Ecce Ancilla Domini (Latin: "Behold the handmaiden of the Lord"), or The Annunciation, is an oil painting by the English artist Dante Gabriel Rossetti, first painted in 1850 and now in Tate Britain in London. The Latin title is a quotation from the Vulgate text of the first chapter of the Gospel of Saint Luke, describing the Annunciation,[1] where Mary accepts the message brought to her by the Angel Gabriel that she would give birth to a child (Jesus) by God.

Ecce Ancilla Domini
Artist	Dante Gabriel Rossetti
Year	1850
Medium	oil on canvas
Dimensions	73 cm × 41.9 cm (29 in × 16.5 in)
Location	Tate Britain, London

Composition

Rossetti deliberately used a limited colour range for this oil painting. The predominance of white, symbolic of virginity, is complemented by vibrant blue (a colour associated with Mary, though notably not used in his The Girlhood of Mary Virgin in 1849) and red, for Christ's blood. Lilies are traditionally the symbol of Mary in Italian Renaissance art, but they are also considered funereal flowers, indicative of Christ's death.[2]

History

The artist's sister, Christina Rossetti, posed for Mary. As with her previous year's modelling, her brother altered her hair colour: in this instance, he made it auburn to continue the red palette. His brother William posed for Gabriel.^{[citation needed]}

This painting received mixed reviews. The most obvious break with tradition was Rossetti's choice of placing Mary in bed - her long nightgown suggestive of a newly-wed bride - woken by the angel, who is normally depicted appearing as Mary prays. Also controversial were Gabriel's lack of wings (the flames at his feet suggest a Classical influence) and his obvious nakedness, glimpsed through the side of his robe. Note also the dove's halo, and the differences between Mary's and Gabriel's haloes, which may have arisen because Mary's was painted in 1850, whereas Gabriel's was not added until 1853.[3]

The painting was first exhibited in April 1850 at the Old Portland Gallery on Regent Street. Francis McCracken, a well known Pre-Raphaelite patron, bought it in 1853 for £50 and the Tate Gallery purchased it in 1886. In February 2013 it was not on display. The painting was on display at the National Gallery of Australia from December 2018 to April 2019 as part of the ‘Love & Desire: Pre-Raphaelite Masterpieces from the Tate’ exhibition.[4][5]

See also

• List of paintings by Dante Gabriel Rossetti
• Rossetti and His Circle by Max Beerbohm
• Rossetti-Polidori family tree

References

Further reading

• Surtees, Virginia. (1971) Dante Gabriel Rossetti. 2 vols. Oxford: Clarendon Press.
• Ash, Russell. (1995) Dante Gabriel Rossetti. London: Pavilion Books ISBN 978-1-85793-412-0; New York: Abrams ISBN 978-1-85793-950-7.
• Doughty, Oswald (1949) A Victorian Romantic: Dante Gabriel Rossetti London: Frederick Muller
• Fredeman, William E. (Ed.) (2002-8) The correspondence of Dante Gabriel Rossetti. 7 Vols. Brewer, Cambridge.
• Hilto, Timoth (1970). The Pre-Raphelites. London: Thames and Hudson, New York: Abrams.
• Dinah Roe: The Rossettis in Wonderland. A Victorian Family History. Haus Publishing, London 2011, ISBN 978-1-907822-01-8.
• Rossetti, D. G. The House Of Life
• Treuherz, Julian, Prettejohn, Elizabeth, and Becker, Edwin (2003). Dante Gabriel Rossetti. London: Thames & Hudson, ISBN 0-500-09316-4.
• Todd, Pamela (2001). Pre-Raphaelites at Home, New York: Watson-Giptill Publications, ISBN 0-8230-4285-5.

External links

Wikimedia Commons has media related to Ecce Ancilla Domini!.

Wikiquote has quotations related to Dante Gabriel Rossetti.

Wikisource has original works by or about:
Dante Gabriel Rossetti

• The Rossetti Archive
• Birmingham Museums and Art Gallery's Pre-Raphaelite Online Resource
• Rossetti's Ecce Ancilla Domini, by Ben Pollitt at Smarthistory

На других языках

[it] Ecce Ancilla Domini (Rossetti)

[ru] Благовещение (картина Россетти)