art.wikisort.org - Painting

The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly elected abbot, the humanist scholar Ambrogio Traversari.[1] It is variously dated to c1425,[2] 1425–30[3] and 1431.[1] It was originally sited in the church of Santa Maria degli Angeli[2] and now is in the museum of San Marco, Florence. It is not to be confused with another Fra Angelico Last Judgement in the Gemäldegalerie, Berlin.

The Last Judgment
Artist	Fra Angelico
Year	1425–1430
Medium	tempera on panel
Location	San Marco, Florence

Description

Like most of Fra Angelico's work, the iconography is standard for the contemporary treatments of the Last Judgement. Among the most common subjects of painting in churches, it is found more often on walls. In the top centre of the picture, Christ sits in judgement on a white throne surrounded by angels, Mary, John, and the saints. Christ is shown as judge of the living and dead, his left hand pointing down to Hell, his right up to Heaven. On Christ's right hand is paradise, with angels leading the saved through a beautiful garden into a shining city. In the middle are the broken tombs of the risen dead, come out of their graves to be finally judged. On Christ's left demons drive the damned into Hell, where the wicked are tormented. At the very bottom Satan chews on three of the damned, and grasps two others.

Details

• 
  Paradise
• 
  Hell
• 
  Detail of the broken tombs

See also

• Doom (painting)
• The Last Judgment (Michelangelo)
• The Last Judgment (Bosch triptych)
• The Last Judgment (Memling)
• Beaune Altarpiece

References

На других языках

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- [en] The Last Judgment (Fra Angelico, Florence)

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[fr] Le Jugement dernier (Fra Angelico)

Le Jugement dernier (Il Giudizio Universale) est un tableau de Fra Angelico, conservé au musée national du couvent San Marco de Florence.

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[it] Giudizio universale (Angelico)

Il Giudizio Universale è un'opera di Beato Angelico, conservata nel Museo nazionale di San Marco a Firenze. Si tratta di una tempera su tavola (105 × 210 cm) databile al 1431 circa. La forma insolita del pannello deriva dalla singolare destinazione dell'opera, usata per decorare la cimasa del seggio del coro.

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