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Et in Arcadia ego (also known as The Arcadian Shepherds) is a painting by the Italian Baroque artist Giovanni Francesco Barbieri (Guercino), from c. 1618–1622. It is now on display in the Galleria Nazionale d'Arte Antica of Rome.

Et in Arcadia ego
Artist	Giovanni Francesco Barbieri (Guercino)
Year	1618–1622
Medium	Oil on canvas
Dimensions	81 cm × 91 cm (32 in × 36 in)
Location	Galleria Nazionale d'Arte Antica, Rome

Description

The painting shows two young shepherds staring at a skull, with a mouse and a blowfly, placed onto a cippus with the words "Et in Arcadia ego" (Also in Paradise I am). This phrase is meant as a warning, that even in Arcadia/Paradise, death is always present. The phrase appears for the first time in art and architecture in this work. The iconography of the memento mori theme symbolised in art by the skull was rather popular in Rome and Venice since Renaissance times.

Elias L. Rivers suggested the phrase "Et in Arcadia ego" is derived from a line from Daphnis' funeral in Virgil's Fifth Eclogue Daphnis ego in silvis ("Daphnis was I amid the woods"), and that it referred to the dead shepherd within the tomb, rather than Death itself.[1]

Mentioned for the first time in the collection of Antonio Barberini in 1644, the painting was later acquired by Colonna of Sciarra (1812), being attributed to Bartolomeo Schedoni until 1911. Nicolas Poussin also made two paintings on the topic of Et in Arcadia ego, less than two decades later.

The painting is connected with Guercino's The Flaying of Marsyas by Apollo in Palazzo Pitti (1618), where the same group of shepherds is present.

In literature and pop culture

Goethe's Italian Journey (1816) has "Et In Arcadia Ego" as its motto. Goethe viewed Guercino's painting in Cento (17 October 1786).^{[citation needed]}

Hans Christian Andersen's "Improvisatoren" (1835) in chapter 13 two of the main characters discuss the painting.

William Faulkner's 1923 novel "The Sound And The Fury" mentions "Et in Arcadia Ego" in reference to Maury, a mentally disabled man.

"Et in Arcadia Ego" is the title of Book One of Evelyn Waugh's Brideshead Revisited (1945).

Cormac McCarthy's "Blood Meridian" in chapter 10. It is the name of the Judge's gun.

Tom Stoppard's 1993 play Arcadia implicitly references Guercino's painting in its title and explicitly alludes to the painting in Act 1, scene 1. Lady Croom first mistranslates it slightly as "Here I am in Arcadia!", missing the implication of death, but Septimus later translates it correctly, in reference to the killing of pigeons (,[2] pp. 25–27). The painting works to foreground the play's focus on the beauty of life and the reality of death.

In the 2017 game Digimon Story Cyber Sleuth Hackers Memory "Even In Arcadia, There Am I" is the name given to the 17th chapter.

"Et In Arcadia Ego" is the title of the ninth and tenth episodes of the first season of Star Trek: Picard

"Et In Arcadia Ego" is the title of the first episode of the first season of Brideshead Revisited

See also

• Allegory
• Baroque painting
• Et in Arcadia ego by Nicolas Poussin
• Memento mori

References

External links

• Official Galleria Nazionale d'Arte Antica website

На других языках

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- [en] Et in Arcadia ego (Guercino)

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[fr] Et in Arcadia ego (Le Guerchin)

Et in Arcadia ego (ou Les Bergers d'Arcadie) est une toile du peintre baroque Giovanni Francesco Barbieri (Le Guerchin) réalisée dans les années 1610 et début 1620. Elle est conservée dans les galeries d'art du palais Corsini à Rome.

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[it] Et in Arcadia ego (Guercino)

Et in Arcadia ego è un dipinto a olio su tela (82x91 cm) realizzato dal Guercino e attualmente conservato presso la Galleria nazionale d'arte antica di palazzo Corsini a Roma. Citato per la prima volta come opera di Guercino nell'ínventario di Antonio Barberini del 1644 (Lavin 1975, p. 168), il dipinto passò nel 1812 al ramo Colonna di Sciarra, con un'attribuzione a Bartolomeo Schedoni che conservò fino al 1911 quando Hermann Voss la restituì a Guercino.[1]

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