet)

Bullfight – Death of the Bull (c. 1865) by Édouard Manet
Bullfight – Death of the Bull (c. 1865) by Édouard Manet

Bullfight – Death of the Bull (French: Corrida : la mort du taureau) is an oil on canvas painting by Édouard Manet, executed c. 1865. It is now in the Art Institute of Chicago.

With Bullfight (now known as The Fall of the Bullfighter, Musée d'Orsay) and The Fall of the Picador (watercolour, private collection), it forms part of a series of works painted after Manet's return from Spain.[1] Since 1862 Manet had already produced several works on bullfighting – two canvases produced by cutting up Episode in a Bullfight (The Dead Man and The Bullfight), Mademoiselle V. in the Costume of an Espada, and The Matador Saluting.[2][3]


Context


Since 1862 Manet had already painted several paintings on the theme of bullfighting: The Dead Man, La Corrida, two canvases from the cutting of Episode of a bullfight, Mlle V. en costume d'espada and Le Matador salutant.[4][5]

On his return from Spain, he declared himself greatly impressed by the spectacle of the bullring, and in a letter to Zacharie Astruc, on September 17, 1865, he declared that he intended: "to put on canvas the rapid aspect of this assemblage many colorful people, without forgetting the dramatic part, picador and horse knocked down, plowed by the horns of the furious bull, and the army of chulos trying to ward off the animal".[6]


References


  1. Martinez-Novillo 1988, p. 122.
  2. Cachin, Moffett & Wilson Bareau 1983, p. 240.
  3. Martinez-Novillo 1988, p. 121.
  4. Cachin, Moffett & Wilson Bareau 1983, p. 240
  5. Martinez-Novillo 1988, p. 121
  6. Wilson-Bareau, Juliet (1986). "Edouard Vuillard et les princes Bibesco". Revue de l'Art. 74 (1): 37–46. doi:10.3406/rvart.1986.347593. ISSN 0035-1326.

Sources



На других языках


- [en] Bullfight – Death of the Bull

[fr] Corrida : la mort du taureau

Corrida : la mort du taureau est une huile sur toile peinte par Édouard Manet vers 1865. C'est une de ses œuvres les moins souvent présentées dans les expositions internationales. Elle fait partie d'une série de trois tableaux peints à son retour d'Espagne qui comprend en outre La Chute du picador (musée d'Orsay), intitulé ensuite Combat de taureau, et La Chute du picador, aquarelle, (collection particulière)[1].



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