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The Flagellation of Christ is a panel painting by 13th-century Italian artist Cimabue, in egg tempera and gold leaf on a poplar panel, dated to c.1280. It has been held by the Frick Collection in New York since 1950, and is the only painting by Cimabue in the US. The Frick Collection acquired the painting from the Knoedler gallery in Paris in 1950. Previously, it had been owned by the antiques dealer M Rolla at the end of the 19th century, inherited by G Rolla, and then sold to the art dealer Eduardo Moratilla.[1]

The painting depicts the flagellation of Christ, an episode in the Passion. In the painting, Christ, naked but for a loincloth, is bound to a marble column that rises up the centre of the scene, dividing it into two halves. He is being flogged by two figures, one to either side, in clothing of jarringly cheerful colours. The anguished Christ regards the viewer calmly. Tall city buildings in the background are depicted with Byzantine reverse perspective frame the scene. The figure of Christ is heavily influenced by that in Cimabue's Santa Croce Crucifix, whilst the torturers in bright clothing recall the Siennese school and the stylised background buildings the Roman school, the latter influence already taken on by Cimabue's workshop in the Lives of the Apostles in the Upper Basilica at Assisi.[2]

The panel measures 24.7 cm × 20 cm (9.7 in × 7.9 in). It is one of three panels known from the Diptych of Devotion, a polyptych depicting the passion of Christ, which probably had two wings each with four panels, eight in all. The physical condition of the paint at the edges of Flagellation of Christ panel indicate that it was at the lower-right corner of a larger composite work. Two other scenes by Cimabue, painted on wood panels of similar size, have been identified as parts of the same polyptych: Virgin and Child with Two Angels in the collections of the National Gallery in London (discovered in Suffolk in 2000) and Christ Mocked, discovered in France in 2019.[3]

Attribution of the work has been problematic since it came to the attention of art historians in the 1950s. It was initially attributed it to another Sienese artist Duccio, but others suggested Cimabue or his workshop. The uncertainty was resolved after the discovery and attribution of the similarly-size Virgin and Child with Two Angels, definitively attributed to Cimabue, which led to a reattribution of the Flagellation of Christ from Duccio to Cimabue. The two panels were exhibited together in Pisa and London in 2005, and at the Frick Collection in 2006. A third panel, Christ Mocked, was found in France in 2019, and auctioned for €24 million.

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  Cimabue, Christ Mocked
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  Cimabue, Virgin and Child with Two Angels, National Gallery
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  A proposed reconstruction of the Diptych of Devotion

References

External Links

• Cimabue and Early Italian Devotional Painting, Frick Collection, exhibition in 2006.

• Two Cimabue Panels Reunited in US for the First Time in Cimabue and Early Italian Devotional Painting, October 3 through December 31, 2006", press release, Frick Collection.

На других языках

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- [en] The Flagellation of Christ (Cimabue)

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[fr] La Flagellation du Christ (Cimabue)

La Flagellation du Christ est un tableau de dévotion de Cimabue. Tempera et or sur un panneau en bois de peuplier de 25,2 × 20,3 cm, il constituerait l'un des huit panneaux du diptyque (perdu) composé vers 1280. Il est conservé dans la Frick Collection à New York depuis 1950.

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[it] Flagellazione (Cimabue)

La Flagellazione è un dipinto a tempera e oro su tavola (24,7x20 cm) attribuito a Cimabue, databile al 1280-1285 circa e conservato nella Frick Collection di New York.

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