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The Rabbit is an 1881 oil painting by the French artist Édouard Manet, now displayed at the National Museum Wales in Cardiff, Wales. The work is a still life featuring a hung rabbit or hare (the work is sometimes referred as The Hare) which has been placed on a hook outside a closed house window.

The Rabbit
ArtistÉdouard Manet
Year1881
MediumOil on canvas
Dimensions97.5 cm × 61 cm (38.4 in × 24 in)
LocationNational Museum Wales, Cardiff

Origin


The Rabbit was conceived as one of four decorative panels, and was painted not long after Manet had suggested a series of panels for the meeting chamber at the Hôtel de Ville in Paris, though nothing came of this concept. Completed in 1881, when Manet's health was in decline, The Rabbit was painted while the artist was spending the summer months at a villa in Versailles. The painting, which was one of the central pairings of a four panel set, was part of a new cycle of decorative work undertaken by Manet while at Versailles. The other central panel, along with The Rabbit conceived to representing hunting trophies, was The Eagle Owl which as of 2012 is part of the Buhrle Collection in Zurich.[1] The outer panels illustrate, on one a vine on a trellis and the other a corner of a garden. Two other pictures were grouped as part of the same inventory from his studio at the time of Manet's death, a vase of flowers and a watering can; but although they may be related to the same cycle of work are not believed to be part of the set of panels related to The Rabbit.[2]

The work was initially submitted to the Salon in Paris in 1882, but was not accepted. It was sold after Manet's death as part of a studio sale to the art dealer Paul Durand-Ruel. It later passed into the ownership of the Paris-based art firm, Bernheim-Jeune. In 1917 The Rabbit was purchased from Bernheim-Jeune by the Welsh philanthrapist Gwendoline Davies, who in 1918 exhibited it at the Victoria Art Gallery in Bath. On Gwendoline's death in 1951, she bequeathed her collection of Impressionist works to the National Museum of Wales, among them The Rabbit.[2][3] As of 2012 it is on view at the National Museum Cardiff in gallery 11.[4]


Analysis


The Rabbit is painted in a bold and loose style, and is intended to be viewed from a distance. This is in stark contrast to an earlier work by Manet also entitled the Rabbit (1866), which is completed in a far more traditional French style of still-life painting. This earlier painting, which is in the style of Chardin, is far more conventional and detailed than the later painting. The 1881 picture is a far more casual work, with fast and broad brushstrokes suggesting various textures, not only in the fur of the dead animal, but also in the curtains behind the window and the climbing plant which both frame the hanging rabbit.[2] This latter work is much closer to the Impressionist style.[4]




References


  1. "The Eagle Owl, 1881". buehrle.ch. Retrieved 13 March 2013.
  2. Sumner, Ann (2005). Colour and Light: Fifty Impressionist and Post-Impressionist Works at the National Museum of Wales. Cardiff: National Museum of Wales. p. 80. ISBN 0-7200-0551-5.
  3. "From Industry to Impressionism - what two sisters did for Wales". museumwales.ac.uk. 1 January 2009. Archived from the original on 11 October 2012. Retrieved 9 October 2012.
  4. "The Rabbit". museumwales.ac.uk. Retrieved 9 October 2012.



На других языках


[de] Der Hase

Der Hase[1] (französisch: La lièvre)[2] ist der Titel eines Gemäldes des französischen Malers Édouard Manet. Das 97,5 × 61 cm große, in Öl auf Leinwand gemalte Bild zeigt einen toten Hasen als Jagdtrophäe an einer Hauswand. Das zu einer Serie von vier nahezu gleich großen Stillleben gehörende Werk entstand 1881 während eines Kuraufenthaltes in Versailles, als Manet bereits von schwerer Krankheit gezeichnet war. Das Gemälde gehört zur Sammlung des National Museum Cardiff in Cardiff.
- [en] The Rabbit (Manet 1881)

[ru] Кролик (картина)

«Кролик» — картина художника-импрессиониста Эдуарда Мане, написанная в 1881 году; ныне находится в коллекции Национального музея Уэльса в Кардиффе. Работа представляет собой специфический натюрморт в виде мёртвого кролика или же зайца (работе часто приписывают название «Заяц»), повешенного на крючок за закрытым окном.



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