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The Swing (French: L'Escarpolette), also known as The Happy Accidents of the Swing (French: Les Hasards heureux de l'escarpolette, the original title), is an 18th-century oil painting by Jean-Honoré Fragonard in the Wallace Collection in London. It is considered to be one of the masterpieces of the Rococo era, and is Fragonard's best-known work.[1]

The Swing
ArtistJean-Honoré Fragonard
Yearc.1767
MediumOil on canvas
Dimensions81 cm × 64.2 cm (31+78 in × 25+14 in)
LocationWallace Collection, London, United Kingdom

Description


The painting depicts an elegantly dressed young woman on a swing. A smiling young man, hiding in the bushes below and to the left, points towards her billowing dress with hat in hand. A smiling older man, who is nearly hidden in the shadows on the right, propels the swing with a pair of ropes, as a small white dog barks nearby. The lady is wearing a bergère hat (shepherdess hat), as she flings her shoe with an outstretched left foot. Two statues are present, one of a putto, who watches from above the young man on the left with its finger in front of its lips, the other of two putti is on the right beside the older man.

According to the memoirs of the dramatist Charles Collé,[2] a courtier (homme de la cour)[3] first asked Gabriel François Doyen to make this painting of him and his mistress. Not comfortable with this frivolous work, Doyen refused and passed on the commission to Fragonard.[2] The man had requested a portrait of his mistress seated on a swing being pushed by a bishop, but Fragonard painted a layman.

This style of "frivolous" painting soon became the target of the philosophers of the Enlightenment, who demanded a more serious art which would show the nobility of man.[4]


Provenance


The Swing (centre), as displayed at the Wallace Collection, London
The Swing (centre), as displayed at the Wallace Collection, London

The original ownership is uncertain. A firm provenance begins only with the tax farmer Marie-François Ménage de Pressigny, who was guillotined in 1794,[5] after which it was seized by the revolutionary government. It was possibly later owned by the marquis des Razins de Saint-Marc, and certainly by the duc de Morny. After his death in 1865, it was bought at auction in Paris by Lord Hertford, the main founder of the Wallace Collection.[6]


Notable copies


There are two notable copies, neither by Fragonard.

Copy of The Swing from Musée Lambinet, Versailles
Copy of The Swing from Musée Lambinet, Versailles

Notable derived works



Notes


  1. Ingamells, 164
  2. Collé, Charles (1868). Journal et mémoires de Charles Collé sur les hommes de lettres, les ouvrages dramatiques et les événements les plus mémorables du règne de Louis XV (1748-1772). Vol. III. Paris: Firmin Didot Frères, Fils et Cie. pp. 165–166.
  3. Although his identity was not unveiled by Collé, it has been thought that it was Marie-François-David Bollioud de Saint-Julien, baron of Argental (1713–1788), best known as Baron de Saint-Julien, the then Receiver General of the French Clergy. However there is little evidence for this, according to Ingamells, 163-164.
  4. Fragonard, The Swing. khanacademy.org. Retrieved 17 December 2016.
  5. "François Marie Ménage de Pressigny". The British Museum. Trustees of the British Museum. Retrieved 2020-03-27.
  6. Ingamells, 165
  7. Wallace Collection (1908). Catalogue of the Oil Paintings and Water Colours in the Wallace Collection (8th ed.). ISBN 9781445542393. A repetition of by no means equal merit is in the collection of Baron Edmond de Rothschild; a smaller version was in that of the Duc de Polignac (see Virgile Josz: Fragonard).
  8. Bremmer, Jan (1991). From Sappho to De Sade: Moments in the History of Sexuality. Routledge. pp. 80–81. ISBN 978-0-415-06300-5. Note 4: According to Nevill (1903), a replica with a blue instead of a pink dress is in the possession of Baron de Rothschild.
  9. Base Joconde: L'escarpolette, French Ministry of Culture. (in French)
  10. "About This Artwork – The Art Institute of Chicago". Art Institute of Chicago. 1792. Retrieved 2011-11-19.
    "R. S. Johnson Fine Art". R. S. Johnson Fine Art. Retrieved 2011-11-19.[permanent dead link]
  11. University of Illinois (Winter 1998). "Modern American Poetry". Retrieved 5 April 2020.
  12. "Neon Park". lambiek.net. Retrieved 2021-06-08.
  13. Terry Byrne (14 June 2008). "Moving tales of love make 'contact'". The Boston Globe. Retrieved 8 August 2018. 'Swinging' tells the story behind a painting by 18th-century artist Jean-Honore Fragonard, in which a girl on a swing (Ariel Shepley) is teasing her companion (Jake Pfarr), while a servant (Sean Ewing) pushes the swing for her.
  14. "Yinka Shonibare, MBE The Swing (after Fragonard), Yinka Shonibare, MBE Tate". Tate. Retrieved 2014-08-04.
  15. "Look What We Found in Frozen | Disney Insider". Oh My Disney. 2013-12-10. Retrieved 2019-07-30.
  16. "Harley Quinn Season 3's Poster Is a Perfect Microcosm of the Series". CBR.com. 2022-07-27. Retrieved 2022-08-15.

References




External video
Fragonard's The Swing, Smarthistory

На других языках


- [en] The Swing (Fragonard)

[es] El columpio (Fragonard)

Los felices azares del columpio (en francés, Les hasards heureux de l’escarpolette) o, simplemente, El columpio es el cuadro más conocido del artista francés Jean Honoré Fragonard y una de las obras más representativas del rococó, realizado en 1767. Es una pintura al óleo sobre lienzo con unas dimensiones de 81 centímetros de alto por 65 cm. de ancho. Se conserva en la Colección Wallace, en Londres (Reino Unido).

[fr] Les Hasards heureux de l'escarpolette

Les Hasards heureux de l'escarpolette est une scène galante peinte par Jean Honoré Fragonard entre 1767 et 1769.

[it] I fortunati casi dell'altalena

L'altalena (conosciuto anche come I fortunati casi dell'altalena[1]) è un dipinto di Jean-Honoré Fragonard del 1767, parte della Wallace Collection di Londra.

[ru] Качели (картина Фрагонара)

«Качели» — картина французского живописца Жана Оноре Фрагонара, написанная около 1767 года. Наиболее известная работа художника, считающаяся одним из шедевров живописи эпохи рококо[2]. Полное название картины: «Счастливые возможности качелей» (фр.  Les Hasards heureux de l'escarpolette).



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