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Lute Player is an early 17th-century painting by French artist Valentin de Boulogne. Done in oil on canvas, the painting depicts a young soldier playing a lute. The painting was originally in the collection of Cardinal Mazarin, and is currently in the collection of the Metropolitan Museum of Art, in New York.

Lute Player
ArtistValentin de Boulogne
Year1625–26
MediumOil on canvas
Dimensions128.3 cm × 99.1 cm (50.5 in × 39.0 in)
LocationMetropolitan Museum of Art, New York
Accession2008.459

Description


Lute was rendered by Valentin de Boulogne between 1625 and 1626 in Rome. The work was then sold, and first appears in the collection of Cardinal Mazarin, a French political minister who owned nine other works by de Boulogne. The painting's title and central figure may be self-referential as de Boulogne's nickname in Rome was "Amador", which has been loosely translated from Spanish as "lover boy".[1]

The painting itself depicts a young man playing a lute. The figure is clad in rich clothing and a steel gorget, indicating he is a soldier - likely a Spanish mercenary. Like many of de Boulogne's paintings, Lute is heavily influenced by tenebrism, a style of art popularized by de Boulogne's contemporary Caravaggio.[1]


References


  1. "Lute Player". www.metmuseum.org. Retrieved 2020-08-24.{{cite web}}: CS1 maint: url-status (link)

На других языках


[de] Der Lautenspieler (Boulogne)

Der Lautenspieler ist ein Gemälde des französischen Malers Valentin de Boulogne, das einen jungen Soldaten mit einer Laute zeigt, der ein Liebes-Madrigal singt. Es hat die Maße 128,3 × 99,1 cm und ist im Metropolitan Museum ausgestellt. Ursprünglich war es Teil der Kunstsammlung von Kardinal Jules Mazarin, der acht Werke des Künstlers besaß.
- [en] Lute Player

[fr] Le Joueur de luth (Boulogne)

Le Joueur de luth est une peinture à l'huile sur toile réalisée au début du XVIIe siècle par l'artiste français Valentin de Boulogne, représentant de l'école caravagesque. Le tableau représente un jeune soldat jouant du luth. Le tableau appartenait à l'origine à la collection du cardinal Mazarin et il a été acquis en 2008 par le Metropolitan Museum of Art de New York[1].



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