Madonna of the Rose Bower (or Virgin in the Rose Bower) is a panel painting by the German artist Stefan Lochner, usually dated c. 1440-1442, although some art historians believe it contemporaneous with his later Dombild Altarpiece. It is usually seen as one of his finest and most closely detailed works.[1]
Painting by Stefan Lochner
Madonna of the Rose Bower, c. 1440–1442. Wallraf-Richartz Museum, Cologne
The Virgin is presented as "Queen of Heaven", and is seated in a rose garden, symbolizing the heavenly Eden,[2] under a canopy with red curtains held apart by angels. She sits on a red cut velvet bolster, holding the Christ child in her lap.[3] Her crown and medallion are symbols of her virginity.[4] She wears a minutely detailed brooch, which contains a representation of a seated maiden holding a unicorn.[5]
Christ holds an apple, a symbol to signify him as the New Adam.[2] Hovering and seated angels offer gifts of roses and apples or play music. Five kneel in the grass before her, with instruments including a portable organ, others bear fruit.
The painting is heavily infused with symbols of innocence and purity, including the red and white roses.[6] The red roses and strawberries, by their red color, reference Christ's forthcoming Passion.[2] Mary sits before a curved stone bench, around which grow lilies, daisies and strawberries, with an acanthus flower blooming to her left. Mary herself is presented on a monumental scale, underscoring her regal status.[3]
Above her is pictured God the Father and the Holy Spirit in the form of a dove, together with God made Flesh sitting on her lap, Lochner has pictured the dogma of the Trinity.[2] This arrangement of God above her also reinforces Mary's divine motherhood.
See also
100 Great Paintings, 1980 BBC series
Notes
Chapuis, 274
Salvador-Gonzalez, José Maria (2014). "Sicut ilium inter spinas. Floral Metaphors in Late Medieval Marian Iconography from Patristic and Theological Sources". Eikon Imago. 6: 1–32.
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