I and the Village is an oil on canvas painting by the Belarusian-French artist Marc Chagall created in 1911. It is exhibited at the Museum of Modern Art, New York.[1]
I and the Village | |
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Artist | Marc Chagall |
Year | 1911 (1911) |
Medium | Oil on canvas |
Dimensions | 192.1 cm × 151.4 cm (75.6 in × 59.6 in) |
Location | Museum of Modern Art, NY |
The work is Cubist in construction and contains many soft, dreamlike images overlapping one another in a continuous space.[1][2] In the foreground, a cap-wearing green-faced man stares at a goat or sheep with the image of a smaller goat being milked on its cheek. In the foreground is a glowing tree held in the man's dark hand. The background features a collection of houses next to an Orthodox church, and an upside-down female violinist in front of a black-clothed man holding a scythe. Note that the green-faced man wears a necklace with St. Andrew's cross. As the title suggests, I and the Village is influenced by memories of the artist's place of birth and his relationship to it.[1][3][4]
The significance of the painting lies in its seamless integration of various elements of Eastern European folktales and culture, both Belarusian and Yiddish.[5] Its clearly defined semiotic elements (e.g. The Tree of Life) and daringly whimsical style were at the time considered groundbreaking.[6] Its frenetic, fanciful style[3] is credited to Chagall's childhood memories becoming, in the words of scholar H.W. Janson, a "cubist fairy tale"[7] reshaped by his imagination, without regard to natural color, size or even the laws of gravity.[3]
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