art.wikisort.org - PaintingLandscape with Orpheus and Eurydice is a 200 × 124 cm (approx 6.5 × 4 feet) oil-on-canvas by artist in the classical style Nicolas Poussin, painted between 1650 and 1653. It is currently held and exhibited at the Louvre in Paris
Painting by Nicolas Poussin
Landscape with Orpheus and Eurydice |
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Artist | Nicolas Poussin |
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Year | c. 1650 |
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Medium | Oil on canvas |
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Dimensions | 124 cm × 200 cm (4 ft 1 in × 6 ft 7 in) |
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Location | Louvre, Paris |
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History
Nicolas Poussin painted this work for his longtime friend and patron, Jean Pointel, who was a rich banker in Paris. Pointel also was a member of the libertines,[clarification needed] a circle which Poussin himself frequented. It was in Pointel's collection, which had many works by Poussin, but was stored away after the political climate in Paris changed. In its place Poussin`s landscape with snake and dying man, was hung in Pointel`s private collection.[citation needed]
Poussin places the story of Orpheus in the Campagna Romana (Roman countryside): the Castel Sant'Angelo and the Torre delle Milizie ("Tower of the Militia") figure in this painting, borrowed from the landscape of the Eternal City.[1] Dense smoke pours from a fire which devastates the Castle, and darkens a sky already overcast with sombre clouds. The fall of the light divides the landscape diagonally into bright and dark areas - a division clearly seen on the Torre delle Milizie.[2]
Many of Poussin's pictures have darkened, mainly as a result of a red underpainting which has begun to show through the colours. The Orpheus, however, is free of this: it has kept its original transparency even in the darker passages, and the whole painting is in a particularly fine state of preservation.[3]
This work by Poussin remains cryptic and there are various opinions about possible ways to decipher it.
See also
- Baroque painting
- Et in Arcadia ego
- History of painting
- List of Nicolas Poussin paintings
- Western painting
Notes
- McTighe, Sheila (1996), Nicolas Poussin's Landscape Allegories, Cambridge University Press, ISBN 0-521-48214-3
- F. Negri Arnoldi, Storia dell'Arte, Fabbri Group (1990), Vol.3, pp.260-262, ISBN 978-88-450-0735-4. See also, Mérot, Alain (1990), Nicolas Poussin, Abbeville Press, ISBN 1-55859-120-6
- Verdi, Richard; Rosenberg, Pierre (1995), Nicolas Poussin 1584-1665, Royal Academy, ISBN 0-302-00656-7
References
- Baer, Curtis O. (1963), "An Essay on Poussin", The Journal of Aesthetics and Art Criticism, Blackwell Publishing, 21 (3): 251–261, doi:10.2307/427435, JSTOR 427435
- Bätschmann, Oskar (1999), Nicolas Poussin: Dialectics of Painting, Reaktion Books, ISBN 0-948462-43-4
- Carrier, David (1993), Poussin's paintings: a study in art-historical methodology, Penn State Press, ISBN 0-271-00816-4
- Clark, Kenneth (1961), Landscape into art, Beacon Press
- Haggard, Patrick; Rodgers, Sam (2000), "The movement disorder of Nicolas Poussin (1594-1665)", Movement Disorders, 15 (2): 328–334, doi:10.1002/1531-8257(200003)15:2<328::AID-MDS1021>3.0.CO;2-Y, PMID 10752587, archived from the original on 2013-01-05
- McTighe, Sheila (1996), Nicolas Poussin's Landscape Allegories, Cambridge University Press, ISBN 0-521-48214-3
- Mérot, Alain (1990), Nicolas Poussin, Abbeville Press, ISBN 1-55859-120-6
- F. Negri Arnoldi, Storia dell'Arte, Fabbri Group (1990), Vol.III, ISBN 978-88-450-0735-4
- Scott, Katie; Warwick, Genevieve (1998), Commemorating Poussin: Reception and Interpretation of the Artist, Cambridge University Press, ISBN 0-521-64004-0
- Sohm, Philip Lindsay (2007), The artist grows old: the aging of art and artists in Italy, 1500-1800, Yale University Press, ISBN 978-0-300-12123-0, Chapter 3. Poussin's hands and Titian's eyes
- Verdi, Richard; Rosenberg, Pierre (1995), Nicolas Poussin 1584-1665, Royal Academy, ISBN 0-302-00656-7
External links
Orpheus and Eurydice |
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Characters | |
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Orphean operas |
- Euridice (1600, Peri)
- Euridice (1602, Caccini)
- L'Orfeo (1607, Monteverdi)
- Orfeo dolente (1616, Belli)
- La morte d'Orfeo (1619, Landi)f
- Orfeo (1647, Rossi)
- Orfeo (1672, Sartorio)
- La descente d'Orphée aux enfers (c. 1686, Charpentier)
- Orpheus (1726, Telemann)
- Orfeo ed Euridice (1762, Gluck)
- L'anima del filosofo (1791, Haydn)
- Orpheus in the Underworld (1858, Offenbach)
- Orpheus und Eurydike (1921, Krenek)
- L'Orfeide (1925, Malipiero)
- Orpheus and Eurydice (1975, Zhurbin, rock opera)
- The Mask of Orpheus (1986, Birtwistle)
- The Second Mrs Kong (1994, Birtwistle)
- The Corridor (2009, Birtwistle)
- Eurydice (2020, Aucoin)
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Musicals | |
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Plays |
- Eurydice/Point of Departure (1941, Anouilh)
- Orfeu da Conceição (1956, de Moraes)
- Orpheus Descending (1957, Williams)
- Eurydice (2003, Ruhl)
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Films | |
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Poetry |
- Sir Orfeo (c. late thirteenth century)
- The Tale of Orpheus and Erudices his Quene (c. 1480)
- Sonnets to Orpheus (1922)
- "Eurydice" (1999)
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Novels |
- The Einstein Intersection (1967)
- Gravity's Rainbow (1973)
- The Medusa Frequency (1987)
- The Ground Beneath Her Feet (1999)
- Veniss Underground (2003)
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Art | |
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Albums | |
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Ballet |
- Orpheus (1948)
- Chaconne (1976)
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Video games |
- Hades (2020)
- The Battle of Olympus
- Don't Look Back
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Related |
- The Gaze of Orpheus
- Orpheus Monument
- Orpheus no Mado
- Orphism
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Authority control: Art research institutes  | |
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На других языках
- [en] Landscape with Orpheus and Eurydice
[fr] Paysage avec Orphée et Eurydice
Paysage avec Orphée et Eurydice est une huile sur toile peinte vers 1650-1653 par Nicolas Poussin. Ses dimensions sont de 124 x 200 cm. Acquise en 1665, elle fait partie de la collection de Louis XIV. L'œuvre entre dans les collections du département des peintures du musée du Louvre sous le numéro INV 7307. Le sujet est l'histoire d'Orphée et Eurydice provenant des Métamorphoses d'Ovide. Ce tableau est un des plus célèbres et des plus représentatifs des paysages de Nicolas Poussin.
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